J.b. Johnson : His Instrument, The Trombone

Both Jazz music and World War II had a significant impact on each other. Jazz music boosted the morale of soldiers fighting abroad and also lifted the spirits of their loved ones back at home. Many jazz musicians were soldiers, and several others traveled overseas or across the country to entertain U.S. troops. Among these performers were Bing Crosby, Artie Shaw, and Benny Carter. Jazz music was not only evident in American culture, but also in European countries, particularly in Nazi-occupied areas where it was a sign of rebellion. I want to further explore how the war affected the accessibility of jazz during the time, as well as how the war helped shape the musical direction

The second generations of Jazz musicians were some like Joe “King” Oliver, Kid Ory, and Jelly Roll Morton. These people formed a small band and started to reshape the way the original Jazz music was played. They have made it into a different style with more complications and twists and turns. And so it became known as “Hot Jazz”. King Oliver found a young artist by the name of Louis Armstrong. He soon grew to become the greatest Jazz musician anyone has known. He is still a big star in the world today. By the 20th Century, African-American musical styles became the dominant force.

I.Introduction: Good afternoon everyone, my name is Giselle Levario. I am a freshman here at NMSU with a love for music and today I will be informing you all about one of my favorite music genres, Jazz and it’s history. First, I will talk why Jazz was important to society during the Great Depression. Second, I will discuss the various techniques and rhythms used in a Jazz ensemble and finally, I will discuss why Jazz music is still influential to today’s society and music culture.

Jelly Roll Morton was one of the greatest most talented mans to play the pianist at the tempo he plays it’s at. After sitting and listening to for an hour and a half I realized what a great pianist was. I was exotic when I heard him playing; it was nothing to do but flow with the music after hearing it. It really lit a fire under me to actually enjoy music with a nice pitch and a definite tone.

Coltrane joined the Earl Bostic band in 1952. Bostic knew a great deal about the saxophone, and Coltrane benefited from his knowledge (21). He learned about fingering techniques and also Bostic's sound which differed from most saxophonists of that time (22).

Jon Urbana is a very skilled musician too. The entrepreneur was actually a late music bloomer. The former lacrosse player has exceptional talent and great love for electronic music. You might find him in his own studio mixing music tapes and sampling music until very late in the night. The skilled musician has added many of his original mixes to Soundcloud. His ultimate vision is to share his musical talent with the world.

The styles from Lester Young and Coleman Hawkins were very different throughout the swing era. Hawkins and Young were two of the best tenor sax players that had emerged during the swing era. Considerably different, Hawkins played a huge dark sound, whereas Young’s was light and breathy. Some of the differences were as follows; Hawkins improvisations were based on his superior knowledge of harmony, Young’s were rooted in the blues, Hawkins played with a rhythmic approach that was always closely tied to the beat, and Young’s rhythmic conception was much looser, and often untied to the beat. Although they had many differences, they inspired sax players for years to come.

From its inception, Jazz has applied both innovative approaches in different degrees and boundless configuration. And has continually amplified, progress, and modify music through various distinctive episodes of growth. So, an all-encompassing denotation of jazz is likely vain. Additionally, jazz as a music whose prime attribute was “improvisation,” for example, revealed to be too regulated and chiefly false. Meanwhile composition, adaptation, and ensembles have also been imperative constituent of Jazz (for most of its backstory). Furthermore, “syncopation” and “swing,” often viewed as important and distinctive to jazz, are certainly lacking the genuineness of it, whether of the 1920s (or of later decades). However, the prolonged perception that swing could not transpire without syncopation was utterly refuted when trumpeter Louis Armstrong often produced vast swing while playing repeated, and unsyncopated quarter notes (Armstrong, L., Fitzgerald, E., & Middleton, V. (1988). Satchmo. Gong.)

Watching Louis Armstrong’s live performance in Berlin during the year 1965 was a pleasure, especially because I am a great fan of his music. Throughout the concert in Berlin, Armstrong and his chamber orchestra played 13 different pieces. With the exception of Jewel Woods’ entrance on vocals for two songs, the makeup of the chamber orchestra did not change throughout the concert. As a result, the cello, clarinet, drums, piano, trombone, and trumpet remained vital parts of each song throughout the concert.

Our music industry would not be what it is today without one of America’s greatest music legends, Duke Ellington. He made major breakthroughs at a time when the odds were against him. The pioneer who scouted these new regions of musical space more than any other jazz musician of the time was Edward Kennedy “Duke” Ellington (1899-1974). (Tirro 1993)

Aside from the typical cultural, social, and political factors influencing any musician’s style, an early life filled with poverty and hardship also shaped Louis Armstrong’s musical development. Some even theorize that it was Armstrong’s difficult upbringing that made his music so wise, so unique, and so revolutionary. Armstrong was an African American child growing up in the slums of New Orleans, close to abandonment, impoverished, and with too few constant people, resources, or homes. However, had his upbringing been different, his musical talents may never have been established to grow and thrive into one of the most internationally influential jazz musicians ever. When Louis Armstrong was placed in a boys’ home as a young boy, he was presented with the opportunity to play the cornet. He took up work in Joe (King) Oliver’s house, doing chores in exchange for musical lessons, developing into a

Red Rodney was a famous trumpeter and bandleader in the 20th century. He was born in Philadelphia on the 27th of September 1927 and was known as a child prodigy when he was young (Voce, 2011). At the beginning, Red Rodney taught himself the trumpet and later he went to a school named “Jules E. Masterbaum Vocational” in his hometown Philadelphia to study trumpet (Schwab, 2010). Red started playing with Jerry World Orchestra only at the age of 15 and then he also played with Benny Goodman, Jimmy Dorsey and Gene Krupa (Chesky Records, n.d.). Red’s life was changed because of Dizzy Gillespie, who was Red’s hero when he was a teenager. Red was able to play a gig with Dizzy Gillespie one time at the Down Beat Club and he left Dizzy a lasting impression.

Genre: Nonfiction. The gripping story of how a young, poor, African-American boy, physically abused by his father and bullied at school, finds a creative outlet for his anger through music when his teacher gives him a trumpet. The rise to fame, and the creation of bebop music by jazz legend Dizzy Gillespie is told with a narrative containing rhyme, rhythm, and alliteration. The narration imitates the sounds of jazz and scat that Dizzy created. A note from the author included at the end of the narrative brings further insight into Dizzy’s life as a teacher of bebob and role model for musicians.

One night in 1937, a teenage musician named Charlie Parker joined a jam session onstage at Kansas City's Reno Club. It was a special because a big-time drummer, Jo Jones, was there. He was the drummer for Count

James P. Johnson an influential jazz pianist and is known for his hit “Carolina Shout.” And finally, Coleman Hawkins played the tenor saxophone. He was actually one of the first musicians to be known for the instrument.