Irish Dance Paper

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Irish Dance: A Marvelous Dance
Irish step dancing has existed since the 1700’s, over 300 years. Families in Ireland have passed down Irish step dance from generation to generation as a way of preserving their culture. While the meaning of the dance remains the same, the performance and showmanship has changed dramatically. From girls and boys with pale skin and natural hair to girls with fake tanned skin, huge curly wigs, and thousand dollar dresses and boys with fake tanned skin and outlandish outfits. Irish dance has become more of a spectacle—such as “Riverdance” and “Lord of the Dance.” Those dances are some of the most enjoyable and respected around the world. Over time this type of dance has taken on a life of its own and changed
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Taking methods of the dance or stick with the traditional movements and showing them in a way that would be more interesting to the public. Which is what was done with Riverdance and Lord of the Dance, which take the form of the dance and use it for a dramatic necessity.
There are various parts of Irish dance that have lasted throughout the years to remain an influence on the form known today. These basics have laid the foundation on which the dance has grown. Performed mainly during festivals, which date from the period of Eric the Red and the Viking raids of Ireland. While the Vikings did destroyed most books and written records, it was acknowledged that music and dance were important to the Gaelic culture. These festivals were a mixture of trade fair, political gathering, music, dance, sports, story telling and crafts. Today, the sole purposes of feiseanna are competitive dance competitions. There is still music, crafts, and trades, not as much. Officially there is no political aspect to the festivals anymore, many who participate would tell you otherwise.
The reason that the traditional dance has remained apart of the world is because of the teachers and students. But in order to dance the students required movements, steps, and music to put them to. The dance masters—teachers of the 18th and 19th centuries—all had the same original dance steps, while they invented their own steps on top the original ones. There are two different roots, which
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