Into The Woods Character Analysis

In the book The Body in the Woods by April Henry there is a contrast/contradiction moment where Ruby’s parents don’t allow her to go on the SAR search. The book states that, “Ruby had an excruciating awareness of her own strangeness. No matter how hard she tried, she found it impossible to fit in. Being friends with Alexis had helped.” This shows that Ruby normally doesn’t fit in, but when she joined SAR the only girls were Alexis and her, so she felt she fit in a little bit when she had a friend. Another piece of evidence states that, “ ‘You’ll go to school tomorrow, not the sheriff’s office. And you’ll contact the SAR and tell them you’re going to have to withdraw from the group... Anger made Ruby rigid, locked her rebuttal in her throat.”

A character’s costume is much more than the clothes they wear to play a part. These clothes help us venture into the author’s world and help us connect with this new place and believe in its reality. They help us capture so much more than what the character looks like. We are able to see, feel, and experience the characters personality and purpose in the story. In a play or movie, we immediately make our fist connection with a character based on what they are wearing, this is the first step in drawing us in and making us believe in this new world. This first impression gives us the first glimpse at the characters style, background, and social class. All of these things are meant to immediately draw us in.

(See Figure 12) In the black swan the prince is wearing the white tight with a white velvet jacket. How the film has followed the conventions of costume in the Swan Lake is the style of the prince costume which has been done in other adaptations of Swan

For this Case Study I chose fictional character Will Hunting from the award winning movie Good Will Hunting. Will Hunting was born in a poor region of south Boston, Massachusetts, an orphan, who lived with a very abusive alcoholic foster dad. As a kid, Will was subdued to frequent physical abuse by his foster dad, between getting beat with a wrench, and having cigarettes put out on him, Will dealt with a lot at a young age (James A. Frieden).

Randy Pausch. Who is he? What does he stand for? The day he gave the last lecture... His last lecture he only had months to live. He packed a lot of lessons into his lecture. The claims he gave that stood out were to be optimistic, to be determined, and to take risks.

The costumes used in Luhrmann’s film are very modern as using the original Elizabethan style costumes would make the film more historical and therefore would not appeal to a younger audience. Luhrmann has used two distinctive costume styles to help the audience distinguish the difference between the two families. For the Montague family, Luhrmann has put the characters in unbuttoned, bright coloured Hawaiian shirts and given the males short blonde hair to link to these characters beachside lifestyles. For the Capulet family, Luhrmann has used stylish but sinister looking costumes such as vests, and silver heeled boots to show the audience how these men are similar to Mexican drug

In Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest”, the nurse Miss Ratched is a fine example of a realistic fictional villain. Possession of three key components is essential in identifying what makes Miss Ratched a villian. Motive is what drives the villain to commit the very acts that allow them to be considered evil in the first place, and often drive their entire being as a character. While they must possess motive, they must also have a sense of morals that coincides with their motives (typically evil, or distorted) and follow their moral compass in a way that often causes trouble for those around them. Additionally, a villain is frequently associated with their opposite; the hero who combats them. Kesey’s character perfectly aligns with these three categories of what makes a villain, and it is unquestionable that she is the villain of the novel.

As Ricky Baker thrives to build his relationship with his new uncle, Hector, he is also running away from his consequences. The film,“The Hunt for the Wilderpeople”, begins with the delivery of Ricky Baker, an orphan, to his adoptive family. As the story progresses, his aunt, Bella, passes away, which begins his journey to disappear from society. Hec, Ricky’s uncle, receives a letter regarding Ricky’s confinement in juvenile. As Hec started to vocalize, Ricky refuses to go to juvenile due to his desire to disappear. Through Ricky’s determination, loyalty, and his adventures, these traits allow him to gain life lessons during his journey to run away from his consequences.

The are several different types of costuming that were shown in Tim Burton’s style. His style showed uniqueness, which described who they are, and how they are compared. Tim Burton represents how the costuming and accessories are described in several ways the person’s values in life. His values in people’s life were lost since he did not look like the rest. For example, when Edward leaves the Mansion, and goes to a new home, the neighbourhood was all amazed like if they never seen “an evil monster”Edward had scissors for hands since he was made in the mansion. Due to him not being human he was 6 foot something, which was not normal. By bringing a character spontaneous the details show how no one ever looks at someone by who they are. The

What if everything was done for you. You probably just thought about how that would be the coolest thing ever, but is it really? Ray Bradbury’s dystopian story “ The Veldt” takes place in a home in the future. The parents and the children have a home that does everything for them. Like making food, and dressing, to bathing, and painting.

In the biography Into the Wild written by Jon Krakauer, Chris McCandless makes the decision to try and live in the wilderness. With little food, no communication with the outside world, and dangers around every corner McCandless decides to try and survive. Possible character traits that McCandless had that caused him to make this decision are: thrill-seeker, overconfident, or he was just inspired and wanted to live poor instead of wealthy.

As the performance goes on, the costume design represents where our characters are at in their timeline. While, in the first act, the characters are dressed in stereotypical post-apocalyptic attire, it does vary in from what we are presented in the last two acts. Around the campfire, the characters are dressed in

Additionally, the costumes that were selected for the wedding scene are also representative. In this scene, King Henry wears his brown garment along with a livery collar, to express the momentous occasion. His wife to be wears a pink gown that symbolizes

The people who lived during the Elizabethan Era were not allowed to wear whatever they like or desired. Their Fashion choices had to be followed by a strict law! The English people chose to establish social classes by the colors they wore and this had an affect on costumes used in theatre. Queen Elizabeth I followed the sumptuary laws, which was only certain classes were consent to wear specific fabric and colors. Therefore in plays the actors could only wear certain colors for their costumes that displayed what role and class their character was in. The clothes worn during this era was a result of Queen Elizabeth’s sumptuary laws, which had an affect on costumes used in plays, and each color a person wore had a significant meaning.

“The Last of the Mohicans” is a historical novel written by James Fennimore Cooper in 1826, depicting colonial America in 1757 amidst the bloody and long-drawn French and Indian War. The novel is an epic tale of war, loyalty, and the clashing of peoples from different backgrounds and races. Roughly 160 years later, the novel was adapted into a film which, despite the identical settings of the book and the movie, largely transforms the complex historical novel of a war amongst races into a saga of love, lust, and sacrifice through the oversimplification of the novel’s two female characters, Cora and Alice. Although, in the book, Cora is depicted as a fiery and mysterious Afro-Caribbean woman who lacks a love interest and dies heroically at the hands of the enemy, in the movie, Cora is reduced to a white woman whose character is centralized around the competing interests of two white men and appears destined for love. Ultimately, Cora’s character transformation from book to novel through her changed race, her exerted femininity, and her eventual romantic happy-ending demonstrates the serial reconstruction of strong, complex female characters as oversimplified vehicles for an audience-accepted romantic plotline and the centralization of male character dominance.