Irony In The Cask Of Amontillado Analysis

Edgar Allen Poe's brings us a twisted tale of vengeance and horror in "The Cask of Amontillado." Poe's character, Montresor, acts as our guide and narrator through this story. He grabs a hold of the reader as he tells the story from his own apathetic and deceptive mind to gain vengeance from the weak and dismal Fortunato. Montresor's mentality is disturbing as he uses his clever, humor, ironic symbolism, and darkness to accomplish this.

Throughout analysis of Edger Alan Poe’s short story “The Cask of Amontillado” the readers are able to infer the intentions of the characters through Poe's use of irony. The character Montresor has been insulted by another character, Fortunato. As a result of Fortunato’s insult, Montresor vows to seek revenge on Fortunato by punishing him with impunity during the carnival season. To carry out his plot of revenge, Montresor creates a plan to sneakily rope Fortunato into examining a pipe of Amontillado because Montresor knows Fortunato prides himself on being a wine connoisseur. The Amontillado is supposedly located deep in Montresor's family vault which is where Montresor plans to bury Fortunato alive. Poe implements various examples of verbal irony throughout his story in order for the readers to see Montresor’s devious plan be carried out in a unique way.

Two prime examples of dramatic irony occurs when Montresor approaches Fortunato, who is intoxicated during the evening of the carnival. Montresor blissfully capitalizes on his friend’s state. Integrating to the dramatic effect, Poe names the character Fortunato, which designates, one of great fortune. The irony becomes apparent when Fortunato’s unfortunate fate is revealed. Poe’s ingenious utilization of verbal irony is witnessed in a memorable moment in the story, Montresor suggests to his friend that he should head home due to his cough, Fortunato’s responds “I shall not die of a cough.” Montresor’s knowingly replies, true –true.” (Poe 3). In another utilization of verbal irony, Fortunato utilizes the word “Ignoramus” to describe Luchresi; however, it is he who is indeed unaware of what is transpiring around him, and what is going to transpire to him. Montresor has provided Fortunato numerous times with the liberation to go; however, due to his intoxication, Fortunato fails to optically discern the designations Montresor has provided for

There are a few names in literature which represent the ability to captivate an audience with suspense and gloom. Though masters of different genres, Edgar Allen Poe and William Shakespeare both embody this unique ability. One of Poe’s work in particular resembles the beauty and darkness that is found in Shakespeare’s tragedies. In the intriguing short story “The Cask of Amontillado,” two wealthy gentlemen from an Italian, wine-loving village go off to find a barrel of expensive medium-dry sherry to share amidst a happy carnival, and the stakes rise when one of the men betrays his friend, chaining and trapping him deep in the catacombs. The jolly and fun-loving Fortunato is assumed to be unfortunately slowly killed by the narrator, Montresor. The relationship between these two men and the struggles presented throughout the entire first-person recollection of the fictional Montresor created by Edgar Allan Poe uses many of the literary elements that are prominent in William Shakespeare’s revenge tragedies.

Though Fortunato is an intelligent wine expert, his expertise leads him to his death. In Italian the word Fortunato means fortunate, something that he is not by the end of the story. In “The Cask of Amontillado” Edgar Allan Poe uses foreshadowing and dramatic irony and verbal irony to show Fortunato’s misfortunes which eventually lead to his death.

Edgar Allan Poe’s “The Cask of Amontillado” is a goosebump-evoking tale that follows one man’s twisted plot for revenge. Although carnival season is in full-swing above ground, Fortunato finds himself being lead to his death underground in the catacombs. His “past insults” will ensure that he will never again participate in such feasts and merriment; Montresor, his “frenemy”, will make sure of that. As if the story isn’t creepy enough, Poe uses dialogue and sensory details to produce a mood that is both suspenseful and dark.

In “The Cask of Amontillado” Edgar Allan Poe tells a story of a man named Fortunato, a professional wine taster, who has foolishly brought death upon himself. Fortunato has managed to anger a man with the name Montresor who has hatched a plan of revenge during a great carnival. To help the reader fully understand Poe uses three different kinds of irony verbal, dramatic, and situational. The verbal being their conversation, the dramatical, when he jokes about his health, and the situational when he is dressed as a jester.

It is Edgar Allan Poe's intense use of symbolism and irony throughout the Cask of Amontillado that establishes the short story as an indeed interesting candidate worthy of thorough analysis. The skillful use of these devices are utilized by the author to create this horrific and suspenseful masterpiece.

To develop the analytical paper about the text “The Cask of Amontillado” by Edgar Allan Poe, some sources will be used to support the thesis statement, which is “The author uses irony in the text to illustrate the murder of Fortunado by Montresor, who seeks salvation through death”. Also, there is going to be an analysis on the irony found in the text in relation with the story. To support this thesis, I am going to use some examples from some sources such as “Literary analysis: Irony in The Cask of Amontillado" by Amelia Tibbett, “Irony in "The Cask of Amontillado” by Kerry Michael Wood, and “Poe 's Short Stories Summary and Analysis” by Bella Wang , and the text will be written in the third person.

Anyone who knows anything about Edgar Allan Poe’s work probably knows that he is a very dark writer. This holds true in his short story, “The Cask of Amontillado.” “The Cask of Amontillado” follows the character Montresor through the Carnival where he meets up with his friend Fortunato, who is a wine connoisseur. Fortunato has recently crossed a line by insulting Montresor and does not quite know what is coming his way that night. Edgar Allan Poe uses the literary element of irony in order to portray the theme of revenge within “The Cask of Amontillado.”

Feuds and arguments between individuals who may disagree with or dislike one another are a common occurrence in everyday life, often varying in degrees of intensity, but rarely reaching a point of extremity. However, in Edgar Allan Poe’s short story “The Cask of Amontillado”, This threshold of extremity is reached by the narrator of the story, Montresor, who explains that his acquaintance, Fortunato, has repeatedly and irreparably insulted him over the course of years, and uses it as justification to take justice into his own hands and seek retribution through murder, despite there being no proof of Fortunato's guilt other than Montresor’s claims. His motive for murdering Fortunato can be attributed to his state of mind, as Montresor’s lack of guilt, empathy, or remorse highlights him as a character with psychopathic tendencies. As the story progresses, Montresor’s cold and calculating nature leaves the audience full of dread and suspense while he lures the oblivious Fortunato towards his inevitable demise. The employment of rhetorical devices such as irony, theme, and structure builds the suspense for the ultimate climax of Poe’s gothic masterpiece.

Some of the irony used on this story can be seen when Montresor asks Fortunato about how he's feeling with the nitre and Montresor warns him by saying "we will go back; your health is precious. You are rich, respected, admired, and beloved. You are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill and I cannot be responsible." This phrases show all the irony necessary for a story to be ironic: first, Montresor saying that Fortunato's health is precious; second, when he says that Fortunato is a man to be missed; but after that, saying that to him it doesn't matter if he dies; and finally, saying that he will not be responsible.

Fortunato's name in "The Cask of Amontillado" is very ironic. Fortunato sounds very similar to fortunate, which Fortunato is not. During the story the reader can tell how unfortunate Fortunato truly is. Conisdering the fact that Fortunato's name sounds similar to fortunate and the tragic way Montressor murders him. Thus, the reader can tell the irony is his Fortunato's name.

“The Cask of Amontillado” by Edgar Allan Poe is a story full of irony. Irony is defined as a literary technique in which what appears differs radically from what is actually the case. In addition, irony can be divided into three groups: dramatic, verbal, and situational. Dramatic irony is when the readers notice something before the characters do. Verbal irony is when the characters say something that differs significantly from what they really mean. Situational irony is when the actual result is different from what was initially expected. In “The Cask of Amontillado,” Poe combines all of these ironies to tell the story and to construct the personalities of the characters in an entertaining way.

The inception of the story starts with Montresor, stating his secret hatred of the man known as Fortunato “... neither by word nor deed had I given Fortunato cause to doubt my good-will” (Poe 209). By doing this, this gives the story irony. The audience knows Montresor has a devious plan for his revenge “I vowed revenge,” (Poe 209) and Fortunato has but a lie set in his mind. The author gives details that are important later on.