Isolation And Insanity Go Hand In Gothic Literature

The narrator can anticipate the answers of the raven, knowing that the only word it speaks is "nevermore", and tortures himself even more by asking certain questions to which the answer nevermore would devastate him. He asks if there is balm in Gilead. He even goes so far as to ask the raven if Lenore is in Paradise-"within the distant Aidenn, it shall clasp a sainted maiden whom the angels name Lenore-" (733). The answer "nevermore" sends the narrator into a rage. He calls the raven a "prophet", but cannot place if it is a prophet of evil or of good.

It is about how a man should be happy that a beautiful young woman is dying. He should exalt the fact that the woman is going to a better place, also known as Paradise or "Aidenn" in this poem. Thus, the echoing of "Lenore" first hints to the reader that this "Lenore" represents Poe's suffering wife, but in this poem, she is characterized as the speaker's already dead wife. The reader knows that the speaker's wife is already dead since later in the poem the speaker says he wants the raven to leave him in "unbroken loneliness." That is, Poe is trying to imagine getting news of the death of his wife through the speaker in his poem so that when his wife does die, he will not be terribly traumatized. Later, the speaker hears more rapping at his door. This time when he opens it, he finds a raven so noble and majestic that it would even dare to perch on Pallas Athena's, the Goddess of Wisdom and War's, bust, or breast. The first question he asks the raven is what its name is since he believes it to be from the "Night's Plutonian shore," which means a messenger of Ares, the God of the Underworld and dead. God Ares. The raven simply replies "Nevermore" and answers every question with this word. The raven's name as "Nevermore" also furthers the statement that it is a symbolization of death. At first the speaker makes himself believe that when the raven says "nevermore," he is muttering the fact that

3(c). In “The Raven” by Edgar Allan Poe, the word nevermore relates to the emotional changes the speaker goes through because of one of the questions the speaker asked. The speaker was wondering if he was ever going to see Lenore again, and the raven said nevermore. The raven saying nevermore causes the speaker to believe he is not going to see Lenore again in heaven.

The Raven tells a story of a man with much grief over this loss of his love, Lenore. As the poem opens, the narrator is trying to find peace through his books. He states, “…while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore,” (862). The setting, a chamber in a house, is described in such a way that creates a very dark, almost melancholy style. The narrator, while trying to find comfort for his loss, hears a tapping at his window. As he opens the window, a raven, a long time symbol of death, flies in, and refuses to leave. Poe uses the symbol of the raven, and his repeating word of “nevermore”, to show that the narrator will never get over the loss of his love, Lenore.

When one is isolated in a civilization from the rest of society nobody benefits from the outcome. Like when the religious reform movements of the early 19th century caused communal backlash resulting from the isolation these movements had created. In the same way, the authors of these pieces of gothic literature use a variety of gothic elements such as psychological events, bizarre aspects, and loss of innocence to convey the overarching theme that mental isolation produces negative social results.

It shall clasp a sainted maiden whom the angels name Lenore.” In other words, Poe is asking if he will ever again be able to his wife. From a depressed person talking about another depressed person, everything takes on different meaning when someone is depressed. Pictures, places, smells, sounds, voices of loved ones; they all remind us constantly of what was lost and will never be found again. It feels like random occurrences happened just to remind, torture us of the pain. The narrator heard the raven say “nevermore” frequently and interpreted it differently until he settled on the belief that it was referring to Lenore. Perhaps the “raven” symbolizes how Poe must deal with the day to day realities of someone suffering a great loss.

The unnamed narrator is grieving because his love Lenore who has passed away and during the time “The Raven” was published Poe’s wife Virginia was dying of tuberculosis. Now The Raven flies into the narrator's home and lands on a bust and says nothing else but “Nevermore” and the impact of The Raven is all on the narrator's head believing that The Raven is a supernatural being with references of calling it a “Prophet![85]”, “thing of evil![85]”, “Devil[85]” and etc. The Raven only words “Nevermore” has a bigger importance throughout the entire story than the characters do in my opinion because the narrator is asking The Raven many types of question, but he keeps on getting the same answer “Nevermore”. Nevermore could be a reference being how Poe will never again see his wife virgina afte her passing, just like how in the story the narrator never again saw

The man then asks the Raven for his name. Surprisingly the Raven answers, and croaks “Nevermore.” The man knows that the bird cannot speak from wisdom. He assumes that the bird was taught by “some unhappy master.” The man is so lonely that he decides to welcome the raven in, although, he is sad that the friend he just made will be gone in the morning (1174). He says out loud, “Other friends have flown before- On the morrow he will leave me, as my Hopes have flown before.” Then the bird replies, “Nevermore.” Surprised the man smiled and pulled up a chair, interested in knowing what the raven meant when he croaked, “Nevermore.” The chair he sat in brought back painful memories of his love, Lenore and how she used to sit in that chair. Knowing that the raven’s speech is irrational he still asks the raven questions. Since the narrator already knows that the raven can only speak one word, he assumes the bird’s responses. The man asks, “Is there balm in Gilead?" The bird replies, "Nevermore." Can Lenore be found in paradise? - "Nevermore." The man becomes angered and yells, “Take thy form from off my door!" Of course the bird replies, "Nevermore."(1175) Lastly the man surrenders, realizing that continuing the conversation with the raven would be pointless. And his "soul from out that shadow" that the raven throws on the floor, "Shall be lifted -- Nevermore!" (1175)

Through the use of an un-named narrator in his poem entitled “The Raven”, Poe darkly conveys feeling understood by many: hopelessness, lost love, and death. The poem follows the un-named narrator, as he reflects on, as well as struggles with, the realization of his lost love, Lenore. Like many, he tries to detract his overwhelming feelings for Lenore by investing his time in studying books. Despite his greatest efforts, he is unsuccessful. Much to his surprise, his solitude is interrupted by an unanticipated visitor. Throughout the poem, Poe uses imagery, tone, symbolism, and rhyme as a means of conveying his overall themes of undying devotion and lingering grief.

“Jane Eyre” is a book centred around female duality. In a time when females were still expected to fulfill their “womanly duties,” Charlotte Bronte wrote a novel dealing with a woman’s view on morality & sexuality, passion & sensibility, and conformity & insanity, among other themes. This motif of duality plays a strong part in the dynamism that makes up the book, and is not limited to the themes, but is also used to relate many of the characters to the titular Jane. In “The Mystery at Thornfield,” Valerie Beattie makes claims that the character Bertha Mason’s insanity is a representation of rebellion toward the limitations of Victorian women. Not only is

“One is very crazy when in love” (Freud). Freud made this statement nearly one hundred years ago. As one of the founders of modern psychology what would he have to say about the mad woman in the attic? Was she mad, in love, suffering from hysteria, or simply a product of nature versus nurture? Neither of which were very kind to her. In Jane Eyre we as the readers are presented with a singular perspective in nearly true to form autobiographical narrative. From Jane’s viewpoint and from a mid 19th century depiction of mental illness, the original Mrs. Rochester is hardly a person to sympathize with. Yet there is much more to this tale that is desperately begging

The man is depressed throughout the entire poem. He is upset about his lost love, Lenore. He is not ready to let her go and move on. He just wants her back, he wants to believe there is a way for him to be with her again. But that will not happen because she is gone. When the raven is introduced to the story, the man tries to talk to him. The raven responds to everything the man says. The response is always the same, nevermore, and it is not the answer that the man wants the raven to give him. The problem is that the man keeps asking questions about Lenore. He knows that the answers will be ‘no’ but he still asks the questions. He asks questions about Lenore and if he will ever get her back. He knows he can’t get her back, which pushes him farther into depression. The reason his pain will never be relieved is because he asks these questions. If he were to ask if he will find love again, that means he is starting to recover. But he doesn’t ask those questions. He wants Lenore back, he doesn’t want someone else. The man will not give up and accept the fact that he has lost Lenore. He believes Lenore was all he had in his life and nothing

He is so upset by the loss of Lenore that it leads him to the edge of insanity. The speaker then is seen throughout the poem supposedly struggling with the raven because the raven responds with “Nevermore” which gets the speaker angry as he is struggling within himself. The speaker seems to be trying to achieve "surcease of sorrow for the lost Lenore" by burying himself in books and trying to forget about her. But the Raven seems to be a messenger from the spirit world who has been sent to the speaker’s chamber door to keep reminding him of his loss. Instead of trying to forget about Lenore, he is forced to think about her more emotionally than he had been thinking before.

The poem tells of a narrator who is reading an old book in his parlor when he is interrupted by a knock at the door. The protagonist is in a period of grieving over the loss of his love, Lenore. At first, he wonders who the visitor might be and resolves to inform him or her that he is indisposed at the moment. The narrator finally opens the door only to find no one there. He returns to the chair (which Lenore will no longer occupy), only to hear the rapping again. He decides that the sound may be coming from the window, so he opens it. A raven enters through the window and lights upon a bust of a mythological figure that the narrator has in his room. The narrator questions the raven concerning its name, the bird answers “nevermore”. This startles the speaker, and he wonders aloud if the bird will leave him just as all of his friends seem to do. Again, he is answered by the raven “nevermore”. As the protagonist progressively

Lenore’s absence also furthers to another absence that mimics the human’s incapability to know and understand what is happening (Freedman). Along with darkness, Poe uses a vivid language to achieve his single effect. Poe arranges time, place, and other details rapidly and clearly. He chooses each word carefully and requires that its meaning relates to the poem as a whole. Stanza 2 enhances and distinguishes the vivid effect Poe has already made (“Edgar Allan Poe” 52). “The Raven” is narrated from a first person tone which has a tone in the language of sorrow, weariness, and self-destructive thinking (Edwards). The contradictions of the poem and also the reflections that haunt the speaker are mostly unavoidable circumstances of the language that Poe chooses. Poe uses phrases such as “dying embers,” “Midnight dreary,” and “in bleak December” to agonize and satiate the reader’s view of the setting. These carefully chosen words assume intriguing and fascinating shapes and forms in the poem. These opening pictures help draw the readers into the speaker’s deteriorating mind. The tone of the poem is appropriate and well chosen for the subject, and the rhythm is also exquisite. Poe, with this tone and rhythm, uses wild but also tender melancholy in his lines. Mr. Willis claims “It is the most effective single example of fugitive poetry ever published in this country, and unsurpassed in English poetry for subtle conception, masterly ingenuity of versification,