Isolation Of Women In Susan Glaspell's Trifles

In some instances, the women conform to and depart from the assumptions made by the men. Mrs. Hale has found an important piece of evidence, a dead bird. The ladies decide not to allow the men to know of the true reason for the bird's death. As concerns the loyalty of one woman to another, evidence is found in line 366 that seems to allude to such a bond. Line 366 begins:

Throughout the drama, Mrs. Wright and the canary share many similarities. For example, Mrs. Hale, the wife of Mr. Hale, describes that Mrs. Wright “was kind of like a bird herself—sweet and pretty, but kind of timid and—fluttery” (185). Overall, the quotation describes Mrs. Wright as a gentle and submissive woman, the type of woman society expected her to be. In addition, although Mrs. Hale compares her to a bird in a favorable manner, she also defines Mrs. Wright as a woman that is fragile and uncappable of providing for herself, another social stereotype that women were subject to. Ultimately, however, the rigid social expectations for women served to reiterate their role in the home and to further confine them to the homestead itself, especially as society typically objectified and trivialized women, celebrating the conforming wife while condemning women to have their wings clipped by society’s standards. In this way, beyond her personality, Mrs. Wright becomes even more synonymous with the canary, an estranged creature confined behind bars as an aesthetic spectacle that is unable to sing an independent song.

Mr. Wright is not frightened by the consequences of his actions towards Mrs. Wright and her belongings. The County Attorney thoroughly examines the relationship between Mrs. Wright and Mrs. Hale. Mrs. Hale explains how she has “ . . . not seen much of [Mrs. Wright] of late years” (Glaspell 4) which reveals how isolated Mrs. Wright is. Mr. Wright does not think twice about keeping his wife secluded from everyone because he thinks Mrs. Wright is incompetent in expressing her feelings towards him. The dead canary is found by the women and they debate whether Mr. Wright was a factor in the death of the bird. Mrs. Hale replies to Mrs. Peters that “ . . . Wright wouldn’t like the bird--a thing that sang. [Mrs. Wright] used to sing. He killed that too” (Glaspell 9). Despite his wife’s feelings, Mr. Wright believes that he can get rid of anything to satisfy his happiness.

The men’s word choice and tone when speaking to Mrs. Peters and Mrs. Hale comes across as demeaning and belittling. For example, when the men walk in on the women talking about Mrs. Wright’s quilt, the sheriff scoffs, “They wonder if she was going to quilt it or knot it!” (Glaspell 601). Although the men limit the women to the “trifles” of housework and childcare, they still continue to mock them for delighting in those few things they are allowed. By continuously ridiculing their character and intelligence, the men are creating an oppressive state for the women to live in. They abuse their roles in the lives of their wives and ultimately spoil the concept of a happy marriage, creating tension and conflict between the men and women of their

Susan Glaspell’s one-act play, Trifles, weaves a tale of an intriguing murder investigation to determine who did it. Mrs. Wright is suspected of strangling her husband to death. During the investigation the sheriff and squad of detectives are clueless and unable to find any evidence or motive to directly tie Mrs. Wright to the murder. They are baffled as to how he was strangled by a rope while they were supposedly asleep side by side. Glaspell artfully explores gender differences between men and women and the roles they each fulfill in society by focusing on their physicality, their methods of communication and vital to the plot of the play, their powers of observation. In simple terms, the play suggests that men tend to be assertive,

Early twentieth century America is shaped by World War I , the effects of industrial growth, and a beginning of a new age in literature. Despite movements for progressive reforms like the prohibition of alcohol and the movement for women’s suffrage women’s rights were still limited by traditional gender roles. Women are a “detached portion” of their husbands and expected to submit to his every demand. As result of women being viewed as flighty and emotionally unstable, men must take the dominant role and every decision made in the family is approved by them. Moreover, the purpose of a woman’s life is to maintain a household and birth and care for her

The men?s prejudice is blatant and although it was easy for Mrs. Hale and Mrs. Peters to pick up on it, they react to it in a variety of ways. Defensively, Mrs. Hale, replies rigidly to the County Attorney?s remark by stating that "there?s a great deal of work to be done on a farm," (958) offering an excuse for Minnie?s lapse in cleaning. Later, he brushes her off when she explains that John Wright was a grim man. To the County Attorney, the women are just there to collect personal items for Minnie, they are not going to give him any valuable insight into the murder. To their credit, the women do not force their thoughts or feelings on the men when biased statements are made in their direction. They hold back and discuss the remarks later after the men go upstairs. Mrs. Peters observes that "Mr. Henderson is awful sarcastic in a speech and he?ll make fun of her sayin? she didn?t wake up" (960). The fact that she believes the men would laugh if they heard the two women discussing the dead canary reveals how sure she is that the men think of them as concerned with the

Crying over spilled milk is silly, right? Worrying about the little, mundane things is pointless and a waste of time. In Susan Glaspell’s one-act play Trifles, she demonstrates how being sensitive to the subtle details can be vital to solving a mystery. Throughout the one-act play, Glaspell highlights the theme of gender roles through the women’s worries, irony, and symbolism.

When the men first arrive at the house, they are humored when the women bring up Mrs. Wright’s concern of the fruit freezing. They also accuse the women of defending their sex when Mrs. Hale and Mrs. Peters defend Mrs. Wright’s half-done cleaning. The men also perceive women as being oversensitive to small things, “Well, women are used to worrying over trifles” (971). When the women are analyzing the stitching on the quilt, the men respond to them by saying, “They wonder if she was going to quilt it or just knot it!” (973).

A trifle is something that has little value or importance, and there are many seeming "trifles" in Susan Glaspell's one-act play "Trifles." The irony is that these "trifles" carry more weight and significance than first seems to be the case. Just as Glaspell's play ultimately reveals a sympathetic nature in Mrs. Peters and Mrs. Hale, the evidence that the men investigators fail to observe, because they are blind to the things that have importance to a woman, reveals the identity of the murderer and are, therefore, not really "trifles," after all. Thus, the title of the play has a double-meaning: it refers, satirically, to the way "trifling" way some men perceive women, and it also acts as an ironic gesture to the fact that women are not as "trifling" as these men make them out to be. This paper will analyze setting, characters, plot, stage directions, symbolism, themes and genre to show how Glaspell's "Trifles" is an ironic indictment not of a murderess but rather of the men who push women to such acts.

In Susan Glaspell’s play Trifles a man has been murdered by his wife, but the men of the town who are in charge of investigating the crime are unable solve the murder mystery through logic and standard criminal procedures. Instead, two women (Mrs. Hale and Mrs. Peters) who visit the home are able to read a series of clues that the men cannot see because all of the clues are embedded in domestic items that are specific to women. The play at first it seems to be about mystery, but it abruptly grows into a feminist perspective. The play Trifles written by Susan Glaspell can be considered a revolutionary writing in it its advocacy of the feminist movement.

     Mrs. Peters and Mrs. Hale find their next clue, a dead canary, when they are looking for more sewing materials. The lifeless bird is found in a sewing basket wrapped in a piece of silk, and it looks as if someone choked the life out of the poor creature. The men then interrupt the women, and speak to them mockingly once again. The men notice the bird cage, but fail to take a closer look at

It’s a hot, sticky summer afternoon in Iowa in 1910. A woman stands in the kitchen cleaning the grease from her husband’s daily work. After finally managing to make her newborn lay down for a nap, her husband busts through the front door, waking the baby. While comforting the baby, she asks her husband what his reason is for making such a ruckus. Ignoring the question, he asks for his cigars. She hands them to him as he walks out the front door. He says that he is going back to town to fetch some things. She asks if she can go with him since she’s been at home all day, but he denies her request by saying that she needs to be at home with the baby and not busy with other unimportant things. This is what women of that time and even some women now would experience in their daily life. Gender inequality has always been occurring, and it is a major obstacle being tackled today. Problems with the education system, workforce, and marriages have existed for many years, and the feminist movement was created to combat these problems. Susan Glaspell’s Trifles is one of the first feminist pieces of literature. Many themes arise in the one-act play, but the most important theme is the idea of gender separation. In the play Trifles, Glaspell uses mystery to display the theme of gender separation and to uncover an implicit conflict.