J. S. Bach

In Weimar, he assumed the post of organist and concertmaster in the chapel. He remained in Weimar for nine years, and there he composed his first wave of major works, including organ showpieces and cantatas.<br><br>By this stage in his life, Bach had developed a reputation as a brilliant, yet inflexible, musical talent. His qualities on the organ was unequaled in Europe, in fact, he toured regularly as a solo virtuoso. His growing mastery of compositional forms, like the fugue and the canon, was already attracting interest from the musical establishment - which, in his day, was the Lutheran church. But, like many people of great talent, he was never very good at playing the political game, and consequently suffered drawbacks in his career. He was passed over for a major position, which was Kapellmeister (Chorus Master) of Weimar, in 1716. Partly in reaction to this situation, he left Weimar the following year to take a job as court conductor in Anhalt-Cothen. There, he slowed his writings of church cantatas, and instead concentrated on instrumental music. His time Anhalt-Cothen in period produced, along with other masterpieces, the Brandenburg Concerti.<br><br>While at Cothen, Bach's wife, Maria Barbara, died. Bach remarried soon after to Anna Magdalena and went ahead with his work. He also went ahead in the baby making department, producing 13 children with his new wife - six of which survived

The fugue is often regarded as a genre defined by strict procedural guidelines. It is notable that three historically important composers, Johann Sebastian Bach (1685-1750), Georg Friedrich Handel (1685-1759), and Wolfgang Amadeus Mozart (1756-1791), all employed a closely related fugue subject in three different works. An analysis of each of these works individually, and a comparison of these works collectively reveal numerous latent and salient features, and a reflection of the composers’ style within these works. Analyses also provide an outlook into the fluidity in certain aspects and rigidity in others of the form itself, reflected historically. The three composers analyzed fall closely together in history. J.S. Bach and G.F. Handel were contemporaries, whereas Mozart was born six years after Bach’s death and three years before Handel’s death. Analytically, the angularity of these similar fugue subjects presupposes a treatment regardless of the composer. Because of the shared intervallic content among the subjects of these fugues, despite being written by several different composers, a surprising number of similarities arise. Therefore, it is reasonable to assert that compositional choices made in the construction of the fugue subjects limit the number of results possible.

Johann Sebastian Bach was a composer born on March 21, 1685 in Germany during the Baroque period. The Baroque period was a time during history when a certain style of European architecture, music, and art flourished there. Music during that specific time were often focused on lower and higher tones. Bach was able to play the organ, violin, viola, and harpsichord. As a result, he is considered one of the greatest composers of Western history, especially back in his day. Bach was influenced by his family of many musicians. For example, his father Johann Ambrosius Bach taught him how to play the violin and harpsichord, while his uncle had taught him to play the organ.

As a master of several instruments, he became a violist in a court orchestra when he was only 18. Later, he became the organist of several churches in Arnstadt. Throughout these churches he had developed a reputation of having a brilliant musical talent. Also, because of his perfectionist tendencies and high expectations of other musicians, he fought many times which is yet another example of his compassion for music. Furthermore, he had even walked over 200 miles because a great vocalist known as Buxtehude influenced him. As an organist and a choirmaster, Bach continued to devote his life to composing music for churches. He would work under dim light creating these masterpieces. After conducting and composing for the court orchestra at Cothen for seven years, Bach accepted the job of being a music director for the St. Thomas’s church in Leipzig. His compassion for music went on even further after he became blind. He was still creatively active until the very end. Even just before his death, he dictated his last musical composition to his son in law. His career was surely a massive indication of his talent and the heart and soul he put into his music.

A perfect example of this can be seen in Arnstadt. Previous accounts of history claim that Bach was upset with the performance of the church choir for which he played for. He claimed that “the voices could never make the music soar to the sky as it should” (loosely translated). Here Bach realized the high level of music and perfectionism that he wanted. In 1707, at the age of 22, Bach moved on from Arnstadt to another organist job, this time at the St. Blasius Church in Muhlhausen. Once again he did not remain there too long, only a little over a year, when he moved again to Weimar where he accepted the position of head concertmaster and organist in the Ducal Chapel. It was here that Bach settled himself and began to compose the first collection of his finest early works which, included organ pieces and cantatas.

By 1695, Johann had lost both his parents, which is the reason he was living and learning with his brother, Johann Christoph. Even back then Johann was so good at music he landed a spot in the poor boys choir at his school. He later stayed at Lüneburg and studied the in the library with their then up-to-date music selections. It was while he was there that he met the organist Georg Böhm, and that is when he was first introduced to the French repertoire, and by 1702 he was already a fairly good organist. There were a few months lost when it comes to what Bach had done, but in March 4, 1703, he was hired by Johann Ernst to be in the orchestra. There he stayed until August 1703, when he was given the job of organist. If that wasn’t impressive enough, all of this was done before he was eighteen years old. (Johann Sebastian

After spending a year in Muhlhausem, he won the organist spot at the court of Duke Wilhelm Ernst in Weimar. While working for the duke, he composed some of his best compositions. Some of his works included the “Fugue in D minor” and “Heart and Mouth and Deed”. In 1717, Bach was offered a new position with Prince Leopold. However, he was imprisoned for about two months by Duke Wilhelm Ernst because he didn’t have a reason to let him go. Finally in December of the year, Bach was released and continued on at

Gardiner suggests instead that the absences may have resulted from a negative atmosphere in a school and town filled with “rowdy, subversive, thuggish” boys”. After going under the care of his brother, Johann Christoph Bach, Bach started achieving good grades and high class standing. This period was viewed as a period of academic accomplishment by many. Bach had a beautiful soprano singing voice, which helped him join at a school in Lüneburg. Sometime after his arrival, his voice changed and Bach switched to playing the violin and the harpsichord. He was also greatly influenced by a local organist named George Böhm.  In 1703, he eventually landed his first job as a musician at the court of Duke Johann Ernst in Weimar. No one realized that Bach would later become such an influential musician, not only in the Baroque Era but still influential to this day of

Johan Sabastian Bach was a very talented German Composer who wrote music in the Baroque time period. He was born March 31st , 1685, and lived until July 28th, 1750. He was born in Eisenach Germany, into a family of musical talents. In Germany at this time, they had just gone through the Scientific Revolution, and they were starting the Industrial Revolution, and Enlightenment. His father, Johann Ambrosius Bach, was the director of the town musicians, and a lot of his extended family were also professional musicians. After his dad and brother sparked his interest into music, Bach decided to attended St. Michael's School in Luneburg for two years. After graduation he became the director of music for a German Prince, he became the director of music at several Lutheran churches, and taught music at the St. Thomas school. His most famous pieces ________ were called exquisite due to his artistic

Bach family throughout Thuringia had held positions such as organists, town instrumentalists or cantors, and the family named enjoyed a wide reputation for musical talent. Bach was the youngest out of the 18 kids. At an early age Johann Sebastian Bach lost a sister and later a brother. When he was 9 years old his mother died, barely 9 months later his father died. Johann Sebastian and one of his brothers, Johann Jakob were taken into the home of their great uncle Johann Christoph who had recently married and settled down at Ohrdruf, a small town thirty miles south-east of Eisenach. At the end of 1703, 18 year old Sebastian took up his post at the small town of Amstadt. Bach arrived at Muhlhausen, a small Thuringian town, proud of its ancient foundation and independence to take up the post of organist to the town. Shortly after his arrival, he brought his cousin Maria Barbara Bach from Amstadt, and on October 17th 1707, he married her at the small church in the picturesque little village of Doomheim. Maria Barbara come of a broneh of the musical Bach family, her father being organist at

Johann Sebastian Bach, a German composer in 16 through 1750. He was the youngest of eight children born in 1685 in Eisenach, Thuringia, Germany. Bach was born into one of the greatest German musician families in the 17th and 18th century. It is said that his family writes for each other. His father was a trumpet and violinist. The rest of his family like uncles and cousins had played the organ. His mother and father had died when he was ten years old, Bach was alone. At this time, he moved in with his brother, where he has his first official lesson on the organ. Bach’s music is one of the greatest achievements in the history of music. Bch believed that the aim and final belief of music should be none else then the glory of god and the recordation

In 1706 Bach decided that he wanted to further his career in music and made the first change by leaving his organ playing position at the church and took upon a new position in Munhlhausen at the St. Blasius as an organist there (Johann Sebastian BACH). This change was for the best because the church was larger and located in a city that was important to the north. A few months after being an organist at the St. Blasius church he married his second cousin Maria Barbara Bach. After a year of Bach being a organist for St. Blasius, he was offered a better position in Weimar. Bach took the offer with pride and became their new court organist and concertmaster at the ducal court. Johann and Maria Bach decided to start their family, after their first born child, Marias unwed sister moved into their home to help with raising their children. Maria and Johann Bach had a total of seven children. The gifted musically talented family continued as two of Bach children, Wilhelm Friedemann Bach and Carl Philipp Emanuel Bach became vital composers following the baroque period.

Johann bach lived in germany with his parents. He didn't play very many instruments all he play is the violin and the harpsichord. Bach had 2 wives the first one was maria barbara bach and the second one was anna magdalena bach. Bach had 20 kids 7 with the first wife 13 with

Johann Sebastian Bach was born on March 21st 1685. He is the son of Johann Ambrosius. For many years, members of the Bach family had held positions such as organists, town instrumentalists, or Cantors.

He was one of eight siblings. His father Johann Ambrosius Bach and mother Maria Elisabeth Lämmerhirt and the rest of his family were already well known and recognized for their connection to music. In 1692 Bach began his education enrolling at Lateinschule, Eisenach which was a Latin school. The institution offered a General rather than a musical education. It is also believed that Bach sung soprano in the choir of St. Georg. Although here is not much information on Bach’s early and initial musical education due to being born into a very musically cultured family it is thought that he was initially taught music by family members. It is probable that his father who played string and wing instrument most likely taught him to play a stringed instrument. One point that was apparent in this stage of Bach’s musical development was his inability to play a keyboard instrument. According to one of his sons Carl Philipp Emanuel, Bach never actually learned to play keyboard until after he left Eisenach. Following the death of Bach’s mother and father he moved to Ohrdruf under the care of his older brother Johann Christoph Bach and continued his education there. Bach left Ohrdruf In 1700 when he was just 15 years of age. He travelled to Lüneburg, becoming a member of the choir at St Michael’s church, this gave him a small salary and enabled him to continue free education there. When Bach voice broke and he could no