Is Linton Kwesi Johnson A Modern Classic English Poet?

George Elliot Clarke is an important poet and writer of contemporary Canadian literature and holds the title of the Canadian Parlamentary Poet Laureate. He was born near Windsor Plains in Nova Scotia on the 12th February 1960 and grew up in Halifax. He earned several degrees and was nominated, after the famous Canadian poet of the first half of the 20th century, E. J. Pratt Professor of Canadian Literature. Clarke calls himself an 'Africadian' since his family is of African descent. His work comprises several text in poetry, prose and drama which mainly processes the history and culture of blacks in the eastern parts of Canada. He wrote the poem 'Halifax Blues', that forms the topic of this lesson, when still being in his early

The first known African American to have a poetry book published in America was the late Ms. Phillis Wheatley. Wheatley was born in 1753, in West Africa. In 1761, when Wheatley was roughly seven or eight years of age; she was purchased as a personal slave for Susannah Wheatley, the wife of John Wheatley. Phillis was taught to read and write from Susannah Wheatley’s daughter, Mary in between her household duties. At an early age, Wheatley was deeply involved in the Bible and multitude of other things to include Latin and Greek to English Literature. Wheatley’s love of poetry began when she was just twelve years old. At this age, she started writing poetry and Phillis’ first poem was published in 1770. (Carretta, 2011)

This paper examines the perspective of Langston Hughes and how his style of writing is. It looks at how several interrelated themes run through the poetry of Langston Hughes, all of which have to do with being black in America and surviving in spite of immense difficulties. Langston Hughes is one of the most influential writers because his style of work not only captured the situation of African Americans; it also grabbed the attention of other races with the use of literary elements and other stylistic qualities. Langston Hughes became well known for his way of interpreting music into his work of writing, which readers love and enjoy today.

Phillis Wheatley, once coined the mother of black literature, now, deemed an “imitation” is the sole focus of Henry Louis Jr’s, The Trials of Phillis Wheatley, in regards to the many perspectives and intrepations pertaining to her poetic works. In closing of the novel, in which he evaluates the various opinions offered, Gates suggests that readers should “...learn to read Wheatley anew, unblinkered by the anxieties of her time and ours. That’s the only way to let Phillis Wheatley take the stand. The challenge isn’t to read white or read black; it is to read”(Gates 89). Such is the stance he assumes and carries throughout his novel.

The first poet I chose from the Harlem Renaissance was the American poet, Countee Cullen This 1920s artistic movement produced the first large body of work in the United States written by African Americans. (Brown, 2012) The work, Yet Do I Marvel, took a racial theme, lynching of a black youth for a crime he did not commit. The poem is stark and makes reference to Sisyphus and speaks of how life is a struggle up a never ending stair. It speaks to God as if to wonder why, knowing that God is benevolent he does not stop the unreasoning actions of brutes against, “flesh that mirrors him”, meaning the black race. (Brown, 2012) This line is important as it shows that the black consciousness is coming to recognition of their own worth taken

We have produced marvelous pieces of art, dynamic architecture, discovered intelligent theories and ideas, even created significant clothing, jewelry and a multitude of other things. We possess a vast amount of talent that ranges from singers, dancers, writers, entertainers, musicians, poets, actors and actresses. One of my favorite pastimes is poetry. But in order to understand my passion for poetry we must first understand the origins of poetry, and learn about some of the notable African American poets of the past who have paved the way. There are many great African American artists that were very talented poets. Artists such as Langston Hughes, Countee Cullen, and Gwendolyn Bennett are just a few African Americans who had a momentous influence on writing and poetry in our culture.

The Harlem Renaissance was a period that started in the early 1920’s in which the concept of “the Negro” was intended to be changed (History.com). This period witnessed the thrive of African American art. White stereotypes had influenced not only the way African Americans were perceived in society but also their relationship between themselves and others. Participants like Gwendolyn Bennett, Langston Hughes, Paul Lawrence Dunbar and W.E.B. Du Bois were some of many authors of creative pieces that reflected their points of views. Like George Hutchinson writes in his article, The Harlem Renaissance brought many African Americans from South to North which helped the rise of literacy and the creation of organizations dedicated to promoting African American civil rights that resulted in the uplift of the race and the availability of socioeconomic opportunities (1). The distinctive expression through things like poetry and music during the Harlem Renaissance reflected the reality and experiences black people were going through. This essay is going to focus on the relationship between poetry, politics and representation while relying on the poem “We Wear the Mark” by Paul Lawrence Dunbar. At the same time, this paper will be supported with works from Langston Hughes, Alain Locke and W.E.B. Dubois.

Paul Laurence Dunbar is African-American poet who lived from in the late 1880s to the early 1900s. During his life, Dunbar wrote many poems, in both dialect and standard english. However, many of his poems are considered controversial now, due to negative racial stereotypes and dialect. Currently, some believe that Dunbar’s poetry perpetuates harmful stereotypes such as use of dialect; while others believe that it helps break racial stereotypes through the portrayed emotions. Dunbar’s dialect poetry is helpful for African-Americans, because it accurately depicts the experience of African Americans and humanizes them.

Langston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (“Langston Hughes” 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life outside of Harlem (“Langston Hughes” 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. Hughes’ heartfelt concern for his people’s struggle evokes the reader’s emotion. His appreciation for black music and culture is evident in his work as well. Langston Hughes is a complex poet whose profound works provide insight into all aspects of black

The Harlem Renaissance was an evolutionary period in terms of African-American cultural expression; in fact, the movement changed the way that black musicians, poets, authors, and even ordinary people perceived themselves. One of the most influential poets of the time was Langston Hughes. Hughes’ works display a pride in being black that most African-Americans are too afraid to show, even today. Moreover, he adamantly refused to submit to the sentiment that he should be ashamed of his heritage, instead believing that “no great poet has ever been afraid of being himself.”(p1990 From the Negro Artist). In the article “‘Don’t Turn Back’: Langston Hughes, Barack Obama, and Martin Luther King, Jr.” by Jason Miller, Miller analyzes how Hughes’ poetry has been used by Martin Luther King, Jr. and Barack Obama and how the House of Un-american Activities Committee affected that use.

Langston Hughes is a famous poet known mostly for his contribution to the Harlem Renaissance. He wrote many inspirational poems that are still read and used for educational purposes. Many of his poems were inspired by his life and his story. One of his many poems entitled “Theme for English B” talks about how his teacher instructed him to write a page about himself and it will be true. In a “Theme for English B”, Hughes uses tone, and characterization to display a relationship between race and writing.

One poem I chose from Langston Hughes that grabbed my immediate attention is his poem “The Weary Blues”. This poem written by Hughes is very powerful to me and expresses a deep message within for all Americans during that time; double-consciousness is notable all throughout the entire poem. Langston Hughes, who was one of the main focal points of figures of the Harlem Renaissance, tries to remain conscientious to his African-American roots in his foundation. His poem “The Weary Blues” is the perfect example of double-consciousness. The author of the article places an immersed question: Was Langston Hughes able to overcome the “double-consciousness” and take the pot luck with African origins and roots, or did he also not know how to manage to escape from the assimilation in the melting-pot of the American culture? Reading the poem from him, he actually provides the answer, which he states that the poet succeeds in promoting the “folk” (Black) tradition, having to compromise with the compulsory framing into American (White) reality of the form and the content of the subject.

African American literature is the body of work produced in the United States by writers of African descent. This particular genre traces back to the works from the late eighteenth century by writers such as Phillis Wheatley to later reaching early high points with slave narratives and the Harlem Renaissance, and thus continuing today with authors such as Colson Whitehead and Maya Angelou. Among the themes and issues explored within African American literature are the roles of African Americans within the larger American society, African-American culture, racism, slavery, and equality. African American writing has also tended to incorporate oral forms such as spirituals, gospel music, jazz, and rap. Dating back to the pre-Revolutionary War period, African American writers have engaged in a creative dialogue with American letters. The result is a literature rich in culture and social insight. These pieces offer illuminating assessments of American identities as well as its history. Since the time of early slavery African American literature has been overlooked within the literature criticism. This essay thrives to show that within the English profession African American literature does belong alongside the great works such as A Christmas Carol by Charles Dickens and poetry as A Road less taken by Robert Frost. I will dive deep into history to not only investigate what critics think about African American literature, but why is it not held to a higher standard just as American

The contrary side may infer that all students of high school English must read particular texts, such as literary canon books because they are most genuine, preeminent and beneficial. This is quite erroneous, though. According to George P. Landow’s article, “The Literary Canon,” “To enter the canon, or more properly, to be entered into the canon is to gain certain obvious privileges” (Source A). Landow, in essence, states that to become part of a “canon,” a literary work must transcend certain criteria. For example, dramatic works, such as “To Kill Mockingbird” and “Romeo and Juliet,” have been inaugurated into a canon, known as the “literary canon,” due to their profound, cohesive and well-accepted form of writing. Consequently, the opposition desires for all students of

This essay will critically discuss the development of Post Modernism as a reaction to Modernism and the growth of the architectural style as an individual movement.