Is Antigone An Innocent Victim

To illustrate, Antigone articulates to Ismene that Creon lacks the power to prohibit her from burying Polyneices (Prologue, line 35). Disregarding Creon’s powers, Antigone extends both her immaturity and recklessness in amanner that both generates a hazy impression of Antigone’s plausibility and discredits her personality because of the seldom conflict between the king and women in Ancient Greece. Furthermore, characters such as Eurydice and Jocasta, who experience much more tragedy, diverge from Antigone in the course of their reactions. While Jocasta and Eurydice grieve for their loved ones and succumb to the sorrow, Antigone’s reaction exists at the opposite end of the spectrum where she acts with the sole intent to spite Creon. Continuing, Antigone dictates that she is “not afraid of the danger; if it means death, / It will not be the worst of deaths - death without honor” (Prologue, lines 80-81). Recognizing her inevitable fate, Antigone makes little effort to alter her actions or consequences. Her proud acceptance of her death, which she claims to be one of honor, projects her arrogance and stubbornness toward her situation. This immediate compliance fails to reflect the true outlook and reaction toward approaching death both today and in her time. Additionally, the diatribe provided by Antigone to the chorus near her death sparks much criticism when she asserts that she prays Creon’s punishment equals her own when the truth of her actions emerges (Scene 4, lines 67-69). Antigone’s blatant assault on Creon’s life conveys her ignorance, which also transmits the impossibility of her individuality. Sophocles employs Antigone to generate the generalized perspective of tyranny Conversely, many individuals justify Antigone’s reckless behavior

The first specification for the tragic hero is one of the few that both Antigone and Creon exhibit; both characters are between the extremes of perfect morality and pure villainy. Antigone’s moral neutrality is illustrated through her noble intentions and the unorthodox way she acts upon them. When she is confronted by Creon and demanded to give an explanation for her disobedience, Antigone says, “For me it was not Zeus who made that order. Nor did that Justice who lives with the gods below mark out such laws to hold among mankind” (Sophocles 207 ll. 450-2). Along with love and loyalty to her brother, Antigone is largely motivated by her desire for justice and appeasement of the gods. While her intentions are noble, Antigone’s actions in the

Later in the play, Antigone was captured for being caught in the act of burying her brother and is now conversing with King Creon about her decision made to revolt. On page 783, Creon is surprised when he says, “…you dared defy the law,” to Antigone due to boasting her rebellious actions. In this demonstration, Antigone does not deny her guilt, but declares all of the information, provided by the guards, true. Antigone does not care for the consequences, which is death; she knew what she would create for herself when she chose to bury her brother. A second example of this is on page 784 when Antigone states, “There is no guilt in reverence for the dead.” By what Antigone said, she believes it should not be against the law to have reverence or lamentation towards the dead, especially if the deceased is part

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

Antigone in Antigone by Sophocles desires justice for her brother but her quest for honor of her brother`s body is obstructed by the king of Thebes Creon. There are multiple problems with the way her mission is handled and how a current audience may react to it. Today the concept of divinity, democracy and rights are drastically varied to those of ancient Greece.

Everyone has been guilty of some type of wrong in their lifetime, whether it was cheating on a test, lying, or not listening to someone when they are told to do something. Even those considered heroes are guilty of doing wrong and in this essay, the play Antigone by Sophocles will be analyzed. The play takes place in Thebes in 441 B.C. In the play, Antigone buries her brother, Polyneices, who Creon decreed to not bury. Creon then finds out about what Antigone did and punishes her “even though she claimed” to have done the will of the gods. I will explain how each character was guilty of doing something wrong. Transition, Antigone was put on trial for burying Polyneices, however, Antigone, Creon, and the gods are all guilty of doing some type

But in reference to the people of Thebes, Antigone uses this to gain their pity, as well as their sympathy. She wants them to think that she is deserving of life because she is so accepting of death.

Antigone's tragedy was a story that is unbearable, and horrific when it is fully understood in the sense of the magnitude of all of the factors that came together to form a fragile, problematic situation. The joint murder of her brothers that was committed against each other, they turned against each other, driven by the lust for power and control. An opinion about how and why the conflict began, is that megalomania was an overwhelming aspect of the provocateur. Creon’s choice between honoring one brother and leaving the other to decompose shamefully with no honor at all. The way these enabling events led to the formation of a partially self-detrimental plan by Antigone, who was appalled that a decision such as that could've even been considered, much less imposed. For her to deal with the turn of events in such a quick succession can be seen as cruel and unbearable, which is one of the aspects

In the play Antigone, written by Sophocles, writes a story about how one person's action has the abilities to affect everyone around them. The main character Antigone openly admits that she dislikes how Thebes is being run. Even though she is alone on her beliefs, she strongly disagrees with Creon decisions, and wants the world to know her deeds. Antigone's deeds end in her inevitable death, but in her passing achieves her objectives. The writer uses her to show how much a single person can affect society, but also shows one must endure the sacrifice to achieve progress. Throughout the story we find the characters must stand by what they believe in and face the consequences to ensure change.

Within the first few hundred lines of Antigone, Sophocles shapes the reader’s perception of Antigone and her philosophical beliefs. When speaking to her sister, Ismene, about her plan to bury their brother, Antigone states “I’ll do what’s honorable, and then I’ll die” (Sophocles, 750). Antigone’s willingness to die for a cause that she feels is honorable and right demonstrates a particular value in regards to her philosophies on right and wrong. Antigone demonstrates that the conflicting nature of her beliefs and the king’s beliefs on the right way to deal with Polyneikes’ death will not hold her back from doing what she believes is right.

Throughout the novel Antigone, Antigone is portrayed as a rebellious anarchist who is not afraid to defy king Creon's strict orders. After the death of her brother Polyneices, who Creon believed was a traitor to Thebes, Creon gave specific orders that there should be no proper burial for such a renegade. Knowing the consequences, Antigone willingly disobey Creon’s commands and performed a proper burial for her deceased brother. When Creon heard of this, he became furious and sentences Antigone to death. Antigone denied nothing and accepted the punishment.

Moreover, Sophocles’ “Antigone” shows how freedom, life, and a normal everyday life was the cost of fighting for social justice and the common good. In attempt to give her brother Polyneices the appropriate burial, chaos erupts in the kingdom of Thebes. Antigone wanted to honor her brother and the gods by burying her brother even though it was against the wishes of King Creon. Antigone knew her punishment would be death, but she did not care. Antigone was willing to risk her life in order to do what she felt was right. In regards to freedom, Antigone’s arrest and exile were both costs of her fight for social justice and the common good. Antigone’s fight for the common good affected her life as well as the lives of those around her. Her fiancé Haimon tried to fight for a good life for himself and Antigone by going against his father’s word. In the end, Haimon took his life as a result of Antigone’s death and his mother Eurydike committed suicide as a result of Haimon’s death.

Not only is Antigone courageous and highly motivated by her morals by standing up for her political and religious beliefs, she also protects her personal ones when she buries her brother. Antigone places family above her own life, and she refuses to let a man stand in her way of maintaining her ideals. She buries Polynices out of her own loyalty to her brother even after her sister, Ismene, refuses. Antigone is cruel to her for not taking part in illegally burying their brother. Instead of being caring and considerate, she becomes irate and at the end of their conversation says, "Go away Ismene: I shall be hating you soon, and the dead will too, for your hateful words," Antigone's flaw was her headstrong behavior and her stubbornness, which ultimately brought about her downfall and the downfall of those around her. Her persistence of course, is what forces Antigone to rashly take matters in to her own hands. Creon then decides to take Antigone's life "Away with her at once, and close her up in her rock-vaulted tomb. Leave her and let her die". To everyone's surprise Antigone does not run from her death sentence suggesting a great trait of braveness, which the chorus recognizes before her exodus from life. The notion that a person has no say in the affairs of their loved ones and the fact that those laws were defied deserves

Antigone, on the other hand, is the maverick who dares to defy Creon, initiating the spiral of events that cause both his downfall and realization of his misdeeds. Antigone rejects Creon?s authority in favor of the higher Divine law, telling her sister Ismene, ?I will bury him; and if I must die, I say that this crime is holy: I shall lie down with him in death? (Sophocles 192). When questioned by Creon as to why she breaks the law, she asserts, ?It was not God?s proclamation. That final Justice that rules the world below makes no such laws? (Sophocles 208). Antigone is unafraid of her punishment claiming, ?this death of mine is of no importance; but if I had left my brother lying in death unburied, I should have suffered? (Sophocles 208). She remains steadfast in her beliefs, never compromising her principles to escape her uncle?s wrath. In her final address to the people, she proclaims, ?you will remember what things I suffer, and at what men?s hands, because I would not transgress the laws of heaven? (Sophocles 228). This indicates that she, alone, has chosen the righteous path.

Antigone uses the concept of death in many ways when unfolding the tragic story of Antigone and her rebellion. The most obvious way is how death is used as a form of capital punishment and justice against state-dubbed criminals and wrongdoers. The play first exhibits this notion when Antigone states, “No passing humor, for the edict says who’er transgresses shall be stoned to death”