J.S. Bach Flute Sonata in B Minor (Bwv 1030): the Development of the Baroque Flute, the Flautists and the Music
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J.S. Bach Flute Sonata in B minor (BWV 1030): the development of the Baroque Flute, the flautists and the music Johann Sebastian Bach (J.S. Bach) is no doubt one of the greatest composers of all times. He composed many works for flute including works for solo flute, flute with harpsichord and/or continuo and, two flutes and harpsichord. However, there has been a controversy, over the flute works, whether they were composed solely by the composer, assisted by someone or under the guidance of J.S. Bach. In addition, some scholars doubted that some of works are not written for flute and they are actually transcribed for flute by the composer. Especially, the Sonata in B minor (BWV 1030) raises most number of controversies.
The J.S. Bach…show more content… There are, generally speaking, eight different kinds of flutes including concert flute, descant flute and flute d’amour. Different kinds of flutes appeared in different pitches.5 In the music that Bach wrote for flute, he did not, like all the composers at that period of time, specify the type of flute they writing for. In addition, there is a possibility that different flutes were used in different performances. All flutes were written as if they were in the key of D especially in the first quarter of the 18th century. As a result, it is difficult to judge which flute the composer had in mind from the music.6 In the journal “J. S. Bach's Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology” by Robert L. Marshall, he suggests:
“It is still widely believed that Bach wrote eight works for the solo flute. But the view that has prevailed among Bach specialists for the past fifteen years is that the rather similar Sonatas for flute and harpsichord obbligato in G Minor (BWV I020) and E Flat Major (BWV io31) were probably composed by someone else-most likely Carl Philipp Emanuel Bach--and that the Sonata in C Major for flute and continuo (BWV 1033) was written by one-or two-of Bach's students (one of them, again, might have been Emanuel Bach), presumably in part under the composer's active supervision and intervention.” 7
This suggestion probably comes from the lack of normal musical style in his writing. Moreover, his writing shows no