Isolation In Franz Kafka's The Metamorphosis

It appears that the people who care the most end up getting hurt by the ones they love. The more time, energy, love, and money that a person sometimes invests get thrown back in their face once something drastic happens. In turn, this causes feelings of worthlessness and isolation and can eventually lead to death. Franz Kafka understands this better than anyone else and can portray this in his novella, the Metamorphosis. In his novella, The Metamorphosis, the protagonist, Gregor Samsa is one who undergoes a physical and mental transformation due to the unrelenting pressures that his father placed upon him which eventually cause him to die. At the heart of the father-son relationship lies Gregor and his father whose relationship is explored

Although Gregor turned into a bug, the real Metamorphosis occurred before the change and with the whole family. Kafka’s novella The Metamorphosis reflects the ideals about industrialization and existentialism during the turn of the century. In the novella, Gregor turns into a bug, and the whole family has to deal with it in different ways. Many characters go through a metamorphosis in the novella. Although the changes may not be physical the changes occurred greatly in Gregor, Mr. Samsa, and Grete.

It is a natural thing for people to want be surround by others but at the same time want to be by themselves. Going out with friends is fun but everyone needs time to themselves to just relax. However, being alone for too long is not always the best thing. Isolation is one of the worst things a person can experience. In The Metamorphosis by Franz Kafka, the theme that isolation has negative effects on people can be shown through symbols, setting, and character development.

Now homebound Gregor is now able to be apart of family conversations. Metamorphosis shows Gregor yearning for human contact from his family, but it also shows his family eagerly alienating him from their life. With continuous alienation, Gregor loss interest in his family and no longer desires to have contact with them. Kafka shows families that are experiencing a financial crisis; a loss, unemployment, abuse or an illness can cause a breakdown in communication as a whole. Once Gregor is unable to communicate, he becomes an observer of the world around him. His insect form symbolizes the emptiness, insignificant and an outcast, which he was at work and at home.

In the Metamorphosis, Franz Kafka bring out the character of a hardworking man, Gregor, who faces an incident where he soon is driven into complications to remain his once isolated life. Gregor’s alienation causes no gain for help from anyone even after the tragedy of transforming into a roach. Isolation removes all social interactions affecting the character of the persona by which can no longer seek help or gain itself being. Isolation in life, results in the expulsion of humankind partying from all social interactions, preventing contact with the world.

In the beginning of the novella, Gregor undergoes a transformation. Many readers view his transformation as he turns into a bug because of the way Kafka describes Gregor. Kafka may have been undergoing a transformation of his own. Kafka dealt with many issues growing up such as self doubt, issues with his father, and eventually, health issues. Like Kafka, Gregor deals with issues with his father and within himself and begins to feel less and less like himself as the novella continues. He awakes from his sleep to ask himself, “What’s happened to me (Kafka, 3)?” With the conflicts Gregor has with his family, especially his father, he begins to feel unwanted and unappreciated. Gregor also feels that he is becoming less sensitive when that used to be one of his main traits as a human (Kafka, 24). Seeing that Gregor is losing his sensitivity, that shows that he is truly losing himself since he is losing one of his main traits. Feeling less like himself, Gregor becomes more distant with his close

Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.

It is said that no man is an island, and no man stands alone. Hence, true human existence can not prevail positively or productively without the dynamics of society. Yet, this concept is very much a double-edged sword . Just as much as man needs to exist in society and needs the support and sense of belonging, too much social pressures can also become a stifling cocoon of fantasies and stereotypes that surround him. He becomes confined to the prototype of who or what he is expected to be. Thus, because society is often blinded by the realms of the world, its impositions in turn cripples humanity. If he does not conform, he becomes a social out cast, excluded and excommunicated from the fabric of life. The theme alienation in a small

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

A key theme is this novel is communication, and by extension isolation, which is mainly communicated through Gregor’s limited interactions with his family. Kafka clearly sees communication as imperative to the maintenance of a personal identity, which he illustrates through Gregor’s worsening mental condition as the novel progresses. Throughout the book Gregor expresses the desire to explain himself to his family, especially Grete, and muses that “[i]f [he] had only been able to speak to his sister and thank her for all that she had to do for him it would have been easier for him to bear it; but as it was it caused him pain,” then noting that their bond is further strained as Grete becomes weary due to Gregor’s lack of acknowledgement, yet would have been more horrified had he attempted to thank her (Kafka 28). Without the ability to communicate, it is nearly impossible to form relationships, partake in culture or form any coherent attachment to the world. This deficiency is fatal from an existentialist perspective, as without any

In Franz Kafka’s “The Metamorphosis,” Gregor Samsa deals with the alienation from his family stemming from both absurd and mundane circumstances. While Gregor’s transformation into a bug is the catalyst to his physical alienation, Gregor had for years been becoming more and more isolated mentally and emotionally from his family due to his displeasure at his having to work a job he hated due to his father’s failings and the lack of gratitude he received from his family for his hard work. It was not just his family who Gregor was becoming isolated from, but it was humanity in general that Gregor had been drifting apart from, as he had not mentioned having any friends or work colleagues which leads the readers to believe he had no social life

Gregor’s transformation to a Vermin created a new life of separation and isolation for him. Before Gregor’s transformation he already felt isolated and stressed out because he was the only one working and he didn’t have that good of a relationship within his family. Kafka states “Constantly seeing new faces, no relationships that last or get more intimate.” Gregor is a traveling salesman who sees new people

In the beginning of the novella, Gregor undergoes a transformation that will change his life forever. Many readers view him transforming into a beetle because of the way Kafka describes Gregor. Kafka may have been undergoing a transformation of his own. He dealt with many issues growing up such as self doubt, complications with his father, and health issues that occurred later on in his life (Kafka background). Similar to Kafka, Gregor deals with issues with his father and within himself and begins to feel less and less like himself as the novella continues. Gregor awakes from his sleep to ask himself, “What’s

Engelberg exclaims, “the common alienation of two urban men, both suffering all the deleterious consequences of subsequent isolation, dehumanization, death” (Engelberg). Gregor’s isolation after turning into a cockroach continually provides evidence that he is no longer a part of the family; thus, he also loses his own instincts as a man. Kafka uses this isolation to exhibit what he experienced throughout his life, especially for being a Jew during World War I. Goldfarb explains, “For one thing, Gregor's repulsive appearance means he has to remain in his room, a prisoner, completely isolated. His existence was always a fairly lonely one, but this is worse: as far as friendship and intimacy are concerned, Gregor's transformation is not an escape from his past loneliness but an intensification of it” (“Goldfarb”). Gregor is isolated from his family because he looks different and he is rejected with any hope of reconnecting with them. Kafka utilises Gregor to show how being different from others leads to being isolated and eventual suffering. The dehumanization of people is caused by the isolation from others; thus, they often lose their will to live.

Kafka describes the tedious, murky and muggy environment that foreshadows the decomposition and fall of Gregor’s life. When Gregor opens his eyes, he finds himself changed into a grotesque vermin or an enormous insect, an insignificant creature. Gregor does not scream. He does not panic at least not until he worries about going to work, that a gigantic insect doesn’t need to bother showing up for work doesn’t cross his mind. It seems as though Gregor accepts his fate so willingly. With this striking opening, Kafka sets his mystifying psychological fantasy in motion. Kafka’s diaries and letters point out that he considered “Gregor’s fate no worse, or better, than that of any person.” The prior life of a traveling salesman vs. the one-room Gregor occupies, as an insect are both lives of solitude. Kafka wrote that “the cares we have to struggle with every day” are emotional anguish. Kafka lived a sad life. He was persistently haunted by the oppressive image of his father. This could be clearly seen in Gregor’s attempts to get out of the bed. But, since his door was locked, he would need to call for help, which he does not favor. This shows Kafka’s fear of his father. He would rather lay on the bed forever than call his father to help him. Kafka’s fear estimated here as Gregor’s fear