Intriguing Use of Plot in William Faulkner's A Rose for Emily

William Faulkner's "A Rose for Emily" is a story that uses flashbacks to foreshadow a surprise ending. The story begins with the death of a prominent old woman, Emily, and finishes with the startling discovery that Emily as been sleeping with the corpse of her lover, whom she murdered, for the past forty years. The middle of the story is told in flashbacks by a narrator who seems to represent the collective memory of an entire town. Within these flashbacks, which jump in time from ten years past to forty years past, are hidden clues which prepare the reader for the unexpected ending, such as hints of Emily's insanity, her odd behavior concerning the deaths of loved ones, and the evidence that the

William Faulkner paints a tragic tale about the inevitability of change and the futility of attempting to stop it in "A Rose for Emily". This story is about a lonely upper-class woman struggling with life and traditions in the Old South. Besides effective uses of literary techniques, such as symbolism and a first plural-person narrative style, Faulkner succeeds in creating a suspenseful and mysterious story by the use of foreshadowing, which gives a powerful description about death and the tragic struggle of the main character, Miss Emily. In general the use of foreshadowing often relates to events in a story, and few are attempted to describe character. Faulkner has effectively

In “A Rose for Emily”, Charles Faulkner used a series of flashbacks and foreshadowing to tell Miss Emily’s story. Miss Emily is an interesting character, to say the least. In such a short story of her life, as told from the prospective of a townsperson, who had been nearly eighty as Miss Emily had been, in order to tell the story from their own perspective. Faulkner set up the story in Mississippi, in a world he knew of in his own lifetime. Inspired by a southern outlook that had been touched by the Civil War memory, the touch of what we would now look at as racism, gives the southern aroma of the period. It sets up Miss Emily’s southern belle status and social standing she had been born into, loner or not.

“Alive, Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town” (Faulkner 1). Emily, a member of the town’s elite class, relied upon her father when growing up and after his death, she refused to pay her taxes, stating that her father contributed much to society. But it was evident that she didn’t pay them because of a lack of maturity - financially and socially. When she was younger she pushes herself onto Homer Barron, a Northerner with no interest in marriage. Throughout the story, Emily is conflicted over societal change, and clings to her privileged manner even after finding herself in poverty. Yet, she becomes involved with a man from a lower social class, and a Northerner as well - hinting that he has different beliefs and values. The townspeople, however, believe the relationship it too modern when there is a possibility they are having physical relations despite not being serious about marriage. The community’s inability to commit to progress, contribute to the confused Emily’s decision. In A Rose for Emily, Faulkner uses the symbolism of Emily’s house and her hair to demonstrate her emotional instability and physical deterioration, illustrating the outcome of his story.

In “A Rose for Emily”, William Faulkner uses symbolism, imagery, simile and tone. Faulkner uses these elements to lead his characters to an epiphany of letting go of out-dated traditions and customs. The resistance to change and loneliness are prominent themes within “A Rose for Emily”. Faulkner uses “A Rose for Emily” to caution his readers that things are not always what they appear to be.

Faulkner used a setting and time to show Emily had a hard time accepting change and moving on with her life. They story took place right after the Civil War. Most African Americans were loathed and discriminated but Emily was relived from her father. Money showed a social statement back then and Emily’s father had money. Since her father loaned the town money she had become a well appreciated woman even after his passing. In stated in the story, “she had chosen not to come out of the house and when the townspeople had saw her they seen a different Emily.” As stated in the book

There are many instances where Emily resists change, unable to let go of the Southern, antebellum lifestyle she grew up with. This creates a contrast between Emily and the rest of the town, which is progressing and modernizing as time goes by. Emily’s traditional nature puts an emphasis on her representation of the past. She actively resists modernization, choosing to reply to the mayor’s offer to call with a letter “on paper of an archaic shape, [written with] thin, flowing calligraphy in faded ink” (Faulkner 1). Emily’s actions represent the past and an inability to let go of it. She is stuck in the past, unwilling to accept the change that the future brings. Emily and her house are the last glimpses of the past in her town; as the town progresses, her house stood unmoving, “lifting its stubborn and coquettish decay above the cotton wagons” (Faulkner 1). The house continues to display the style of the past, despite the decay and progression of style. Emily and her house represent the past, when her house was new and in style. Emily’s resistance to change and longing for the past is appropriate, considering her age and upbringing. She is an older woman, who grew up during the Civil War era in the South. The reason the South fought in the Civil War was to protect their lifestyle at all costs. The South was unwilling to change, stubbornly clinging to the antebellum way of life. This philosophy shaped the

Faulkner continues his southern gothic writing style when the story goes back to an earlier time in Miss Emily’s life. Faulkner

William Faulkner has done a wonderful work in his essay “A Rose for Emily.” Faulkner uses symbols, settings, character development, and other literary devices to express the life of Emily and the behavior of the people of Jefferson town towards her. By reading the essay, the audience cannot really figure out who the narrator is. It seems like the narrator can be the town’s collective voice. The fact that the narrator uses collective pronoun we supports the theory that the narrator is describing the life of “Miss Emily” on behalf of the townspeople. Faulkner has used the flashback device in his essay to make it more interesting. The story begins with the portrayal of Emily’s funeral and it moves to her past and at the end the readers realize that the funeral is a flashback as well. The story starts with the death of Miss Emily when he was seventy-four years old and it takes us back when she is a young and attractive girl.

When creating a story the author has to incorporate elements which give the reader a hint as to what message they are trying to get across. These elements contour the story’s plot and determine whether a reader will remain interested or not. In A Rose for Emily, William Faulkner uses foreshadowing and symbolism to add suspense, keeping the reader on their toes until the story’s conclusion.

In Faulkner's story, an onlooker tells of the peculiar events that occurred during Miss Emily's life. The author never lets the reader understand Emily's side to the story. Instead, the reader is forced to guess why Emily is as strange as she is. In the story, Emily had harbored her father's dead body in her house for three days (par. 27). The reader is told of how the town looked upon what Emily had done, but the reader is never able to fully understand Emily's actions until the end of the story.

In William Faulkner’s short story “A Rose for Emily” Miss Emily Grierson holds on to the past with a grip of death. Miss Emily seems to reside in her own world, untarnished by the present time around her, maintaining her homestead as it was when her father was alive. Miss Emily’s father, the manservant, the townspeople, and even the house she lives in, shows that she remains stuck in the past incapable and perhaps reluctant to face the present.

In addition, Faulkner uses the skewed timeline to capture the reader. Since the reader is expecting a chronological tale, the reader pays attention to the use of time. As Faulkner begins with the death of Emily, the reader expects the upcoming events to succeed Emily. Faulkner uses the expectations of the reader to create the voyage by immediately shrouding the reader’s expectations with various, disruptive links to time such as “ in last ten years,” “that day in 1894,” and the “next generation” (Faulkner 668). This method leaves “a residue to be organized by the reader (Perry 36). As the reader becomes more involves, suspense follows inherently. If this story were told from perspective of Emily, it would make sense for her to tell the story chronologically. Unless Emily is stricken also with Alzheimer’s disease or another memory-losing ailment, it is illogical for Emily to tell the story in a distorted order. Even if Emily did have illness, this changes the nature thus providing that the story is untellable without the narrator. The suspense of this story comes with the presence of the narrator who is allowed to distort the story as he sees fit.

Faulkner uses Emily’s character to represent the Old South in health and death. Her stubborn attitude and her decorum both reflect the characteristics of the Old South. When the men go to her home and confront her about her unpaid taxes and she asks them to leave, she represents that women in the Old South were not argued with and not questioned as not to insult them. The way that the people of the town treat her reflects this even further. The people of the town treat Emily as a monument just as they had seen the Old South. “It was another link between the gross, teeming world and the high and mighty Griersons.” They see her as something to observe and only interfere when she does something they do not like, such as dating a Northerner. Even in death The Old South follows her. “And now Miss Emily had gone to join the representatives of those August names where they lay in the cedar-bemused cemetery among the ranked and anonymous graves of Union and Confederate soldiers who fell at the battle of Jefferson.”

William Faulkner’s short story, “A Rose for Emily,” was written after the civil war and is often considered a piece of Southern Gothic literature (Davis). Southern Gothic is a subgenre of the gothic culture, which typically relies on the use of supernatural, unusual, and ironic events to drive the plot, all of which can be seen as a driving force throughout the story development of Faulkner’s “A Rose for Emily” (Davis). Through Faulkner’s ingenious short story, “A Rose for Emily,” he demonstrates the powerful yet internal conflict that comes with change, and the tension it creates between the realms of the past and the future. Upon further analysis, we come to see the story as a representation of the fallen south coupled with societal commentary and a depiction of the characters as spirits from the past stuck in a present time they struggle to come to peaceful terms with. We can see the powerful message Faulkner creates illustrated throughout his use of symbolism, his protagonist Emily, the community that surrounds her, and the incongruent timeline of events he depicts throughout the telling of his story.