Introductory Lines In Beowulf

The key tones are fright, bravery, and sorrow. For the most part, “Beowulf” is compelling to most readers; however, the beginning portrays a feeling of fright. In lines 104-108, the author is anxious because of a powerful monster. The belief that no wisdom or strength can break the monster’s taunt shows a sign of weakness in the mind.

Beowulf is a story of great courage and triumph over adversity. But over the whole story there is a hanging sense of dread and impending death. This is shown by the sense of impending death, the strong sense of doom, and the nature of luck throughout the story. These play a mojo role in shaping how the story

This leaves Beowulf as the monster, when we believe him to be the hero. For the rest of the poem this leaves us an opening to judge him on character. Because of this fault, one can believe that he is a faulty king and ruler, even though he does what a king is suppose to do; he gives gifts to his Geats.

The Anglo-Saxon epic Beowulf touches on the vice of pride, and is instilled in the main character, Beowulf, the great and mighty warrior. His boasting and arrogance when first dropping anchor at Heorot transitions throughout the poem, and, in contrast with his ideal kingsmanship, motivates him to accomplish and overcome the many challenges he faces as an epic hero. The contrast of his absent humility in the rise and fall of the story help promote the progression of the story, through its different purposes. Beowulf, when first landing upon Hrothgar’s kingdom, boasts, which does not go unchallenged, so that he might gain the trust of the Danes, but when knowingly facing his last battle, uses bragging to comfort and brace himself for his ultimate demise.

Beowulf is an epic poem that, above all, gives the reader an idea of a time long past; a time when the most important values were courage and integrity. The only factors that could bestow shower fame upon a person were heroic deeds and family lineage. Beowulf, as the paradigm of pagan heroes, exhibited his desire to amass fame and fortune; the only way to do so was to avenge the death of others. This theme of retribution that is ever present throughout the poem seems to color the identities of its characters.

In the epic poem Beowulf, there is an obvious distinction between good and evil. The hero and his foes play roles that are commonly associated with Anglo-Saxon literature. The lines are clearly drawn and expressed in the poem. As the story moves, the reader cannot mistake the roles being played, based on the characterizations in the epic, one recognizes each character for their purpose and place.

Another literary element that offer meaning to the poem is imagery, by simply allowing the readers to envision the events of the story. In the first part of the story (129-134), Beowulf is described as coming over “seas beating at the sand” while “the ship foamed through the sea like a bird.” This scene truly guides the readers to admire the vivid description of how proud and tough the ship looks. This ship in this case, becomes a metonymy for Beowulf himself, who is certainly proud and strong, resulting in the readers’ admiration. Additional imagery is used describing the mere, or lake, discussed above, with “storms [an] waves splash[ing] towards the sky, as dark as the air as black as the rain that the heavens weep” (440-442). This clearly illustrates how dreadful Grendel and his mothers’ home is. It intensely aids us to picture how grotesquely unpleasant the lake actually is. Near the end of the tale (lines 651-653], Beowulf “[strides] with his shield at his side and a mail shirt of his breast….. Toward the tower, under the rocky cliffs.” While Beowulf awaits the battle, the description of his armor and the details of each entry help us to respect how ready he is for his concluding battle. Even as an elderly man, Beowulf is a hero beyond compare. In closing, the use of imagery greatly enriches the readers’ experience of this heroic epic.

The poem Beowulf presents the transformation of Beowulf from a brave warrior to an honorable King. The evolution of Beowulf shows how he fulfills his obligations to the warrior’s heroic code and then transcends into a King who loyally protects his Kingdom. Beowulf’s transformation is shown through a progression of three increasingly more difficult conflicts he must overcome- first with Grendel, then Grendel’s mother and finally against the mighty dragon. These three events are seen "as the three agons in the hero 's life"(Chickering 64). Through these adverse events Beowulf will change from brave young warrior to noble King. This paper will examine the manifestation of heroism in the poem

Beowulf holds a key to understanding how the author can invoke a response from the reader through different narrative forms and the heroic/non heroic trope. The form of the epic poem is used to present the themes of power, war death and life itself in an enhanced way that allows the writer to arouse a particular response from the

4. Write a short paragraph about something from the class reading that reflects Anglo Saxon culture and/or belief

Beowulf is the epic hero of this poem. He has all the characteristics that a hero should, such as strength, loyalty and bravery. Not only does he fight for good, but he represents it as well. In the poem, there is contrasting evil present to highlight Beowulf’s heroic

Thanks to this “sermon”, the reader can understand the difference between being a wise king and a brave warrior, which is also one of the main themes of the poem. Hrothgar is the model for maturity and wisdom: before becoming king he had been a warrior like Beowulf too, so he knows what he is talking about when he compares strength and fortune to a “trap”. He is the symbol of stability and tries to share this values with Beowulf, who is exactly his opposite. The young hero embodies, on the contrary, the manners and values of the Germanic code, like loyalty and pride. But pride is presented here as a “double-edged sword”, because if it is not controlled can lead to death. Hrothgar, trying to prepare Beowulf for the ascension to the throne, becomes an inspiring model for him. However, as explained previously, Beowulf demonstrates at the end to be a brave king, but not a wise one… He becomes older and more powerful, but he seems not to have grown up mentally, because ‘till the very end he is focused on reaching glory (to the detriment of his people’s safety) even if he knows that it is inevitable for him to lose. This passage is a sort of forecast of what the reader will read next and demonstrates that heroism means nothing if it is not “blown over” by

     Some literary scholars maintain that Beowulf developed character flaws through the course of the long narrative poem, and that at the time of his death he was a victim of pride, avarice, selfishness and an inordinate craving for glory. The purpose of this essay is to show that he was a tremendous hero from beginning to end.

    There is considerable debate as to whether the poem Beowulf is an epic narrative poem or an heroic elegy. Which is it. This essay intends to present both sides of the story.

The epic tale of Beowulf was written sometime after his death. In other words, a long time ago during the Anglo-Saxon period. Today, directors in Hollywood did not keep from creating their own rendition of this epic poem As a result, plenty of modern interpretations of Beowulf, such as Sturla Gunnarsson’s Beowulf and Grendel, have been released. Naturally, the cultural values that might be reflected in modern Beowulf renditions will demonstrate a clash with those of the original fifth century Beowulf literature. One reason for this is that in the modern age we value characters with profound characteristics, characters that change due to the challenges they experience; characters that we as the audience can attach to. Flat characters like those of the original Beowulf text are difficult to empathize with since they are not realistic enough for our standards. Due to these differences in culture and values, the Beowulf and Grendel from the original Beowulf text possess definite contrasts when compared with their Beowulf and Grendel counterparts.