Introduction to Eavan Boland

In the opening, she shares her childhood encounters with women in prose with the children’s rhyme “a little girl who had a curl”. This personal anecdote introduces the topic of the portrayal of women in literature, as well as establishes a connection with her audience.

The theme in this poem shows this mother in many ways, is mourning the loss of children aborted for whatever the reasoning. This is known by the statement made in line 22 “Believe that even in my deliberateness I was not deliberate”. She also mourns the loss of things that will not reach their potential, such as the sound of a babies’ cry, and voice or even the loss of tears. Another conflict that emerges in the poem is the desire of the mother to do what is best for her children and the finality of her decisions.

In the poem “It’s a Woman’s World,” Eavan Boland uses many poetic devices such as alliteration, simile, and enjambment in order to explain life from a woman’s point of view and how women have lived the same since the beginning of time.

She says that the "child" had been by her side until "snatched from thence by friends, less wise than true" (line 3). Basically she is saying a trusted person “snatched” her work from her without permission to take them to England to be printed. Had it not been for her brother-in-law taking her work back to England and getting them printed they may have never been known. The intimacy and feeling she shares with her work is like that of a mother and child and that bond was infringed upon when her work was "exposed to public view" (line 4). The intrusion of her brother-in-law getting her work printed is the cause of feeling that follow. Ironically the next thing she talks is the shame she has been thrust upon her by not being able to perfect the work before it was published. This is illustrated in line five where she writes, “Made thee in rags,” as to say her work is like a child dressed in rags.

In Muir’s time, this could obviously refer to the World War or perhaps a civil war and maybe future wars as well. The manner in which the poet expresses great anguish at the fact that this anger and blind hatred has left nothing in its wake, throws light on where the world is headed. The third verse also suggests subjugation of the powerful and privileged over the Underprivileged. The “conquering hooves” show the might of the powerful class who dominate the suppressed and force them into subservience.

"The Horses" is a poem by Edwin Muir. It tells the story of a world ravaged by nuclear war, where the few survivors live hopelessly in a desolate reality. Their outlook is changed by the arrival of the horses, a relic of the past which lets them rediscover humanity's bond with nature.

Despite the achievements of women in many different fields, society still attempts to limit women to certain roles. Furthermore, in the poem, women “… are defined […] by what [they] never will be,” (lines 19 - 21); once again, the author claims that women are defined by what they are unable to do because of gender bias. Instead of being given the chance to be influential, they are continually limited to staying at home or doing jobs “meant for women.” Finally, Boland tells the tutor that women “…were never on the scene of crime,” (lines 27 - 28). This serves as a metaphor for how women are never allowed to do important jobs; instead, they are left at the sidelines due to the repeatedly ignored restrictions placed on women by our gender-biased society.

The use of simile in the last stanza ‘matchstick hands as pale as the violet stems they lived among’ is used to compare a frog to violet flowers, which are very delicate and easily broken. The innocence of childhood is painted through this visual technique as the narrator only sees the frogs being very delicate, but to the readers the simile also creates a vivid image of the condition of the ‘Frogs’/ the French. The use of first person helps to create a reminiscent tone about the narrator’s experiences, and further helps to stress the ideas of childhood innocence and the influence of war on children because the poem is written from a child’s perspective. The use of enjambment generates a conversational and personal tone, emphasizing to the readers the reality of the themes discussed throughout the poem. The use of symbolism of frogs as pets and also representing the French highlights the idea that adults saw ‘Frogs’ as insignificant or unworthy to speak about, whereas the children could not understand this adult thought, and they placed exemplary regard to the wellbeing of the

There are many devices used in this poem to emphasize the emotions going through the mind of a parent when sending their child off into the world. Of such device used is imagery, the use of imagery is used abundantly in the

The early learning processes of the young are potrayed more adequately in the poem Father and Child where an older child, this time a girl at a rebellious age, experiments with the constraints of authority in an attempt to seek control for herself. This experimentation leads to an important discovery in her life; death is real and unclean. Just like The Glass Jar, the allusions to nature show the certainly of change and setting the tone for the events.

Another useful tool in analyzing a poem is to identify poetic devices, meter, and a rhyme scheme. Through her deft use of extended metaphor, Bradstreet weaves an intricate web of parallels between parent and author and between child and book--both relationships of creator to creation. This use of metaphor allows the reader to relate emotionally to Bradstreet’s situation. In line seven, we see the uses of litotes, “At thy return my blushing was not small,” to express the depth of her embarrassment. She also uses metonymy in line eight to express her pain more clearly, “My rambling brat (in print) should mother call.” The simile used in line nine stresses her objection to the published work, “I cast thee by as one unfit for light.” Then in line 19, the poetic device of consonance is used which provides emphasis on her warning, “In this array ‘mongst vulgars may’st thou roam.” In this poem, through the use of personification and apostrophe Bradstreet conveys her feelings and emotions. Anne Bradstreet ensures her poem’s success by linking the triumph and tragedy of authorship with the pain and pleasure of creating and nurturing human life. The meter used is

In this stylistic analysis of the lost baby poem written by Lucille Clifton I will deal mainly with two aspects of stylistic: derivation and parallelism features present in the poem. However I will first give a general interpretation of the poem to link more easily the stylistic features with the meaning of the poem itself.

In the second stanza, I see that the speaker wonders about what his horse is “thinking” which shows his interests are also in the outside world too, like his horse. He also takes certain pleasure seeing the scene from what he imagines to be his horse’s perspective. I think his horse is practical in nature, he thinks, while the speaker sits there dreaming, watching the snow fill up the woods. He just stands there dreaming, and thinking about his horse's feelings is the one thing that brings him back to reality. Death comes again in the typical image of night, as we’re told this is the “darkest evening of the year.” Also, it can either be taken literally as the most lightless night, or it can be taken as the night of the darkest emotions. I think that it is a combination of the two, a dark moonless winter night in which the speaker experiences some form of depression or loneliness.

The society always queries about the role of women and for centuries, they have struggled to find their place in a world that is predominantly male oriented. The treatment of women was remarkably negative; they were expected to stay home and fulfil the domestic duties. Literature of that time embodies and mirrors social issues of women in society (Lecture on the Puritans). But, slowly and gradually, situation being changed: “During the first half of the 19th century, women 's roles in society evolved in the areas of occupational, moral, and social reform. Through efforts such as factory movements, social reform, and women 's rights, their aims were realized and foundations for further reform were established” (Lauter 1406). Feminist poets like Emily Dickinson and Anne Bradstreet talked substantially about feminism in different lights in the past two centuries. They were very vocal and assertive about their rights and the ‘rights for women’ in general. While they might have been successful at making a good attempt to obliterate gender biases but still there are lot of disparities between the two genders. Nevertheless, their poetry reflects a deep angst.

They are living in a moment of revolution, of innovation, of speed and steam; and they are longing for returning to past ages where everything seems easier, like the Ancient Rome or Greece. But especially they are going to look for that innocence and purity in their inner souls, in something that everybody has had the pleasure to experience. For the Romantic poets childhood is vital, for they understood that the child has a wider overview of the world given that he has not lost the innocence that characterizes him; there is something magical, pure and divine in a child’s vision of the world and that is what the Romantics are longing