Italian Renaissance

In conclusion Filippo Brunelleschi impacted the architecture world in many ways. His work is still remembered today and he influenced many people, in many ways in art, and

Another major idea during the Renaissance was discovering new techniques that allowed artists to portray more accurate and realistic works instead of fanciful and abstract supernaturals. Perspective was the biggest discovery of the time period, but many aspects went into such work. Proportion and foreshortening were two crucial skills needed to achieve perspective. Proportion is the correspondence of a singular part to the entire whole, and foreshortening is the shortening of lines used to create depth. Sfumato, the blending of varying tones, was also utilized in artwork to create depth. In the famous painting “Mona Lisa”, artist Leonardo Da Vinci used sfumato to project a three dimensional illusion to the viewer. Other techniques such as chiaroscuro, the contrasting of light and dark, were

Filippo Brunchelleschi, who was born on 1377, was one of the key figures that contributed to the renaissance architecture. This Italian architect is known for building the dome in the Santa Maria del Fiore. During his early years, Brunchelleschi was coached and trained as a gold smith and sculptor. Enrolled in the Arte della Seta, this silk merchant guild, which also include goldsmith, he was designated a master goldsmith. In his early architectural years, Filippo rediscovered the principles of linear perspective that was lost during the middle ages. All his work was displayed with two painted panels of the Florentine streets and building. With this principle in place, artists were able to use two-dimensional canvases to construct three-dimensional

Filippo Brunelleschi is considered a founding father of the renaissance, known for his innovative contributions in art, design, and architecture. He developed brilliant techniques for linear perspective and his artwork was acclaimed everywhere for its precision and beauty. In 1418, the Cathedral of Florence was about to undergo a seemingly impossible task. The unfinished Cathedral was in need of a grand dome to complete the enormous hole in its roof. At the time, no one had ever undergone building a dome as large as 150 feet across, especially at 180 feet above ground! Even with all of the difficulties present, the city of Florence offered a large commission to the person with the best idea for completing the task. Even though Brunelleschi

Michelangelo was the greatest artist of his time sculpting and painting many frescos still known the world over to this day. He was born March 6h, 1475 in The Republic of Florence, he was born into a family of minor nobles and did not begin his art apprenticeship until the age of 13, he left after only a year as he knew everything he needed. In 1498 he was commissioned to by the Bacchus to create Pieta which presented the unusual challenge of having to extract two figures from a singular block. After two older more advanced sculptures passed up a particular marble for being too imperfect 26 year old Michelangelo created his masterpiece David from the stone. In 1508 Michelangelo was commissioned by the Pope Julius II to paint a fresco on

Baroque art and paintings were meant to teach people, to educate them about the Catholic Faith (Schroeder). Paintings depicted saints and stories from the Bible. The Baroque style, furthermore, was filled with many colors and drastic light differences that caught the eye and appealed to the senses (Baroque Art). Furthermore, dramatic Baroque painting, such as a crucifixion picture, could have had great effects on people and cause great emotions to rise in people (Fiero). These emotions could lead to a greater devotion to our Lord, Mary, or a saint. Also, these painting and sculptures, with their magnificence and splendor, aided in meditation and prayer. Baroque style focused on the moment, what was happening at that specific second; this would also have had helped the faithful in their contemplation or meditation (Baroque Art). Baroque art, therefore, could also be used to deepen faith and piety. The architecture of the Baroque, for example churches, was styled with huge, magnificent buildings and great arches (Fiero). These buildings and arches reminded the soul about the greatness of God, and they pointed people towards Heaven when the people looked up. Churches were adorned with spectacular paintings and sculptures, which reminded people about how beautiful God is. On a much smaller scale, the art and architecture might have drawn some people to the Church because of the beauty of the art and churches. The Catholic Church wielded the Baroque style with great vigor and force to combat

Filippo Brunelleschi was one of the leading architects of the Renaissance period and was known to use the ideal forms. He was also known for rediscovering the principles of linear perspectives during his stay in Rome. His discovery made it possible to make the exact representation of a three-dimensional object on a two dimensional surface. Brunelleschi’s development of spatial representation had an immense effect on art, architecture, and civic design during and after this period. In the year 1407, many architects sought out for advice on the Florence Cathedral dome. Arnolfo and Talenti constructed the cathedral with Gothic characteristics such as pointed arches and ribbed vaults atop piers. They intended to construct a dome nearly reaching

The Italian Renaissance, in contrast to the conservative attitude of the Middle Ages, introduced a society dominated by a secular, humanistic spirit. One of the most historically significant events of the Renaissance was the Reformation. Some people argue that the Reformation was a rejection the secular spirit of the Italian Renaissance. Others assert that the Reformation was an embracement of these secular ideas. However as with many questions, this issue cannot be given a definite answer. The events of sixteenth-century Europe shows that the Reformation rejected secular ideas in some ways and embraced them in others. Martin Luther defied the Catholic Church and formed his own ideas on salvation, embracing secularism. In England, Henry VIII would reject Catholic authority, thereby accepting the secular spirit. However, he also rejected secularism by continuing to uphold traditional Catholic theology. Edward VI and Mary I would both establish national religion, of which there was no questioning, and reject the secular spirit. Elizabeth I also established a national religion, but her more conservative religious policies reflected her embracement of secular ideas. On the other hand, John Calvin created a religious sect that was dedicated to ardent religious devotion and righteousness, thereby rejecting secularism. Thus, the Reformation both rejected and embraced the secular spirit of the Italian Renaissance.

Associated with the Baroque cultural movement, which is commonly identified with the Counter Reformation, since the Catholic Church encouraged the style, is typically identified with Catholic Revival and absolutism . Baroque painting, a broad term that encompasses a range of different styles, which focus on drama, classicism, realism, and color . Overall, due to the historical context and Vermeer’s artistic elements of realism, idealism, symbolism and light found in his paintings, he is considered to be a part of the art historical movement the Dutch Baroque

The initiator of the Flemish painting, and considered as a pioneer the Nordic of the first Renaissance. Jan van Eyck, together with the Master of Flemalle (Robert Campin) and Rogier van Weyden, were the most famous artists of this school, and the most virtuous in the use of oil. Good as a camera painter and a man of trust. This status granted him the benefit of his respectable reputation giving him great artistic freedom. van Eyck settles in Bruges where he dies years later. His work stands out especially for its meticulousness, a characteristic that leads to the deduction of its observant and detailed nature. He is also admired for the psychological burden of his works, full of vitality. His works are composed mainly of portraits and sacred

In the beginning of fifteenth century, trading pictures were more focused on the materials being made, but then it had changed to focus more on the artists’ skills at the end of the century.

Initially when looking through the library, I seemed to be drawn to the variety of style and purposes illustration provided throughout history. Some purely motivated through knowledge while others driven by commercialism. Both the subjects as well as time period shape an interaction between the observation and abstraction of reality. Despite clear diversity, coherent themes and connection can be drawn between illustrations; linking the ideas and thoughts of a multitude.

Marble turned out to be a wonderful medium for rendering. Figures started to show emotions and appear frozen in action. Faces are given more expression and whole figures strike a particular mood. Clothes too, become more subtle in the rendering and cling to the contours of the body in what has been described as ‘wind-blown’ or the ‘wet-look’. In other words, the sculptures no longer seemed to be sculptures but were figures with life and verve.

One of the artists who started this change was Giotto di Bondone (1267-1337). Giotto was one of the important, accomplished, and

Federico Barocci, was one of the leading mannerist painters in italy, but most of his works were actually in between. “His use of dramatic lighting, his directness and freshness made his work a precursor to the baroque style” says Nicolas Pioch author of the Webmuseum article Federico Barocci (Pioch).