Essay on Is Frankenstein a reality?

In this essay I will be discussing who really is portrayed as the monster in her gothic horror novel, Frankenstein or “The Modern Prometheus”. Frankenstein was written in 1816, (thought by many to be the first real science fiction novel) during the age of Romanticism and it tells the story of a selfish man, Victor Frankenstein, whose ambition conducts him to seek for supernatural powers and leads him to death. He is a young scientist, eager to discover something new, the key to life, help to make scientific advances and let other scientists get a better idea of how the body works and who after studying chemical processes and the decay of living beings, gains an insight into the creation of like, leading him to create a monster that becomes

Several fields have studied the relationship between creator and creation. The most significant aspect of this research considers the difference between nature and nurture. Sociologists, psychologists, scientists, and other professionals have tried to pin down the exact distinctions between these two types of upbringings. In literature, the same questions have been asked and studied using fictional characters, most famously in John Milton’s Paradise Lost, in 1667, and Mary Shelley’s Frankenstein, in 1818. The complexity of the characters in these texts creates the theme of nature versus nurture before they diverge and arrive at differing conclusions.

Victor Frankenstein created life, a monster that was born into this world with no purpose, and no one to love. He did not even have a name, he was called a monster from the start. Just like a normal human baby, he came to life not knowing anything, and had to learn from his surroundings. Just like a person, he watched and learned from others, and tried to understand the world and the people in it. From that, the monster understood that he just wants to find a life for himself, and not be viewed as an evil monster, but there are many things that are preventing that. In the novel Frankenstein by Mary Shelley, the author portrays Frankenstein’s monster as a friend through details in his character and his outlook on life.

In order to illustrate the main theme of her novel "Frankenstein", Mary Shelly draws strongly on the myth of Prometheus, as the subtitle The Modern Prometheus indicates. Maurice Hindle, in his critical study of the novel, suggests, "the primary theme of Frankenstein is what happens to human sympathies and relationships when men seek obsessively to satisfy their Promethean longings to "conquer the unknown" - supposedly in the service of their fellow-humans". This assertion is discussed by first describing the Promethean connection. Thereafter, the two forms of the myth, Prometheus the fire-stealer and Prometheus the life-giver are reviewed in the context of Shelly's use of the myth in her novel

Many timeless novels have impacts on our everyday culture, not only as a book, but also through music or movies. Many popular novels have multiple adaptations, which shape how we approach their interpretation, in ways we may never even notice. In some films, humans are depicted as monsters, whether through their actions, or through the thoughts of other beings. In these films we find issues with our own society, and in turn see ourselves as monsters, and look for ways we can change, for the better. One particular novel that influences this side of Hollywood is Mary Shelley's “Frankenstein”. The ways Frankenstein influences pop culture can be seen in science fiction films in which humans are depicted as monster, and “monsters” are seen as

When reading Mary Shelley’s Frankenstein it is easy to see the practical argument: Victor has created a monster. In the novel Victor is exposed to us— his family values, his journey to school, his drive for scientific achievements, etc. It is easy to see Victor as a victim of a monstrous creature. The monster murders everyone that Victor loves. Though, the second half of the novel exposes the “monster” to us— he is an angry, child-murder that stalks and horrifies a family (and within that family a blind man), murders the friends and family of his creator. Therefore, in the minds of most it’s easily assessed that the creature is the monster. But it seems, if you pick apart our protagonist, that he is indeed

throughout this novel and the movie. The decline is a less gradual one in the novel but a

Mary Shelley’s, Frankenstein, symbolized a person’s necessity for acceptance by society. Society labels everything as good or bad, right or wrong, rich or poor. Although some of these labels may be correct, many are misconceptions. The monster, needed to be accepted by society, but instead was scorned, attacked, and shunned because of his outward appearance. The treatment of the monster was on the assumption that he was actually a monster. The only justification of this treatment was his outward appearance.

     In her novel Frankenstein, Mary Shelley explores a wide range of themes concerning human nature through the thoughts and actions of two main characters and a host of others. Two themes are at the heart of the story, the most important being creation, but emphasis is also placed on alienation from society. These two themes are relevant even in today’s society as technology brings us ever closer to Frankenstein’s fictional achievement.

When man decides to assume the role of God, consequences are bound to plague such an ambition. In the case of Victor Frankenstein, the protagonist in Mary Shelley’s Frankenstein, the product of such an ambition is a creature born of the dead. Despite the frightening process of his creation, the creature wakes into the world as a benevolent being. He simply longs for acceptance and friendship, but due to his unsightly features, the world is quick to condemn him as the monster he appears to be. With an unbearable sense of rejection in his heart, the monster begins to turn wicked. Soon enough he is responsible for multiple deaths in the name of revenge. Although many treat him unfairly, the monster is fully aware of his actions

Science fiction is a wonderful and imaginative world full of people and beings that are on the edge of the truth. Such things as aliens, Big Foot, and Yeti all fall under this category, and are brilliantly thought up an sought after in the modern-day. There is, however, one monster who is not sought after in the literal sense today, though in a strange way it is in medical technologies. Marry Shelly was just a young woman when she sat down and wrote the story of Frankenstein. In this story, a scientist finds the secret to life and creates a monster but neglects it to society’s harsh criticism and rejection. Frankenstein should be seen as a hero for three reasons: his selfishness, his seclusion of his creation, and his inability to give

“Horror and science fiction tend to present radically opposite interpretations of what may look like comparable situations.” (Kawin, 1981.) Bruce Kawin helps the reader to understand how a story in the genre of science fiction could be adapted, or bastardized if you like, into a horror. This is similar to the film adaptation of Mary Shelley’s Frankenstein. Both “Frankenstein” (1931) and “Bride of Frankenstein” (1935) portrayed characters and events differently than Shelley would have desired. Her novel had many deeper implications than the movie portrayed.

The most frightening horror story can only be called such if it is believable. Nothing is so unnerving as lying awake at night with very real fears. No monster can harm you, unless the monster was genetically engineered by a mad scientist. The theme of Mary Shelley's Frankenstein - scientific investigation without consideration of morality and responsibility - is a very relevant topic in today's world. This theme, along with the less obvious themes of revenge, prejudice against deviation from the norm, and fate all make Frankenstein one of the most unique and terrifying horror novels ever.

Remembered for its classic scene of ‘ITS ALIVE’ and a monstrous figure rising from a gurney, Frankenstein (or the Modern Prometheus) by Mary Shelley can be considered as the world’s first terrible book-to-movie adaptation. And in this translation, it seems that we have lost what Frankenstein’s true core message was; a cautionary message to modern science.

I saw myself. Hideous, that 's what I was. People were afraid of me, so I have to hide. A hidden figure in the darkness of the night. I don’t remember why I looked like this therefore, I don’t remember anything , however I remember him. I saw him.