Isabel Allende's Two Words

? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example,

In the series of short stories The Stories of Eva Luna, the author, Isabel Allende, incorporates the element of the past affecting the present into her plotlines. This style of writing creates a correlation between the new and the old by establishing a cause and effect type of relationship. While this element exists in all of Allende’s short stories, she exhibits it most prominently in The Gold of Tomás Vargas. In this specific short story, the main character, Tomás Vargas, indulges in life’s luxuries and pleasures to their fullest extents. Tomás can afford to act in such a manner because of a past event, occurring at a time before which the short story even takes place: the burying of his gold. When paper money loses almost all its value, Tomás’s buried fortune gives him a wealthy status

In the short story “An Act of Vengeance”, Isabel Allende uses imagery, setting, dialogue, and characterization to demonstrate that the mental trauma that Dulce Rosa Orellano undergoes relates to her legendary beauty in a misogynistic and patriarchal setting that was and still is prevalent in Latin American countries. All of the literary tools used by Isabel Allende are expertly intertwined to create a tragic and suspenseful tale.

that he only did it to get revenge for what her grandfather did to his

Magical realism is a genre that portrays both reality and fantasy. As defined by Faris (2004) in Ordinary enchantments, magical realism is a genre of writing that includes an irreducible element of magic and details that suggest phenomenon (Faris, 2004, p. 7). He describes the irreducible element as: “…something we cannot explain according to the laws of the universe as they have been formulated in Western empirically based discourse…” (Faris, 2004, p. 7). In Gabriel Garcia Marquez’s short story, The handsomest drowned man in the world, the facets of magical realism are rife. He uses magical realism to enchant the reader. The story is of a small cliff-side and coastal community

Latin American literature is perhaps best known for its use of magical realism, a literary mode where the fantastical is seamlessly blended with the ordinary, creating a sort of enhanced reality. Though magical realism is practiced by authors from other cultures, the works of authors Salman Rushdie and Toni Morrison, for example, are notable examples of non-Latin works in which magical realism has been used to both great effect and great celebration, it is in the works of Latin American authors where the style has flourished and made its mark on the literary world. Yet even in Latin American works we can find many different kinds of magical realism, all used to achieve a different end. In the works of the Cuban poet and novelist

There is a magic that exists in this world. We use it every day, but we tend to overlook it. This magic that I’m talking about is the use of words. Words are very powerful. They can build up nations or tear empires down. The power of words is prevalent in Isabel Allende’s short story, “Two Words.” She is able to convey her message that words have a magical power to them through literary devices. I believe that the strongest of these literary devices is Allende’s use of imagery, specifically imagery that conveys the character’s personalities, the feelings between Belisa Crepusculario and the Colonel, and the sense of mystery behind words.

Walimai, by Isabel Allende, is a narration of a tribal man. The story begins as he starts to voice his opinions against “the white ones”, which he describes as men who “show a lack of respect” (1). He believes all of the living creatures shall be respected, and failing to do so may “lead to grave danger” (1). This teaching must be passed on to generations to come. Unfortunately, the white ones go against the beliefs of the elders, and uproots their tribe. For many occurrences, they are forced to “leave everything and run away like mice” (1). They take over the land, forcing them to move the entire tribe to a far away venue where “the women had to walk hours to find clean water” (3). Because of exhaustion, the Walimai was caught by the soldiers and forced him to work as a rubber collector.

Isabel Allende’s short story “Clarisa” records the story of a woman, reverenced by the people of her community and who is kind without exception, even to those who wished her harm. “Clarisa gave everything she owned to the needy, ”(Allende 36). Her generous nature and adherence to helping others depicts Clarisa as the model of affection and compassion, who gives absolutely everything she owns and even spends “ the last cent of her dowry and inheritance” (Allende 434). For this very reason others hold her in high esteem and perceive her as saintlike.

Feminist theory began in the late 18th century, the main goal was to diminish sexism in society and create equality for men and women. Throughout the years, women have succeeded in gaining equal rights. Unfortunately, there are still issues today. For instance, women are paid 78% of what men are paid. One novel that portrays the argument of Feminism is House of Spirits by Isabel Allende. To begin with, Men are characterized as violent and destructive beings while women are forgiving and possess magic. All the women in the book have names that mean light. Finally, the men in the book have all the power while women remain submissive.

When reading this short story I think that we are suppose to feel surprised after reading the story from Belisa’s accomplishments because Belisa went from being unpopular and poor to being the most widely known and the most powerful at the end of the story. The message in this story is aimed to the reader and it says that anyone can do anything they want if they put there mind to it, and if u have the determination you can accomplish a lot no matter what you are dealt with in life. Another message in the story is that no matter how strong or powerful one is there will always be someone bigger and better.

Indeed, a woman should soften but not weaken a man. This supposition exemplifies the character Casilda from “The Judge’s Wife” short story by Isabel Allende. Although not seen by all as the main character, Casilda is the strongest and most evolutionary personality of the short story. “The Judge’s Wife” is an exceptional tale that follows the progression of characters as they fight against their predetermined destinies and how they are viewed in others’ eyes. Casilda is a catalyst for the evolution of almost every character in the story. Not only does her character grow in “The Judge’s Wife,” but she is also a medium for the growth of the two other main characters in the story. Casilda molds the personality of a majority of the characters in the story, distinctly Judge Hidalgo and Nicolas Vida.

In many novels, relationships shape a character. Throughout Isabel Allende's The House of the Spirits dissimilar individuals constantly come together to form relationships that change or develop their disposition. While Allende uses relationships to build upon a character, she also depicts a character's living environment in order to confirm their true soul and lifestyle. Due to the observation of both relationships and environments, a character's true qualities are expressed to a reader. The relationship between two individuals, Ferula and Clara, proves itself a positive product of the union of differing people. Through analysis of Ferula's home and close observation of her bond with Clara,

The House of the Spirits written by Isabel Allende is an extraordinary novel that weaves together, history, politics, and current events to create a unique piece of literature. Throughout the novel on several occasions it is clear that there is inequality between the aristocrats and the peasants and this leads to struggle between the classes. The issue of class struggle takes the form of growing conflict by causing a division between the Conservatives and Socialists. At the head of the Conservatives is Esteban Trueba, a violent and materialistic figure. He believes people need to work their way up to the top and there is no reason that peasants share the upper classes wealth. On the other hand, Pedro Tercero Garcia represents the

For a first novel, the prose was lovely, and the mystery and alienation came through in the story that always danced over and across a line of fantasy, leaving multiple avenues to interpret parts of the story. It was intangible as ice or snow in the sun, melting and reforming.