J. R. Tolkien's The Lord Of The Rings

When most people think of J.R.R. Tolkien, they often think of his great imagination and his world of great dragons, warriors, orcs, hobbits, wizards, dwarves and elves. But most people forget about the deeper meaning behind his stories and his controversy towards society. Tolkien was a British, fantasy, writer during the mid-1900s. Through his love of languages, religion, and country, J.R.R Tolkien’s works of The Hobbit and The Lord of the Rings are controversial but masterpieces because Tolkien represents “good” as a fuller, more imaginative reality than evil.

Thesis: John Ronald Reule Tolkien’s life experiences influenced his writing, beginning as a student, then a soldier, lexigrapher, professor, and then a writer to his own children; Tolkien’s life created the place known to most as Middle-Earth.

J.R.R. Tolkien’s epic novel The Lord of the Rings showcases his affinity for what is small and how its measure contradicts its significance. Tolkien crams undetected, potent potential into unlikely vessels—vessels that seemingly lack the capacity. The reader sees this in Tolkien’s protagonist and antagonist, the hobbit and ring respectively. The measure of each conflicts with its significance. With a closer look, the reader also sees this in Tolkien’s word choice. In his essay “On Fairy-Stories,” Tolkien claims “How powerful, how stimulating to the very faculty that produced it, was the invention of the adjective: no spell or incantation in Faerie is more potent.” Throughout The Lord of

John Ronald Reuel Tolkien’s personal life impacted his extremely vivid novels immensely. His background knowledge, such as basic facts made him who he is today, having in effect on his writing. As well as his more popular writing such as, “The Lord of the Rings” which has those lost in his life and current historical events at that time, playing a large part into the many details to the story. Finally, the incredible novel, “the hobbit” having him contributing to his childhood and family. Tolkien is known for the incredible talent for the exquisite adult fairy tale novels he had created.

In 2001, the International Congress on Medieval Studies at Western Michigan University in Kalamazoo allowed three sessions on Tolkien to be presented. That seminal event was the ‘nucleus’ from which this collection sprang. For forty years, editor Jane Chance, Professor Emerita in English at Rice University, has written and taught on medieval literature, medieval culture, medieval women and modern medievalism. She has authored or edited five critical studies of Tolkien’s work, as well as numerous scholarly articles. In her introduction, Chance notes that since Peter Jackson began filming The Lord of the Rings in 1999, “there has been a parallel rise in interest in his writings and books about his writings” (1). Additionally, the publication

Imagine yourself in a pre-industrial world full of mystery and magic. Imagine a world full of monsters, demons, and danger, as well as a world full of friends, fairies, good wizards, and adventure. In doing so you have just taken your first step onto a vast world created by author and scholar John Ronald Reuel Tolkien. Tolkien became fascinated by language at an early age during his schooling, in particularly, the languages of Northern Europe, both ancient and modern. This affinity for language did not only lead to his profession, but also his private hobby, the invention of languages. His broad knowledge eventually led to the development of his opinions about

J. R. R. Tolkien's The Lord of the Rings has delighted readers since its publication owing to its author's skillful development of his fantastic realm and its inhabitants adventures therein. In fact, Tolkien is rightly regarded as the father of the modern fantasy genre, and it often seems all fantasy imitates his work in some way. However, as readers return to the work, it often becomes apparent that the work is more than a simple escapist journey into an imaginary world; the work represents the finest traditions in literature and rich grounding in Tolkien's study of language and mythology. Equally surprising, though, Tolkien himself admits that the

Tolkien wrote the Lord of the Rings using his world which had few moments of brightness, but were clouded by the darkness of war and destruction. Tolkien served his country during World War 1 and experienced the tragedies of the new modern combat of the time. When he was able to be with his children, he was motivated to give them a better world to look at. Due to his studies in different cultures and languages he was able to create Middle Earth, a land where there are elves, orcs, dwarves, wizards, hobbits, humans, and many more mythical creatures some created by Tolkien himself. Tolkien was motivated to create a new world for his children to experience instead of the chaos filled world during their lives, and was inspired by his studies in

2."JRR Tolkien." JRR Tolkien. N.p., n.d. Web. 14 Nov. 2013. http://www.tolkien-online.com/. “It was conceived that Tolkien was always writing some type of interesting writings. They were often conceived with a fantasy as a profound or powerful form at literature with intense philosophical and spiritual meaning, serious purposes, and eternal appeal.” 4.Tolkien, J. R. R., Mary Salu, and Robert T. Farrell. J.R.R. Tolkien, Scholar and Storyteller: Essays in Memoriam. Ithaca, NY: Cornell UP, 1979. Print.

Tolkien’s worked tirelessly to build not a single linear story throughout his LOTR series, but to build an entire world consisting of races, classes, ethnicity, language, cultures and depth to each of these categories. Tolkien wanted his characters to have more than good plot development to them, he wanted his characters to have depth and history that exceeded what was merely written on the pages of his books. Tolkien’s intended goal through all of these efforts was to get his readers, to reimagine objects, concepts and characters through the lenses of an alternative

A man brought from South Africa Bloemfontein, to England in April,1895 will make a new era in writing .J.R.R. Tolkien was in fact one of the leading philologists of his day .He ushered in a new style of writing for writer’s during and after his time .He opened every ones eyes, he is the alter of the hand some call him .J.R.R. Tolkien was a philologist in the literal sense of the word: ’Lover of Language’.

This report contains information about J. R. R. Tolkien's life and achievements. Many have found this to be an interesting topic; as Tolkien has claimed the respect and love of many who are both related and unrelated to him by blood. A short list of his achievements includes these topics: Tolkien's participation in the first World War, many of his writings, his graduation from more than one of England's finest and lesser known colleges/universities, and his relationship formed with his currently famous writer and friend, C. S. Lewis. As one of the many information suppliers for the biography website, Biography.com posted, "J.R.R. Tolkien is an internationally renowned fantasy writer. He is best known for authoring The Hobbit and the Lord of the Rings trilogy." (However, this informant's name is not mentioned in the website)

Fantasy and reality have an immense amount of differences. But, could the two very well be the same? The answer is obvious. JRR Tolkien, the author of the well known series, “ Lord of the Rings’ states “ It does not do to leave a live dragon out of your calculations, if you live near him.” Tolkien significantly overwhelms the quote to portray a similar message. As plans and tactics are placed into action, one must severely and crucially be as detailed as possible.

"Three Rings for the Eleven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his Dark throne, In the Land of Mordor where the Shadows lie. One Ring to rule them all, One ring to find them, One ring to bring them all and in the darkness bind them, In the Land of Mordor where the Shadows lie(Tolkien)." Master of storytelling J.R.R. Tolkien continues the lives of the fictitious creatures that he introduced in The Hobbit, in his modern classic The Fellowship of the Ring. He artfully illustrates the truths of the evil that plague the hearts of man. He tells a story of greed, destruction and how mortal men are enslaved by

Thus Douglas Charles Kane sets forth the inspiration for his meticulous review of the origin of the text Christopher Tolkien presented in 1977 as The Silmarillion. I confess that I myself belonged to the second group, until the publication of The History of Middle-earth volumes revealed the extent of the evolution of the Legendarium. Christopher has presented that evolution roughly in a chronological format, with The Book of Lost Tales containing Tolkien’s earliest writings and The War of the Jewels the latest concerning the tales of The Silmarillion. Anyone interested in following the development of a single tale, therefore, must work through portions of multiple volumes.