Invisible Man Quotes

In Ralph Ellison’s novel The Invisible man, the unknown narrator states “All my life I had been looking for something and everywhere I turned someone tried to tell me what it was…I was looking for myself and asking everyone except myself the question which I, and only I, could answer…my expectations to achieve a realization everyone else appears to have been born with: That I am nobody but myself. But first I had to discover that I am an invisible man!” (13). throughout the novel, the search for identity becomes a major aspect for the narrator’s journey to identify who he is in this world. The speaker considers himself to be an “invisible man” but he defines his condition of being invisible due to his race (Kelly). Identity and race

All of these happy and silly depictions skewed America's view of slavery and presented a happy vision, a vision where one would believe that African Americans enjoyed being enslaved.

The character of Brother Jack has a very cynical view of black leadership. He believes that leaders are made, not born, and that they are eventually destroyed by the people who created them (McSweeny). This view of the nonspontaneous generation of black leaders might, however, be challenged by the moment in the race-riot in chapter 25 when Dupre and Scofield organize their neighbors and take effective action (McSweeny).

Released in 2001, Disney Channel’s The Proud Family was a Black cartoon frequently watched by children who grew up during its airplay. Not vulgar or satirical, The Proud Family centered around Penny Proud and her family as she grew up through her years. As a child, I innocently watched this show, but picked up on unintended implications based off of the character’s skin color. The main character Penny was a lighter skinned girl, who appeared to possess “more Eurocentric phenotypic characteristics (Steele),” exhibited more intelligence, wealth, and virtue, as opposed to her darker skinned best friend, Dijonay, who was associated with deviance and sassiness, while speaking with a more Ebonic style of talking and possessed a more “ghetto” name. Although the show attempted to provide an accurate representation of a “traditional African American family,” it still regardlessly instilled these stereotypes of the African American community into my mindset, which were not disproved in my mind until later in my life (Steele).

This paper will illustrate how the Harlem Renaissance assisted the African-American intellectual community to gain acceptance in mainstream America and prompted the writing of the book The Invisible Man, written by Ralph Ellison. Throughout this paper, I will examine the social context and climate of Ellison’s work. This paper will focus on the experience of a young African American man who claims to be invisible. However, the young man argues that his invisibility is not due to his wish but arises from society’s failure to notice him. This young man who is also educated captures his frustrations and struggles in order to survive in a predominantly racist society. Additionally, this paper will illustrate how the Harlem Renaissance afforded African-American artists like Ellison to provide an extraordinary opportunity for the African- American community to recall their experiences in a not so embracing America where deeply entrenched racism had been woven into the fabric of American society (Callahan, 2004).

In The Souls of Black Folk, W.E.B DuBois pioneers two concepts that describe the Black experience in America— the notions of “the veil” and “double-consciousness.” The meaning and implication of these words not only describe the plight of being Black and American then, it also refers to what it means to still be Black and American today – the remnants of the past live on. DuBois explains the veil concept in reference to three things: the literal darker skin of Blacks, which is the physical demarcation of the difference from whiteness, white people’s lack of clarity in order to see Blacks as “true” Americans, and lastly Blacks’ lack of clarity to see themselves outside of what white America prescribes for them. The idea of double consciousness refers to the two-ness, caused by our nations flawed and polarized system, felt by many Blacks. I argue that although DuBois was the first to coin these two terms, it is clear through analyzing Uncle Tom’s Cabin and 12 Years a Slave that these two significant concepts gave a name to what African-Americans had been feeling for years but previously could not define.

Invisible man by Ralph Ellison is told in the first person by an unnamed African American man who considers himself invisible to society. The comic book is a representation of the Invisible man’s life. The certain event in the comic is when the protagonist gets injured at his work and is taken to the factory’s hospital. Three strange white doctors attempt to help the protagonist, but turn out to be lunatics and proceed to experiment on him. The doctors put the protagonist through electroshock therapy to the point where he is no longer afraid of Dr. Bledsoe, who is the president of the protagonist’s college that he attends. This whole event occurs because the protagonist is black and the doctors would not condone doing experiments on their own kind, white people.

Written in a brilliant way, Ralph Ellison’s “Invisible Man” captures the attention of the reader for its multi-layered perfection. The novel focuses an African American living in Harlem, New York. The novelist does not name his protagonist for a couple of reasons. One reason is to show his confusion of personal identity and the other to show he is “invisible”. Thus he becomes every Black American who is in search of their own identity. He is a true representative of the black community in America who is socially and psychologically dominated everywhere. The narrator is invisible to others because he is seen by the stereotypes rather than his true identity. He takes on several identities to find acceptance from his peers, but eventually

“The cast-iron figure of a very black, red lipped and wide-mouthed negro...It was a bank...For a second I stopped, feeling hate changing within me” (pg. 319). One morning the narrator discovers

Ultimately, the narrator realizes because of racial stereotypes, people see him for how they want to see him; he decides to be invisible. During the battle royal scene, the black men, including the narrator, transform into the racial stereotype of a violent animal, “The boys groped about like blind cautious crabs crouching to protect their mid-sections, their heads pulled in short against their shoulders…” (23). The men don’t realize they are acting like servile savages because they are wearing blindfolds; they are blinded by the truth. In addition, when the African-Americans try to collect the fake coins on the electrified ground, again they

the play are ―rich symbol[s]‖ that convey the barriers of a ―racist society‖ (Kenny par. 18). The

The Liberty Paints plant serves as a complex metaphor for American society with regard to race. Like America, it defines itself with notions of liberty and freedom but incorporates a deeply ingrained racism in its most central operations. By portraying a factory that produces paint, Ellison is able to make his statements about color literal. Thus, when the factory authorities boast of the superiority of their white paint, their statements appear as parodies of arguments about white supremacy. With the plant’s claim that its trademark “Optic White” can cover up any tint or stain, Ellison makes a pointed observation about American society’s intentions to cover up black identity with white culture, to ignore difference, and to treat darker-skinned

The entertainment not only came from the black men fighting over coins, but little did the blacks know, the rug was electrified. The narrator tells us “I lunged for a yellow coin lying on the blue design of the carpet, touching it and sending a surprised shriek to join the rising around me. I tried to frantically to remove my hand but could not let go. A hot, violent force tore though my body, shaking me like wet rat. The rug was electrified.” (27). The white men make the narrator feel inferior to them by making him the course of their entertainment. They make him feel ashamed and worthless. His feeling of invisibility not only comes from the belittling remarks they make, and what he has to do, but also the thought that the whites have that much control over what he is doing.

The “big, red-lipped negro” summarizes exactly what the Invisible Man is trying to escape; the established prejudice of the early american white society. At the time, being black generalized a person into a single group. Where a white person could be a highly educated, smart lawyer or could simply be a homeless person on the street, however, if one was black, one was black, and nothing more. The Invisible Man tries to defy that stereotype by distinguishing himself. From writing the speech that gets him the scholarship to the University, to joining the Brotherhood for the sake of black progressiveness. He constantly tries to break free of the bigotry and stereotyping that confines him in the eyes of the white society. As he tries to escape the racism that surrounds him, he realizes that he is an Invisible Man, and will amount to nothing more than any black person walking down the street. The piece of early Americana represents his inability to escape the deeply-instilled bigotry in white society.2

The man says something that the narrator does not like and tries to force an apology out of the man. This is what initiates the first part of racism and the thought of being invisible in the novel. The narrator endures the different types of racism through the different places he visits. Everyone expects something different of him and other African-Americans. This is how he tries finding his inner self and it just confuses him more because everyone wants something different. Another example of this is when the narrator is working for Liberty Paints in New York. The work force is primarily blacks, but the final product is white. This is ironic because their slogan is “If it’s Optic White, it’s the Right White.” There is also a sign outside of the building that reads “Keep America pure with Liberty Paints.” This is a form of racism in itself because they only produce white paint, and they say that they are keeping America pure. ”Our white is so white you can paint a chunka coal and you’d have to crack it open with a sledge hammer to prove it wasn’t white clear through” (Ellison 217). This is said by Lucius Brockway, an engineer at Liberty Paints. This can be seen as an extended metaphor between the paint making process that requires a black chemical to be added, and the whites vs. blacks at the company itself. The company seems to have primarily black workers producing the paint, but this quote goes to show that white is overpowering and that