Analysis Of Wordswoth's 'It Is A Beauteous Evening'

“And all with pearl and ruby glowing/ Was the fair palace door, Through which came flowing, flowing, flowing/And sparkling evermore, A troop of Echoes whose sweet duty/was but to sing.” This is an important passage that fully details that the palace is his mind and the “Troop of Echoes” whom sing are his thoughts, which came like a constant river. He then praises the “Voices of surpassing beauty” the great thoughts that always came to their creator’s aid.

A distinguished sense of hollowness, and darkness is discernable in George Elliot Clarke’s poem “Blank Sonnet”. This poem expresses, the author’s difficult and awkward communication with a lover through a broken relationship. word choice and imagery is imperative to the overall effect and tone of the poem. The usage of an atypical sonnet stylization, broken sentences, forms of metaphors, symbolism, sensory language, and alliteration form strong imagery, and a sense of disconnect. The overall effect leaves the reader with a resonating feeling of emptiness.

The main theme within Clarke’s Sonnet is his distance and inability to communicate with a lover due to his alcoholism, and the way in which his coping mechanism, and alcoholism affects this relationship. In the opening octet,

Written in the form of a Shakespearean sonnet, one could hardly mistake it for anything so pleasant. Sonnets being traditionally used for beautiful, appealing topics, already there is contradiction between

(…) the earth, seems to me a sterile promontory; this most excellent canopy, the air—look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire (…). What a piece of work is a man! How noble in reason, how infinite in faculty! In form and moving how express and admirable! In action how like an angel, in apprehension how like

In the third stanza, the diction of “heaven” and “noble” allows the speaker to craft an image of an almost godlike juggler. This view of the juggler creates the tone of amazement and ardent which breaks through the previous gloomy description of the earth in the first stanza which “falls/ So in our hearts from brilliance” (lines 3-4). This reveals that the world the juggler has made, unlike the earth which the speaker doesn’t appear to have fond feelings of, is a joyful and light-hearted place that the speaker is easily captivated by. As the juggler “reels that heaven in” (line 16), creates an atmosphere of an almost unearthly experience. This description of the juggler as a master of spiritual elements allows readers to view how the speaker's attitude is uplifted and enlightened.

The author uses imagery in the poem to enable the reader to see what the speaker sees. For example, in lines 4-11 the speaker describes to us the

Then, in the second half of the octave, he alters it with ACCA rather than a repetition of ABBA. In the closing sestet, he abandons any traditional rhyme scheme for the ending of DEFDFE. Over the course of the poem, the tone changes from quietly appreciative to reverent of nature and the focus switches from admiration of the view and its divinity to an appreciation of that same divinity in a young girl by Wordsworth’s side. Wordsworth shifts from “It is a beauteous evening, calm and free,” to “Thy nature is not therefore less divine:” (ll. 1, 11). This shift in tone and focus after the first octave is emphasized by the unpredictable rhyme scheme. The odd rhyme scheme also creates in the reader an understanding that, to Wordsworth, nature is not something that can be contained by any structure or format.

Franscesco Petrach’ sonnet “Upon the Breeze she Spread her Golden Hair” is a love poem in which the persona describes his love feelings about the subject, Laura. However, he laments that while his love for her is everlasting, it only results in pain because the feeling is not mutual thus not reciprocated by Laura. In fact, the structure and style of the poem help in conveying his message. Petrach uses metre, rhyme, and alliteration to impart the feeling of euphony in the audience regarding the poem. Nonetheless, there are few instances in which he deviates from the set structure, which mirrors real life situations and the love experience he describes as imperfect.

The second most important image is the “surf-tormented shore”(line 13) as the speaker himself is standing next to one, and is unable to control the waves, thus becoming a metaphor again for time and life. The unpredictable quality of life and the chaos within his life demonstrate how little he can do to manipulate it as a very inactive verb “standing” is used. In the following lines as he loses the “golden sand” (line 15), the “pitiless waves”(line 22) represent life again as he’s asking God why he can’t do anything to stop these “pitiless waves”(line 22) that he knows are pitiless because they will not stop for him. This extended metaphor conveys the deeper meaning of life that passes by really fast and is just an illusion. These metaphors lead back to the main argument of life being nothing more than a dream, meaning the outer dream, which is what we see is life, and the inner dream, which is what we seem is our memories, and are all just dreams and illusions that we are unable to manipulate.

In the opening lines of Millay’s poem, it seems as if she is speaking to a lover. The tone of the poem is set in the first line, “in some quite casual way” (1). Throughout the sonnet, one senses a frighteningly casual tone, something very matter of fact, as if these fourteen lines are a passing thought in Millay’s head. The alliteration of “quite casual” supports the plain-spoken tone, giving a feel of simple, everyday speech. Millay imagines that as she is on the subway, she casually glances over and notices on “the back-page of a paper, say / Held by a neighbor” (3-4) her lover is gone and not to return.

To start of, the poem has an appeal of imagination and has many features that show this. First of, we have numerous metaphors, "I am a thousand winds that blow" and "I am the diamond glints on snow" are examples. These metaphors are indirectly comparing him to the greatness, to the amounts of them, trying to relate to us by telling us how he is everywhere. He might not be here in person but he is all around as used in the metaphors the wind, in the snow, in sunlight that ripens the grains everywhere. Second, the poem has the symbol of "do not stand at my

The speaker feels that faith has disappeared and has separated her or him from the "ebb and flow" of life. This lost faith is compared to a sea that is very similar to the sea described in the first stanza. Words of lightness and beauty are used once more. The shore "lays like the folds of a bright girdle furl'd." There is a sense of encompassing joy in this phrase. This bright and joyful image is then contrasted by the last five lines of the stanza. "The Sea of Faith" has now retreated, like a tide withdraws from the shore. It is interesting to note the similarities and differences between the words of these five lines and the words from the first stanza. The sweet "night-air"becomes "the night-wind," and the cliffs that were once "glimmering and vast" are still vast, but only dreary edges. The sea that was "round" and "full" has now left the world empty and exposed. Similarly, the speaker has lost his faith and feels alone and vulnerable.

In sonnet 95, the speaker depicts a paternal feeling while speaking to the addressee, where indeed the poet reminds his audience about way appearance can be so deceiving. The young man is relying on his good appearance to veil his sexual immorality. Being that he is handsome and attractive, people are reluctant to disapprove his behavior. In the first quadrant, the poet employs different stylistic devices, which include simile, as the young man is likened to a fragrant rose, and on the other hand, he is compared to a destructive worm, but all his dark side of life is hidden under his good looking and charming nature. What is important about this poem is the manner in which the speaker reminds the young man about his bad behavior and draws examples that makes him feel sorry about what he does behind his good-looking nature. By the use of diction, imagery, diction, images, metaphors and other figures of speech, such as tone of voice, allusions, syntax and structure of the speech, the speaker warns the young man against his sexual immorality, and reminds him that there are detrimental risks associated with his behavior if he does not change.

     The sonnet, being one of the most traditional and recognized forms of poetry, has been used and altered in many time periods by writers to convey different messages to the audience. The strict constraints of the form have often been used to parallel the subject in the poem. Many times, the first three quatrains introduce the subject and build on one another, showing progression in the poem. The final couplet brings closure to the poem by bringing the main ideas together. On other occasions, the couplet makes a statement of irony or refutes the main idea with a counter statement. It leaves the reader with a last impression of what the author is trying to say.