J.S. Bach Flute Sonata in B Minor (Bwv 1030): the Development of the Baroque Flute, the Flautists and the Music

Johann Sebastian Bach (1685-1750) was unlike most other composers of his time. “He wrote music for the glory of God, and to satisfy his own burning curiosity, not for future fame.” During the 1700s, people knew him as a talented musician, not as a composer, as we do today. He never left his country to pursue bigger and better things. Bach was content as long as he could play music. Traditions were very important to him. He wanted to carry on the musical tradition of his family, and never opted to change the traditional ways of composing, as did most composers. Bach’s work is vast and unique.

Sonatas composed from 1773 to 1784 were intended as “public” works from the very beginning, with a clear conception of the taste, preferences, and instruments available to the musical public of Vienna. The Sonata in F Major, Hob. XVI: 23; L38 written in 1773 for solo harpsichord is the best known and most virtuosic of

Composing works derived from styles already in existence, he created an extremely unique and unprecedented genre of works. Thus Mozart became a trailblazer of the classical age. Music from this period consists largely of a lighter and clearer texture than the preceding Baroque music and is less intricate. One trademark especially evident in Mozart’s contribution to the classical period is the use of homophony. Examples of the homophonic effect are displayed in his piano concerto No. 23 and sonata No 16 in C. In these, the distinct pattern of an indubitable melody can be distinctly and easily recognized above the adjunct chordal accompaniment. Although Mozart contributed primarily to the growth of the classical era, he was also influenced by the works of Handel and Bach. Both were prominent composers of the baroque era. In some of his later works, Mozart indulged more in the incorporation of the previous baroque

In addition, Bach was a virtuoso on the organ. He also served as an organ consultant, and composer of organ works, like toccatas, chorale preludes, and fugues. He had a reputation for having great creativity, and he was able to integrate many national styles into his works. Many of his works are said to have North German influences that were taught to Bach by Georg Bröhm. Bach also copied the works of many French and Italian composers in order to decipher their compositional languages. Later on, he arranged several violin concertos by Vivaldi for organ. Most experts of musical composition believe that the years, between 1708 and 1714, were his most productive. Within this period, he composed several preludes, fugues, and toccatas. During this span, Bach wrote the Little Organ Book, Orgelbüchlein. This book remains an unfinished collection of forty-nine short chorale preludes.

Bach’s Toccata and Fugue in D Minor, BWV 565, is a two-part musical composition for organ, written by Johann Sebastian Bach (1685 – 1750), a German composer, and musician of Baroque period, is known for its magnificent sound, classic, state-of-the-art rhythm having methodological command, with artistic splendor and intellectual gravity. Bach's abilities as an organist were respected throughout Europe during his lifetime but at that time he was not recognized as a great composer until a revival of interest and performances of his music in the first half of the 19thcentury. Nowadays he’s regarded as one of the greatest composers of all time. (Blanning, 2008)

Many of the characters in the play are stuck playing a comedic role or a dramatic role, but Flute is one of the characters that gets to play both, again, making him a much more rounded character. Playing the part of Thisbe requires

When Bach was in Arnstadt when he was younger, the organ ordinarily lacked a 16-foot register on the keyboard; consequently, it sounds an octave lower than the normal 8-foot register. Accordingly, in order to create the effect, Bach used octave doubling; consequently, he continued the resounding effect of the opening bars; conversely, there is no octave doubling in any of Bach’s later organ works; moreover, the fugue sounds furious with its uninterrupted series of fast notes. Also, Bach felt embarrassed about his crude style, and he put the work aside; consequently, Bach lost a lot of his other early organ work completely. Conversely, the Tocca and the Fugue has an unstructured form, and that means that keyboard players can let their imagination run wild; as a result, Johann Gottfried Walther described the Toccata as a long piece in which both hands alternate, sometimes accompanied by long pedal notes. For this reason, Bach connected the Toccata’s freedom to the stylus phantasticus; moreover, stylus phantasticus was popular in North Germany from the seventeenth century; in addition, people described this style of composition as “freed from all constraint”. Moreover, it’s remarkable that Bach paired the toccata with the prelude and the fugue because it’s subject to strict compositional rules; nevertheless, the fugue derives its thematic material from the preceding part.

This paper discusses Mozart's life, his compositions and his importance to the world and the world of music. It explains how Mozart's music is still some of the most popular classical music played today and his life is still studied because his music is so well known and liked.

S. Bach, G. F. Handel, and Domenico Scarlatti. Antonio Vivaldi, Claudio Monteverdi, Couperin, Jean-Phillippe Rameau and Jean-Baptiste Lully are other popular names in the Baroque era. Each composer specialises in different instrument compositions and techniques. Out of all the names mentioned, J. S. Bach remains to this day, one the greatest composers of both the Baroque era and all-time. Each of these composers specialise in different areas or compositions and instruments. Working extensively with keyboard instruments such as the organ and harpsichord, a few of J. S. Bach’s well-known compositions include his Brandenburg Concertos, Goldberg Variations, and St. Matthew’s Passion. G. F. Handel himself composed Italian operas, oratorios, anthems, and organ concertos. His most popular work of all-time is the “Hallelujah” chorus from the oratorio Messiah, which went on to become the most popular Baroque work and considered as a choice of piece often performed in Christmas time. Domenico Scarlatti on the other hand composed in a number of musical forms, but is best known for composing 555 keyboard sonatas.

The ideas and beliefs brought forth by the Camerata and many others were whole and acted as a benchmark for moving forward in music, but the ideas of past musical structures had not been forgotten. Polyphony which had seemed to be a key part of the stile antico with its many rules on line and counterpoint made a strong return through the Prelude and Fugue, particularly by Johann Sebastian Bach. J.S. Bach wrote many organ pieces with long and fluid contrapuntal passages still following the ideals set in the prima practica. Many of Bach’s works had outlines brought pieces by such composers as Palestrina who some consider the father of the first practice. Palestrina’s Missa sine nomine gave Bach a strong inspiration for his particularly famous Mass in B Minor. Through this polyphony Bach was able to inspire the Lutheran Church as well as the works of many other composers who would later use his works as basis for their own. Many of the composers who would do this would move out of the Church setting and into private parties and royal houses to entertain, which was not heard of by the earlier predecessors of Polyphony who would have stayed in the churches. These men would have only gone outside of the church if the King or a royal call was offered and would then return to the church for duties.

Johann Sebastian Bach was a composer born on March 21, 1685 in Germany during the Baroque period. The Baroque period was a time during history when a certain style of European architecture, music, and art flourished there. Music during that specific time were often focused on lower and higher tones. Bach was able to play the organ, violin, viola, and harpsichord. As a result, he is considered one of the greatest composers of Western history, especially back in his day. Bach was influenced by his family of many musicians. For example, his father Johann Ambrosius Bach taught him how to play the violin and harpsichord, while his uncle had taught him to play the organ.

He began to write preludes for organs but did not cover large- scale organization, when two melodies interact at the same time. A few years after playing for the church, Bach made a visit to Dieterich Buxtehude in Lubeck. This visit reinforced Bach’s style in music with the works he has made.

He first decided to use the clarinet in his composition of Divertimento, K 113, due to the singing qualities it possessed. He composed the Clarinet Concerto in 1791 for a clarinetist by the name of Anton Stadler. The concerto was on one of the Mozart’s last compositions and his last concerto for a solo instrument. The composition of the piece began in 1787 for basset horn in G with about 200 measures and then was revisited in the last few weeks of Mozart’s life in 1791.

During the later years of his life Bach gradually withdrew inwards, producing some of the most profound statements of the baroque musical form. Bach’s creative energy was conserved for the highest flights of musical expression: the Mass in b

Before looking more closely at the composers’ works, they must be placed in their proper historical contexts. Bach was a great composer of the