Is The Real Life Zombies Today? Society?

Sociologist and the author, Karen Sternheimer, in her article, “do video games kill?” (2007), argues that media and politicians are quick to blame video games when teens kill. She supports her claim by first talking about politicians and other moral crusaders frequently create “folk devils,” individuals or groups defined as evil and immoral, then both politicians and news outlets felt that video games were the ones to inculpate, also news reports showed little importance to the broader social contexts, and finally dubious about the juvenile justice. Sternheimer’s purpose is to persuade in order to show that video games is not the only explanation as to why teens kill. She creates a professional tone for students, teachers, parents, politicians

The zombie argument presents an idea meant to prove that consciousness doesn’t necessarily logically supervene on the physical. In this example there exists a zombie, defined as “someone or something physically identical to me ( or any other conscious being) but lacking conscious experiences altogether.” (Chalmers,94) Zombie world is then defined as “a world physically identical to ours,but in which there are no conscious experiences at all. In such a world, everyone is a zombie.” (Chalmers, 94) In this idea, only “phenomenal zombies” are to be considered meaning zombies that are “physically and functionally identical ( as us) , but which lack experience” (Chalmers 95) There are five main arguments that stand behind this idea, the first two being ideas regarding conceivability, the second two arguments of epistemology and the fifth and argument of analysis.

In my most recent essay I wrote of the violence attributed to video games in light of various shootings and other tragedies that occurred in the past year or so. In this essay I argued that despite their violent content, video games are not completely to blame for acts of violence committed by children. Throughout this essay I tried to convince the reader by, first, establishing my own credibility with video games, then sharing my own experiences with violent games, and providing both empirical data and valuable insight from trusted sources.

“According to data recently released by The NPD Group, in 2012, U.S. video game software sales reached $6.7 billion (174.8 million units) and computer game sales were $380 million (13.2 million units)” (Improving Economy). To many, the violent video game industry has turned all adolescents into mass murderers. However, they’re absolutely wrong. Very seldom do adolescents who play violent video games commit acts of violence, and the ones who do usually have a mental disorder. Instead of blaming the tragedies that occur on violent video games, the news media should explain to people that a large percentage of young males play violent video games, indicating that the two are uncorrelated. They should alternatively research other possible solutions to the crisis. In lieu of negatively affecting people’s lives, video games could potentially improve their lives!

Have you ever wonder “Do Video Games Kill?” Well, Karen Sternheimer, the author of the essay who focuses on the youth and popular culture has explained it very well in the essay. Sternheimer addresses the wide spread idea of how video games are the cause for killers at a young age. She believes the influence of video games may have a little on the youth being out of control. Sternheimer puts most of the blame for the youth of being out of control on the media. She also writes some about politicians and the Juvenile Justice system. She also points out that the youth not only is influenced by video games, but also the home life. While it may be that juvenile crimes have declined and personal

Video games are prevalent among impressionable children and teenagers. There has been a great deal of controversy surrounding the violent themes used in video games. Teenage shootings in schools have led society to question the relationship between video violence and criminal activity. After considerable research, expert opinions, and research findings, the American Psychological Association found that there is no link between gaming and criminal behavior (Casey). With this, the pursuit of video violent games continues to grow in our society. With games that show execution style murders, blood oozing from gunshot wounds, and victims moaning from wounds, it certainly is gratifying for the indulgent player. The ongoing concern about aggression and violence has once again been proven to be non-existent (Alert). My thoughts are that this cartoon like violence is appeals to the need for violence in an artificially designed environment. In this manner, violence is contained within the boundaries of fantasy. This is unlike “The Crucible” which occurs in with real people, events, and situations. Thus, directing violence in the realm of societal dysfunction that has endured with

The name of the article is Our Zombies, Ourselves written by James Parker. In this article Parker discusses the historical backdrop of zombies and talks about where it is that they started from. Parker additionally raises exceptionally fascinating point on the notoriety of zombies and a short timeline on zombies. He also talks of different sorts of popular cultures which incorporate zombies and are utilized, for example, the movies Night of the Living Dead, White Zombie, the books The Zen of Zombies, Zombie Haiku, and the television series The Walking Dead.. By utilizing these references Parker helps demonstrate to us how zombies appear to ceaselessly draw our interest. The article additionally educates the reader about how zombies came

The story line behind some violent video games includes games in which players earn points by carjacking taxis, scoring drugs from cursing thugs, and mowing down pedestrians.(see http://www.feedmag.com/vgs/duncan.html>) Some cartoonish tag lines in some sadistic video games include : -- "As easy as killing babies with axes" and "More fun than killing your neighbour's cats". This kind of themes definitely influence the players, especially the younger ones, and inflict violent tendencies on them. It is no wonder, that this killing mania in violent games was seen to seep out into the actual world when a high school junior opened fire in his school cafetaria in Littleton, Colorado, killing two of his classmates. The gunman was reported to be an ardent fan of Quake and Doom, some rather violent video games. More proof of the relationship between video games and violence is revealed by a study which clearly reveals how this kind of entertainment affects our lives. Greater details of the history of how high school students turned gunmen in Columbine High School are given, which shows that the effect of video games in their lives was a major source of influence in doing what they did best.

Rodney Clapp, writer, editor for Wipf and Stock Publishers and expert in topics such as theology and culture, in the article, “Attack of the Zombies”, argues that many things in life are beginning to resemble zombies. Clapp assumes that the audience also views zombies as lifeless creatures that go around spreading their disease. The author’s purpose is to persuade the audience to believe that many things they see today are starting to resemble zombies. The author writes in a challenging tone for people who question the similarity of zombies to every day life. Clapp supports his argument by comparing and contrasting, and exemplification.

Since Columbine, in which two students carried out one of the most deadly school shootings in history. Video games, TV, and movies have been a sought-after target for acts of violence. After the Columbine shooting, the media thrust the idea that Eric Harris and Dylan Klebold’s tendency for violent video games, not to mention screamo music and somewhat goth subculture, were partly to blame for the terrible day in history.

In the modern world, media outlets and pop culture constantly revive the idea of zombies taking over human society. From The Walking Dead to Michael Jackson’s “Thriller,” zombies are portrayed as slow-moving living-dead creatures shown in mass amounts to create the idea of consumption. While this monster as it is depicted in movies and television shows is nonexistent, there are living zombies walking the surface every day. They hide in the shadows of town and often only wear the clothes on their back. They spend every day trying to survive with the little amount of money they can scavenge. Money to them acts as the cure to help them get the necessary resources they need. Many people in this nation and across the world are categorized as living under the poverty line. The spectrum of people ranges from homeless and sleeping on the streets to large families settling in garage-sized apartments. Even when taking out of consideration the similarities in physical appearance, zombies are an accurate representation of the major issue of poverty in today’s society due to the instant eeriness that the stereotypes of both subjects represent and the idea that the poor are unable to receive the necessary health treatments.

Even though they seem unrealistic, zombies can be created and are realistic due to these several things that can happen in the brain that can cause a person to act like a them. Parasites and viruses can cause these things, however, viruses are the closest to realism due to how they can spread. Everything wrong with a zombie is likely caused by their brain because of the way they behave. However to understand all this you need to understand how viruses work.

Technology is an important aspect of change in our world. As time goes on, we are introduced to more and more technology every year, which includes media such as video games. The increase of technology has also increased and improved the world including ways of communicating and distribution of information. More often used outlets of media are those used for entertainment purposes, like television, internet and video games. The ones who are most likely to engage in these media outlets are millennials and the most recent generation Z, because they have been introduced to these outlets from a young age. In fact, a study found that children spend around 9 hours a week playing video games (Polman, de Castro, & van Aken, 2008). It is evident that video games are progressively becoming more violent in nature, and with children spending as much time as they do playing video games, there are questions that must be asked, is the violent nature of video games effecting today’s youth? And if so in what ways?

When picturing a zombie the image of a undead person looking for its next human meal comes to mind. While this is the foundation of what the contemporary belief of a zombie is, the actual origin has a far deeper and darker history than what is portrayed today. In the 17th century, Haiti; at the time known as Saint-Domingue, was colonized by France. Slaves were brought in from Africa to work on the sugar plantations. These slaves were subject to such brutal and horrible conditions that many of them died after a few years of service at a rate two to three times higher than any other type of plantation (Berlin 21). A belief rose among the slaves that if they died, they would return to la guinée (Africa) and be free - but there was a catch. If they committed suicide; as many did, they would not be allowed to return to la guinée and instead would spend eternity at the plantation as an undead slave (Mariani).

The topic of the undead coming back to life to feast on the living has been around since the first zombie movie White Zombies in 1932; however, just in the past few decades has the threat of a zombie apocalypse enter the realm of international politics. The threat of a zombie apocalypse is a very serious concern of the international communities. Many political scientists are not sure how the world leaders would be able to work together if this issue were ever to arise in the world today. In the book “Theories of International Politics and Zombies”, Drezner uses the threat of a zombie apocalypse to show how the different theories of international politics would eliminate the threat; however, are the living dead a real international concern or are they just a brilliant metaphor for something much greater that could happen to the world.