Iron Fist Definition

Have you ever been scared of losing your life? In High Noon and The Most Dangerous Game, the protagonists are always on the verge of death. Written by Carl Foreman, High Noon is a movie about a brave marshal who needs to defend his town against a gang of criminals, who wish to kill him. On the other hand, The Most Dangerous Game, which is written by Richard Connell, is a story about a experienced hunter that becomes the hunted. Although the main characters of High Noon and The Most Dangerous Game are very similar, there are many surprising differences in the two stories' conflicts and settings.

Among the classes of New France, Angélique was at the very bottom, disadvantaged on three fronts. Not only was she a slave, but she was a black female slave. After the black slaves were the Indian slaves, or Panis (P 81)1, free blacks, indentured labourers, and then the traders, bourgeois, and Nobles that made up the high society. Though the class structure was quite rigid, there was room for movement in the ranks. Angélique was romantically involved with Claude Thibault, an indentured labourer in the same household as herself. Though Claude was not a slave, he was contracted for three years and was paid for the work he did, he wished to escape the colonies and return to France. The pair did escape once, but were caught, and he was believed to be Angélique`s accomplice in setting the fire.

reaction of wanting revenge. You can argue that madame defarge’s big part in the french

While Jeannette was in New York she met new people and was bettering herself. Although, she did not live in a good neighborhood she did not let that effect her negatively and she said “I got jumped a number of times. People were always telling me that if I was robbed, I should hand over my money rather than risk being killed. But I was darned if I was going to give some stranger my hard-earned cash, and I didn't want to become known in the neighborhood as an easy target, so I always fought back” (Walls 248). #Jeannette stood up for herself in these situations and she did whatever it took to get through them. Most people would not fight back and just give the person what they wanted but she never did. She became familiar with this and used it to her advantage to defend

Isabelle-Marie to being nothing but an ugly girl. When Louise looks at Patrice she only sees the

Frances starts to smoke, drink, and perform very cheap shows at the age of sixteen. She is prostituting herself to older men, and it is horrible because of the manner she is performing her acts: “Frances will bounce in your lap with your fly buttoned for as long as it takes for two bucks . . . A hand job costs two-fifty – she has a special glove she wears, left over from her first communion.”(293) Using a communion glove to perform vile acts is atrocious, because when that glove is used for a religious service, not a vile act. This is an instance where the reader can start to imagine that Frances may be representing the Devil because of her actions. Laura Robinson states that instead of “labouring quietly for little pay, doing charitable work, and having reverence for patriarchs, Frances performs loudly, prostitutes herself, and demonstrates no respect for her father” (Robinson 37). However, she also goes on to say that “France works to provide the funds for Lily’s escape from home and the dangers of the family” (Robinson 37). MacDonald also mentions in the novel that Frances wants to start saving her money for Lily, and is putting her money away in a secret place (293). She realizes that what she is doing is for a good cause: to protect her younger sister Lily and to save enough money to send her away when the time comes. At heart,

She is hailed as “the cleverest woman in Europe” at parlors and banquets. Yet she was rash enough to speak out against the St. Cyr family and was naïve enough to ignore the Parisian’s thirst for blood. This does not fit in with the given information that Marguerite is clever and wise. This shows that Marguerite, though intelligent and sharp, will still be ruled by her impulsive emotions, not thinking of the consequences of her actions.

There is an obvious conflict between the Comte and Vianne Rocher, the single mother who arrives in Lansquenet bringing a splash of red to

She witnesses firsthand all of the hardships the French commoners are enduring and it fuels her rage and anger toward the nobility. Madame Defarge channels all of this anger into exacting her revenge, but we cannot help pitying her for her wretched childhood. We comprehend the reasons behind the madness, but that does not justify her actions.

In addition, Marie’s braveness comes out the way she deals with Sister Leopolda who is an old grizzled nun with an uncanny sixth sense for the presence of the devil. When Marie arrives and starts taking classes, she faces total opposition from Sister Leopolda. Sister Leopolda sometimes sniffs devil out of the dark corners of her classroom. Marie spends time performing chores for the nun but Sister Leopolda teaches her that she will always struggle to keep the devil out of her heart. Marie’s success at the convent is dependent on her relationship with Sister Leopolda. For Marie, her struggle against the nun is a larger than life; battle of good versus evil. Marie believes that she stands out from the rest of the students. What begins as Marie’s fear of the devil’s influence becomes a more complex understanding of how a fear can coexist with desire. Sister Leopolda soon becomes a stand in for the devil as she and Marie face off with each other. At first, Marie is abused only mentally by Sister Leopolda, but later on she is physically abused. For example, one day Sister Leopolda stabs Marie through the hand and

The violence in France will not stop until equality is reached. The revolutionaries picture a time when all the people of France live equal. This reasoning is the core factor of why they are fighting against the system. When we learned the motive for Madame Defarge’s reasoning for hating the Marquis and anyone associated with him, she replies that everyone against the revolution should “...tell the Wind and Fire where to stop; not me!” (326). We learn here that she has not intent to stop until she gets even with the Evrémonde family. Madame Defarge’s idea of equality is the death of Charles Darnay and everyone associated with him. When Madame Defarge and Defarge were discussing the end of the revolution Defarge asked the question, “but one must stop somewhere. After all, the question is still where?” (324). Defarge questions Madame Defarge’s intent to stop somewhere but Madame Defarge replies with “At extermination” (324). This strengthens the fact that Madame Defarge believes the revolution will be complete with the death

The normal Victorian representation of a woman would be that of a weak character, who would faint at the sight of blood; a character who would only discuss weather and art. In this novel, the stereotype of an ideal Victorian woman is broken as it is contrasted with the modern woman. The two best friends, Lucy and Mina, are each a representation of each. While Lucy is shown as all weak and someone who gives in easily, Mina stays on the “good side” even after she has been bitten by a vampire and her conversion has started. She is presented a hero, who plays an important role in bringing Dracula down through her intelligence and resourcefulness. Hence, by representing Mina as such a powerful character, Stroker breaks the stereotypical idea of a

Think back to your own childhood. Could you imagine being a child, and not having a care in the world, but then, as quick as the snap of a finger, that all changes because of a thoughtless mistake made by your parents? In The Glass Castle it is revealed that as Jeannette grew up, she endured hardships inflicted upon her by her own parents. However, if Jeannette had not gone through these things, she never would have gained the characteristics that she values present day. Although Jeannette Walls faced hardships and endured suffering during her childhood, these obstacles formed her into a self-reliant woman who proves that just because you do not have as much money as other families, you can still achieve success in your life.

her away from her task powerless. When Ismene tries to persuade her sister into staying

Between pursuits of her love interest, Amelie takes it upon herself to help the other characters in the film. Through her interactions with the other characters, A great contrast can be seen between the title character and the supporting cast. Whereas Amelie seems to bend the rules of reality with her imagination, many of the other character are locked down by their inability to imagine other possibilities. In helping these characters, Amelie's imagination also expands their imaginations and beliefs.