Iwt1 Task 1 Wgu Essay

Post-Impressionism came about later in 19th century (1880-1890's) France. During that time, Edouard Vuillard, Pierre Bonnard, and Maurice Denis, members of a group of experimental artists known as the Nabis, played a significant role in the revival of decorative painting. Their experimentation with the arrangement of line and color was meant to function as a visual equivalent of nature without replicating its appearance. They also hoped to reassert the role of paint in decorating interior living spaces. Influenced by Impressionists use of color, yet pushing the appearance of nature, especially stressing high-keyed color, they developed bold new styles using innovative brushwork and emphasizing geometric shapes and figures. These techniques are known as Divisionism or Pointillism and they contrast significantly with the short, spontaneous canvases of Impressionism. Contributing to these developments were the likes of Vincent Van Gogh, Paul Gaugin, and George Seurat. These techniques later influenced many abstract painters of the early 20th

     Post Impressionism, as the name would suggest, is the art movement that directly followed Impressionism. One artist, who led the Post Impressionism movement, was French artist, Paul Cézanne. Much of his early work was pure Impressionism and, although he was introduced to the style and guided by Camille Pissarro, Cézanne's works showed a distinctive uniqueness. Cézanne broke away from Impressionism because of the lack of composition; he felt the desire to depict subjects in the third dimension as well as appearing flat. Cézanne did not agree with the Impressionistic trait of portraying the world through light, instead, he built up images by a generous use of colour.

In my report, I will compare between two famous impressionist artists (Claude Monet and Edgar Degas), they were the movement representative of the Impressionism art and they left their distinctive mark on their paintings.

The first post-impressionist I chose is Starry Night by Vincent van Gogh. The night sky is filled with swirling clouds, stars ablaze and a bright crescent moon. The sky keeps viewer’s

“Most artists that was Post-Impressionists didn’t think of themselves as Post-Impressionists. The name was given to them by an English artist and critic Roger Fry in 1910.” (Bolton 4) Some examples of Post Impressionist artists are Vincent Van Gogh, Georges Seurat, Paul Cezanne, Henri de Toulouse-Lautrec, and Camille Pissarro.

Postmodernism is an artistic theory and a social mindset that sought to break the shackles of the so called modernist art society. Famous artist kept getting recognition as their pieces were critiqued by famous critics and was deemed ‘High art’, as it was separated and elevated from other art forms. This practice excluded the masses from being a part of the art of that time and reserved it for the high class society. Many artists rose to counteract this movement, one of which was Andy Warhol, who “emerged as specific reactions against the established forms of high modernism… which conquered… the art gallery”. (Jameson 111). Thus the post-modernism movement was in its essence a reaction against modern art ideas. Andy Warhol who gained fame in the 1960’s, characterized his pieces using all the elements from this movement. His work lacked any arbitrary meaning nor any deep ideas about the facets of human life or nature for example, and this exact idea changed the art world and made him a trailblazer of the postmodern art period. His creations embodied post modernistic ideals and illustrated it through his pieces and his use of the media.

The Art Story Foundation (ASF) (2015) discusses Claude Monet (1840-1926) as one of the leaders of French Impressionism of the late nineteenth century. With Edouard Manet (1832-1883) as an inspiration, Monet developed his own distinctive style in the 1860s. He blurred the clarity of forms and linear perspective with bold colors emphasizing on qualities of light and atmosphere going against traditional artistic precision.

The artist that practiced the postimpressionism went through an impressionist stage first, before they evolved to the newly found method of postimpressionism. They all used palette while doing their work of art, some even developed complicated scientific methods and other began to base their art on their emotions something that has not being experimented before. Goerges Seurat was a postimpressionist artist that painted the work titled A Sunday afternoon on the island of La Grande Jatte, using the technique of divisionism or pointillism. By devoting himself to correct the idea of impressionism he became known as avant-garde, he thought impressionism was superficial and too improvisational. Avant-garde is a term that refers to those artist whose visual illustration would allow society to be prepared to accept any social changes that the artist themselves envisioned for society to faced. Seurat painted in an almost abstract way, by using juxtaposing small strokes of unblended colors, this technique became known as pointillism. Paul Cezanne was another postimpressionist artist that helped developed the modernist painting of the early twentieth century His work made a great impact in the style known as cubism, by creating highly well-thought-out paintings through methodical application of color that combined drawing and modeling into a single

What happened throughout the 20th century in the post impressionist era of art is artists going wild and exploring how wide Art can actually be. Beforehand Art was either marble statues or Realistic Oil paintings (even watercolours were looked down upon) but because of the (sometimes insane) things artists did throughout the 20th century, including cubism, we have reached a point where you don't have to worry about people telling you that what you make is not art, it can't be art because it

Claude Monet and Vincent van Gogh were two prominent, influential painters that contributed and shaped their respective artistic periods: Impressionism and Post-Impressionism.

The first exhibit that the Impressionists held didn’t give them good money and brought in many judgemental people that mocked their art. The critics believed that most of their art was unfinished and lacked a lot of artistic style. Infact, people said that their completed work resembled sketches or quick unthoughtful paintings. These skeptic people weren’t used to the style of the Impressionists. The quick pieces of art were called “Impressions”, which helped preserve an artist's ideas before they painted their masterpiece. Another thing that brought conflict between these artists and everyday citizens was that the Impressionists believed that landscapes were a very important part of art, whereas most people thought that only paintings of

Claude Monet work throughout the 19th century is highly recognized to be one of the key founders of Impressionism. Monets interlocking history of Impressionism cannot be dissociated by that of the Official Salon. It is here where Monet begins to make an appearance into the art world and it is here that we see the birth of the “ Impressionist Monet” we all know today.

The art-historical term, Postimpressionism was coined by Roger Fry a British art critic, who described the various styles of painting that flourished during the period from about 1880 to 1910 (Britannica). It was generally used for a convenient way to group together the generation of artists who sought new forms of expression during a pictorial revolution

Post-Impressionism is generally considered as having begun at sometime around 1880 and continuing even until now (as technically all forms/movements of art do). Perhaps the most easily recognizable post-impressionist art piece would be Van Gogh’s “Starry Night”, crafted by the eccentric artist in 1889.

While the painters after the Impressionism period were called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by ignoring a Naturalistic approach that attempted to merely depict the “real.” However, the two had distinct styles which attempted to achieve the same goal: to access Nature’s mystery and meaning beyond its superficial, observable level. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.