Intramuros

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HUMANITIES 1 (RESEARCH PAPER) HISTORY OF PAINTINGS AND ARTISTS IN THE WORLD ADRIAN M SITCHON PROF. PEREZ 4TH YEAR/BS.HRM/NS (SUBMITTED BY) TABLE OF CONTENT INTRODUCTION HISTORY BODY * EASTERN PAINTING * WESTERN PAINTING * 20th-CENTURY MODERN * AND CONTEMPORARY DEFINITION OF TERMS * FAMOUS PAINTERS * AND BIOGRAPHY * Paintings of famous painters CONCLUSION RECOMMENDATION REFERENCE INTRODUCTION: Painting can be done in a variety of media. For example, Oils, Watercolour, Acrylics, Gouache and Tempera. Paints are made from a pigment, and a binder. Binder is relatively cheap, while pigment is much more expensive. Pigments are a colored powder, made from organic or…show more content…
The history of Japanese painting is a long history of synthesis and competition between native Japanese aesthetics and adaptation of imported ideas. Korean painting, as an independent form, began around 108 B.C., around the fall of Gojoseon, making it one of the oldest in the world. The artwork of that time period evolved into the various styles that characterized the Three Kingdoms of Korea period, most notably the paintings and frescoes that adorn the tombs of Goguryeo's royalty. During the Three Kingdoms period and through the Goryeo dynasty, Korean painting was characterized primarily by a combination of Korean-style landscapes, facial features, Buddhist-centered themes, 3 Chinese painting: Further information: History of Chinese art, Tang dynasty art and Ming Dynasty painting Spring Morning in the Han Palace, by Ming-era artist Qiu Ying (1494–1552 AD) The earliest surviving examples of Chinese painted artwork date to the Warring States Period (481 – 221 BC), with paintings on silk or tomb murals on rock, brick, or stone. They were often in simplistic stylized format and in more-or-less rudimentary geometric patterns. They often depicted mythological creatures, domestic scenes, labor scenes, or palatial scenes filled with officials at court. Artwork during this period and the subsequent Qin Dynasty (221 – 207 BC) and Han Dynasty (202 BC – 220 AD) was made not as a means in and of itself or for higher personal expression; rather artwork was

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