Is Lysandra Justified In Revenge

She never tried to be the best friend ever, not just to stand up for her, but when she wanted to become friends again, she didn't try hard enough. A while after Lysandra and Elaine stopped talking Elaine goes up to her one day and says, "Lysandra... it wasn't my fault... please be nice again" (70-71). Above all, she does not say sorry. Moreover, she would not lose her stubbornness and realize that it was her fault and even if she did, she would not accept it. Secondly, it appeared as if Lysandra was using her because when the time came, she felt Lysandra was useless and stopped playing with her. It seemed as if she was using her and only needed her to play with as she calls her useless when she uses the break to write poems by herself. When it comes to the contest, despite knowing Lysandra’s biggest dream she lets herself be stubborn and and win and show off for herself. I believe this shows how adverse and disloyal she is. Regardless of knowing the preferences of the judges she does not tell Lysandra. Elaine says herself that, "Lysandra was the only one to dedicate her entire life to it"(67), this means that Elaine percieved how much

" The revenger places himself outside the normal moral order of things, and often becomes more isolated as the play progresses-an isolation which at its most extreme becomes madness." (Elizabethan Revenge in

Chopin uses character foil to give us insight into the protagonist and societal expectations by depicting many socially acceptable roles in society through “The Awakening” that Edna could embrace (such as Madame Ratignolle an impeccable mother and spouse, old maid who is free yet excluded such as Mademoiselle Reisz and last,but not least Mariequita who is a flirtatious young lover) , however knowing the fact that she is the protagonist of the novella it is

Once the Hutchinson family was chosen by the black dot, Tessie’s attitude towards the occasion changed. She became agitated and insisted on, “[starting] over,” (paragraph 62) to lessen her chances of winning. In fact, she suggested something most mothers would scorn her for--adding her daughter and son-in-law, Eva and Don, so they could, “take their chance.” (paragraph 51) Finally, the winner of the lottery was announced, and it was Tessie. Her attitude changed again from slightly agitated to furious and scared as she screamed, “It isn’t fair, it isn’t right!” (paragraph 81)

Revenge has always been an exciting theme to incorporate into any literary work. This revenge adds conflict, action, and contrast to any story. There have been hundreds of thousands of stories and tales which cause readers to experience similar feeling to that of the main characters. With revenge, the reader may side with the main character whether or not the main character is morally right or wrong. By human nature, people around the globe have always been trying their hardest to come out on top in arguments or fights (Price 2009). As humans, they want to win. This is how a story about revenge is so well loved and experienced by many as it relates well with human nature and how a person would react to these situations. It is a natural feeling every single person feels at some point in their lives. Two well-known tales call this vengeful mode of literary artwork their own as they both portray characters who strive for revenge. These stories are Shakespeare’s Hamlet, and Sophocles’ Antigone. Shakespeare, a very famous playwright created his play with the intention of showing the audience how revenge returns to haunt the vengeful. He also showed how seeking revenge is not the ideal way of dealing with a situation. Sophocles created his play to show how justice can be better and more worthy than just seeking revenge. But he also how to be careful for seeking justice can turn into seeking revenge and a full circle back to the demise of the vengeful as well. There

The first way this can be seen is though her stating “Do not say so, Lysander, say not so. What though he love your Hermia? Lord, what though? Yet Hermia still loves you; then be content.” (Shakespeare 2.2 107-110) to Lysander. Here she starts to believe that she is being lied to, due to Lysander being in love with Hermia. This makes here have to deal with fake love from him being placed on her due to the mix-up by Puck. The second way this can be seen is through “Wherefore was I to this keen mockery born? When at your hands did I deserve this scorn? Is't not enough, is't not enough, young man, That I did never, no, nor never can, Deserve a sweet look from Demetrius' eye, But you must flout my insufficiency?” (Shakespeare 2.2 123-128) Here, she explains how she feels she does not deserve the mockery she believes he is playing on her. And how she feels she is a victim because she cannot get Demetrius to love her, no matter how hard she tries. The final reason she is a victim of love is though her statement “O spite! O hell! I see you all are bent To set against me for your merriment: If you were civil and knew courtesy, You would not do me thus much injury. Can you not hate me, as I know you do, But you must join in souls to mock me too?” (Shakespeare 3.2 145-150) to Demetris. From here she is angry how she feels that everyone is mocking her, due to him having not shown her love before this. And how he is not the only one who is mocking her, but so has Lysander and, in her mind, Hermia though Demetrius loving

Hermia, originally the Apple of all Athens’ eye, put on an impossible pedestal by both Lysander and Demetrius, seems to trade social standings with the outcast Helena. It seems that Hermia doesn’t fully appreciate the quality of her state. She complains that her father will not allow her to merry her true love Lysander, and pawns her off to the inadequate Demetrius. Never can she accept the flattery of Demetrius’ unrequited love which her best friend would do anything to sincerely receive. Instead she revels in wonderment: “The more I [Hermia] hate, the more he [Demetrius] follows me” (I.i.198). Her unhappiness is far heightened when her two followers are given the love potion, turning them against her and beckoning to Helena. The cruel swap of fates lets the two female characters feel as though in the others’ shoes. It’s Hermia’s karma for being ungrateful at the attention bestowed upon her all these years that leads her to this harsh lesson.

Furthermore, irrespective of Alice’s standpoint on the British legal system, it is her annoyance in being kept waiting a matter of minutes that provides the ensuing events to take place and can be argued that she is responsible for the situation she puts herself into, causing a disagreement between herself and Frank to leave with another man, the artist and her “assaulter”.

Revenge is a kind of wild justice. Throughout many texts, the notion of justice has been debated on whether it is an act that vindicates those who have been wronged or an excuse to pursue revenge. Through Medea, Medea’s actions have been judged and criticised whether her murders are an act of justice that she deserves or simply the idea of inflicting pain on those she loathes.

Attempting to seek freedom from the shackles of Athenian society, reflecting among the segregation lifestyle a woman carries in Athens leads to Hermia’s decision to run away with Lysander in the search for sealing their love on Mayday;backlashes against her will as a result of puck’s confusion to Oberon's orders towards the use of the flower of love. Puck’s mistake reflects greatly on the actions of the protagonist showing their deception of reality versus illusion as they scavenge through the forest learning reality while waking up to what feels like an illusion.

She does not like her father’s decision and wants to fight against it. Although she is advised to do as her father wants, the love she feels for Lysander is to strong for her to ignore. In modern day society, parents tend to know what is best for the children and try to lead them into doing what they want. It all goes to show their love but sometimes it is taken too far.

Hermia was hurt and suffering because her Lysander left her unpredictably and so sudden. Was she not good enough, who is to blame? Hermia’s answer to these questions were Helena, her dear childhood friend. Hermia blamed her for the chaos that was brought into her life and the sudden loss of her loved one’s interest. But unfortunately, Hermia was unaware that Helena had nothing to do with this chaos. It was all love that twisted a perfect relationship of true love into a chaotic monster.

We see a woman ready to go into the battle of the sexes whom the Baron (her opponent) already regards as a threat. Specifically, her beauty is a threat in that it empowers Belinda and means he may have to compete with other men for her affection. The idea of a woman holding power of any sort over a man attacks the male ego or at least threatens the Baron's ego. He is

This interaction alone sets in place the course of events which would lead to revenge being a method of downfall to prince Hamlet and Laertes for seeking and attaining revenge for their father’s deaths.

While young, Defarge witnessed an aristocrat named Evrémonde invade her house, raping her older sister and stabbing her brother. Since then, she has sought revenge against the Evrémonde family and will stop at nothing to exterminate them from the earth. The Madame is even in high favor of killing the innocent Lucie Manette and her daughter because they were married into the Evrémonde family. Though this happened long ago, she responds with ruthlessness and bitter anger consistently. Lucie Manette alike has suffered through many trials such as being the caretaker of her father in her twenties which she felt was degrading - for she was to be courting for marriage at this time, not acting as a housewife to an enfeebled old man. Additionally, her husband was convicted and almost sentenced to death for returning to his home country of France. She responded with prayer and being in a certain area for her husband to see her. When he was finally released, Lucie and her family “reverently bowed their heads and hearts” (292). This exhibits Lucie response to misfortune in a elegant manner and separates her from Madame Defarge.