It Could Explain What Sumi E?

Military was a strong aspect since Sumer had no known natural barriers. The economy used crops as a form of money, as well as trade being important since Sumer had little natural resources.

The Daodejing is an ancient Chinese text written around the 6th century B.C.E., which encompasses eighty-one short chapters and involves the teachings of being in absolute harmony with the universe. According to tradition, a sage named Laozi wrote the Daodejing, however, certain scholars argue that this text is a collection of multiple sources over the course of a few centuries. The Daodejing is the fundamental text of Taoism, a philosophical and religious tradition of Chinese origin that accentuates existing with “the Way.” Tao, romanized as Dao, signifies ‘path’ or ‘way’, and expresses how life cannot be understood by simple conceptions, rather as a condition of an actual living experience. The Daodejing has influenced many schools of thought, including Chinese Buddhism, and continues to be a text that inspires readers globally. Agreeing with this highly influential, ancient text, there are certain issues that people must overcome and understand to fully be harmonized with “the Dao.” Taoists would insist that to be one with the Way, an individual must understand the motivations behind their desires, be in a state of “Wu Wei,” translated as non-action, or acting naturally, and realize that names polarize the true nature of their meaning.

Daoism and the phenomena of nature in general were both crucial components of the art in China; the concept of Daoism that mankind, nature, and the universe are manifestations of the same entity has deeply influenced Chinese art and culture. Daoist ideas, including the idea of yin and yang were persistent in art theory and practice, especially in landscape paintings, garden form and calligraphy. In these works, nature represented the human life span and other significant things in society and the people looked to this art as a representation of their daily life and culture; art, like life, followed the creative path of nature. Naturally occurring things such as mountains, trees, rocks and water held special significance to the Chinese people

As one of the ancient civilization, the Chinese history could trace back to five millennium years ago. Along with the continuous development of the Chinese society, the artistic and cultural achievements also simultaneously progressed. Bowser Museum exhibits a Chinese collection that portrays the evolution of Chinese art and culture. From the dawn of Chinese civilization Neolithic period to the last imperial Qing dynasty before the Republic of China. Throughout the progress, the Chinese art is continuously adapting to the changing society and combining its cultures to produce various art forms. In this exhibition, each symbol in each artwork is associated with special meaning behind and to reflect some phenomenon of personality or the

Chinese art styles and traditions have been passed down from generation to generation. Today traditional Chinese paintings are known as “guo hua.” This traditional method is done by using a paint brush that is dipped in black or colored ink and then placing designs on either paper or silk. After the artwork was completed it was usually mounted to scrolls and hung for people to view. There are other traditional techniques as well. “Gong-bi”, which focused on detail and mainly referred to portraits and “xie yi” which were freehand paintings that were usually landscapes and animals.

The Laozi starts by stating that exact quality is intolerable to grip through teaching only. Individuals can be directed to a more satisfying life by separating want, humanizing an attention in the indescribable, and being openhearted to the secrecies of life. Up to now, there is no writing that will make one entirely becoming of the Tao. The writer discusses the requirement of both good and bad space, or commonly referred to as karma. The author proposes that individuals who make great art do it while deprived of the anticipation that they will persistently own their creations for the eternity. While they work, countless artists dwell in the present and are swayed by an intellect that they may travel faster to the nature of possessions concluded their works; when they are fruitful, they

Art in ancient China manifested itself through many different forms and mediums. These included ceramics, painting, lacquerware, and sculpture.(The Kingfisher history encyclopedia, 2004, p. 186) During the period from the Tang dynasty to the end of the Ming dynasty, Chinese art flourished. However, during the Song and Mongol dynasties, painting reached its high point in traditional China. (Spielvogel, World history: the human odyssey, 1998, p. 299)

Thesis: The Japanese aesthetics of irregularity and simplicity manifest in the artistic creations in calligraphy, make-up brushes and pottery. Through an examination of the both the process by which these items are created as well as the final object made, the soul and personality of the creator emerges.

Confucianism and Daoism were two ancient religions that influenced traditional Chinese ink painting and calligraphy’s style, creation, and design. The Chinese worship their ancestors and came up with the idea of Confucianism similar to the idea of the Egyptian pharaohs whom believed in the afterlife. With great respect for tradition, innovation is not important; thereby painters often produced old artwork of an older master whom they admired. This reveals the concept of Confucianism: respect the past. For example, the painting Whispering Pines on a Mountain Path by Fan Kuan is showing both the idea of Daoistic Yin and Yang, and the Confucianistic idea of respect for the past. This Chinese landscape painting is an imaginative creation intended

The Chinese made many things including paintings, these paintings included such ideas as everyday work, powerful scenes, etc. I have chosen a painting from Chinese times that is called, “Ladies Preparing Newly Woven Silk”. During this essay I am going to “dissect” the history and the many ideas circulating around this painting.

1. Locate various civilizations of the era in time and place, and describe, and compare the cultures of these various civilizations.

In china, painting, calligraphy and poetry are traditionally referred to as the “three perfections” of the cultivated scholar. The three are constructed as ethico-aestetic acts. They are usually evaluated as to their efficacy in fostering the harmonious relationship of social exchanges within the circumstances that are concrete within a particular social context. The Chinese poetic tradition believes in the existence of correlations that are fundamental and mutually implicating between the nature patterns and the human culture.

There are many other painting that made a great change in the world, such as, “What We Do in Life Echoes in Eternity”, “Life Is Beautiful”, “Kids on Guns Hill”, “Camera Man & Flower” and “One Original Thought Worth a Thousand Quotings”

A comprehensive vision of combing arts from multiple sources to create an architectural totality goes hand-in-hand with the socialist utopia, and this vision is kept unchanged in today’s China: the Great Hall of the People continues to carry the same functions as those in the 60s and 70s, stunning the viewers from abroad, in Beijing, and through televisions. The political structure of China remains unchanged, but the chief governing program shifted from class struggle (jieji douzheng 阶级斗争) to economic construction (jingji jianshe 经济建设). The economic boom enhances materialism and individualism, and endangers the spiritual realm of China. Then, someone vows to rescue the spiritual and aesthetic declines by sponsoring a museum in Southern China.

The implication of this process is twofold, the first one being that the painter displaces an essential Truth from the external world onto the silk scroll which says something about the world in which man dwells. The second is that what the painting (including the process of painting) does is mediate a necessary association between humans and the external world. The literati of Northern Song