Introduction of Art Nouveau

In Belgium, the Art Nouveau provided works of Victor Horta. The beauty of these artist works often overshadows the historic context that funded, supplied, inspired this art and design movement. The transformation art and design in Brussels during this time was a product of imperialism and genocide sanctioned by King Leopold II of Belgium, through the exploitation and appropriation Congolese culture and raw materials.

In the 1920's Art Deco was a popular form of art. It also influenced architecture, fashion, and furniture. Art Deco used bold geometric shapes and strong colors. It used concrete, smooth stone, and terracotta as materials. Art Deco represented modernism and a bright future.

Painters, musicians, and novelists could easily flourish during this time. American artists experimented with their craft and tried out different techniques that weren’t as popular in the 1900s and 1910s. In painting, artists created a new style called Art Deco was being created (Scott). Art Deco is a decorative art that largely affects architecture, and variety of interesting materials can be used in Art Deco, such as aluminum, stainless steel, lacquer, inlaid wood, sharkskin, and zebra skin. Art Deco also incorporates zigzag patterns, steps, sweeping curves, chevron patters, and sunburst. Well known American painters from the 1920s of Art Deco are Max Parrish and Cole Phillips (Scott). Another art form popularized in the 1920s was surrealism. It began to catch fire after the end of WWI and utilized techniques such as automatic drawing, automatic painting, decalcomania, frottage, fumage, grattage, and parsemage. Many surrealist paintings were made with the intention of looking dream-like and shocking audiences. Some pieces contained violence, nudity, and decay (1920s Art). Another type of art in the 1920s was modernism. Modernists, such as Georgia O’Keefe, broke away from traditional ideas. O’Keefe’s paintings were mainly influenced by the city scene and south west landscapes, such as “Ram’s Head with Hollyshock and Little Hills”

Art Nouveau, 1890-1914, explores a new style in the visual arts and architecture that developed in Europe and North America at the end of the nineteenth century. The exhibition is divided into three sections: the first focuses on the 1900 World's Fair in Paris, where Art Nouveau was established as the first new decorative style of the twentieth century; the second examines the sources that influenced the style; and the third looks at its development and fruition in major cities in Europe and North

In mature form, its spatial structure resembled that of synthetic cubism. Generalized as a cultural aesthetic, it called for the evolution and refinement of type objects to a perfect standard.”

Art has been a part of history before Christ was born and along the flow of time different styles and movements revolutionized what art means to the creator and audience. On the flow of time one of the branches that stood out in style, color, and expression through repetition was Impressionism. An artist that helped revolutionize Impressionism in his time was Oscar-Claude Monet, but the piece that stood out was the “Mouth of the Seine at Honfleur.”

Surrealism was an art movement based on dreams, unconscious thought and defying conventional logic. It grew out of the earlier avant-garde movement called Dada in the 1920s.

Abstract expressionism, was a movement in American painting that flourished in the 1940s and 1950s, often referred to as the New York School or as Action Painting. Abstract expressionism according to Katy Siegel was a “creative earthquake that altered the landscape of modern art”. This movement had been considered as especially ‘American’ in style, this was because of its attention to the physical adjacency of paint. It had allowed artists to break away from accepted conventions in both technique and subject matter. Abstract expressionism was quite a successful movement and in is success allowed New York to become the centre of modern art at the time, a title previously held by Paris. The works of the movement where highly abstracted, this was used to convey strong emotional or

Art nouveau is a style of art from 1892- that marries the aesthetics of nature with design. One of the artists that almost every single Art Nouveau gives credit too is William Morris; which truly fuses the arts and crafts with the power of nature. Morris was truly inspired by medieval manuscripts which had compelling designs throughout their pages. Assuming that Art Nouveau is inspired by this illuminated manuscript is not a wrong answer. Another artist that was a foundation to this movement was Dante Gabriel Rossetti; he explored the fascinating characteristics of nature, and how they could be applied to art. The female figure has been used by artists throughout the century to show the true emotions of the human body. This can be seen

The art deco movement began in the mid 1920’s. This style, originally described as a spin-off from art noveau, is not said to be a mix of many different influences. These influences are from forms of eastern and western art, and can be found in many different areas of art such as; architecture, fashion, photography and many more (Duncan, 2009). Art deco revolves around geometric patterns, full of color and an elegant style, all part of an approach toward modernism in art. Examples of art deco in architecture were the Chrysler Building because of its geometric shapes and the Easter Columbia building for the same reason. (Mercincavage, 2017).

Born in 1862, Gustav Klimt is an Austrian artist who is best known for his ornate paintings and involvement in the Art Nouveau movement. He often used mixed media in his work, incorporating paint, gold leafing, beads and jewels. According to restorers, he did not use varnish on his painting. This helped Klimt avoid a shiny finish over the canvas and made the paint quite ‘dry’. His most popular work could be described as a coming together of realistic and natural forms and intricate decoration. The Art Nouveau movement is best defined by a move away from conservative and traditional ideals. It focused a lot on design and the incorporation of objects. Art Nouveau is closely related to the Arts and Crafts movement.

The Historical Avant-Garde expressed new ways of art and reformed the traditional sense of art. Christopher Innes used three words that described the Avant-Garde: populism, primitivism, and philosophy. These components can be seen in the figures 1-3 that help define some known movements of the Avant-Garde. The movements that are particularly focused in these figures is Dada, Expressionism, and Surrealism. Each image displays an aesthetic characteristic of the Avant-Garde, as well as defining what the movements stood for. In addition, the visual imagery of these figures illustrates a new method of art, in attempt to create a better art.

Modernism began in 19th century and at the beginning of World War II Modernism is a philosophical movement among the that shaped modernism were the development of modern industrial societies and the rapid growth of cities.The first characteristic with modernism is nihilism today modern art is generally used to describe the succession of art movement that that critics and historians have identified since the realism of Gustave Courbet and culminating in abstract art and its developments in the 1960s.By the 1960’s modernism had become a dominant idea of art and a particularly narrow theory two decades which followed World War II (1945-65) new era that change the way that reality was perceived and portrayed. In the arts, for instance, at the

In this poster for La Samaritaine(1894), he portrays her hair as long flowing locks that engulf her body much like the vines of a plant might do if she were frozen still in a garden for several days. In like manner the lines of her dress cascade down her body, emphasizing the beauty of her feminine form, this figure itself a frequent inspiration and facet of Art Nouveau works. Such lines are indicative of another key characteristic of the style- the use of nature; for they engender an organic feeling in the work. It is important to distinguish between the use of the natural and the philosophy of Naturalism, a movement that Art Nouveau was consciously attempting to bring to an end. Naturalism seeks to portray things exactly as they are, as stark, often unflattering reality. Naturalists based this technique on the claim that true beauty will come across in the faithful representation of reality. This is exactly the opposite of how Art Nouveau artists sought to create their work. They believed in drawing from Nature the beauty she has to offer and accentuating it, doing so symbolically as opposed to realistically. Prominent Art Nouveau artist Siegfried Bing called nature “the infallible code of all the laws of beauty”(qtd. in Selz 14). All true Art Nouveau draws upon that code in one form or another, if not in the portrayal nature then

The author, a blatant supporter of Avant-Garde art defines it as the revolutionary style that was indicative of the progression of human thought and culture. The brave new frontier that was the hall-mark of the 20th century, a distinctive style was solely a product of their generation of artists. Avant-Garde art represent art that has been freed from the constraints of rules