Jabberwocky By Alic Lear

The poem Fifteen by William Stafford, describes the ideas of a young teenager and imaginations when he sees a motorcycle at the side of the rail, It tells us of how the main character gets familiar with adulthood and starts getting mature, it gives us changes. The author in his poem describes the ideas and temptations that a fifteen year old would have, and it gives us a message of how when you are blinded of your teenage dreams, at the same time to take and decide the correct paths and decisions.

Parents often say, “Listen to your elders.” This cliché can make some people apathetic, but when looking back, most appreciate the wisdom of their elders. The knowledge imparted to children is crucial for their ability to understand and improve the world. In XIV by Derek Walcott, the speaker uses imagery, metaphor, and other literary devices to convey the storyteller’s significance to his life.

The sixteenth chapter shows that at a young age, children see entrancement in objects and surroundings adults do not. It symbolizes that people tend to lose a curiosity they were put into the world with as they grow older.

Some believe that birds help express spiritual freedom and psychological liberation with the different colors of birds that are associated with various meanings; specifically the yellow bird means you should keep your guard up. In the novel, The Yellow Birds by Kevin Powers, John Bartle becomes guarded and isolated because of his internal battles created by his experiences from war. Bartle struggles with the lack of control he has over the events that happen to him in during his time in the military. He fights with his helplessness when he tries to transition to his lifestyle at home. He also cannot control how he changes as a person. When we think of war we think of the physical damage we see on the exterior but what we cannot see is the psychological damage in the interior of a person.

Have you ever known somebody that liked for everything to be neat, orderly, and perfect? If you do you would probably say they have OCD (obsessive compulsive disorder, it is defined as a psychiatric disorder characterized by obsessive thoughts and compulsive actions, such as cleaning, checking, counting, or hoarding), but they are most likely just a perfectionist. In the story "Pancakes" by Joan Bauer, the character Jill is a perfectionist. In the story she tells us that she can not stand dirty mirrors, which is not hard to believe because I do not like dirty mirrors either. When you read that Jill has a stain removal kit in her top dresser drawer, it is a little hard to relate to because I sure do not have one in my dresser. I know people

What trait is Lear developing as a result of his daughter’s treatmentAct III, Scene I

Our fear and pity for Lear are both intensified and relieved. His disturbed conscious is magnified when he is mad, and the reality and his awareness is further denied by those sensible such as Edgar, Kent, ironically the Fool, and Albany. Although Scene 6 is written with intention to galvanize our fear and pity by presenting to us both Gloucester and Lear wretched circumstances, it also relieves both our understandings and our sentiment. Nevertheless, this tragic “relief” quickly turns into deceit. We learn of an old man seeking awareness in suffering to discover the subplot of another old man betrayed

In working so hard to project this persona, Lear is untrue to himself, and loses sight of who he is. Even the scheming Goneril and Regan notice that their father “hath ever but/ slenderly known himself.” (I, i, 282-283) This makes Lear a very insecure person, which explains in part why he insists that his daughters stroke his ego before receiving any of his kingdom. His identity crisis is highlighted when he asks who can verify who he is, and the response by the Fool is: “Lear’s shadow.” (I, iv, 251) At this point in the play, Lear is sane and is still the monarch of the kingdom. Nevertheless, the Fool’s insightful comment insists that Lear is nothing more than a shadow of his true self. Plato would say that he is trapped in the shadow world of the cave, unable to grasp the true forms.[5] This self-imposed persona estranges Lear from his audience; his vulnerability as a human is masked by his rash behavior and unjust decisions. Bloom says that “before he goes mad, Lear’s consciousness is beyond ready understanding; his lack of self-knowledge, blended with his awesome authority, makes him unknowable by us.”[6] Without understanding a character, an audience is most definitely unable to sympathize with him, and here we run into a potentially problematic issue. Aristotle believes that

In books and in life older people are usually seen as wise and so this has become a stereotype. Older leaders are usually shown to be strong and always do the right thing because there wiser than their younger counterparts. This stereotype has become a little overused and so when you see a piece that goes against that norm, it becomes very interesting. In William Shakespeare’s King Lear the theme of sanity and corruption is developed through the motif of wisdom and age to illustrate the idea that older people are not always wiser than younger people. This play flips the idea of wisdom in relation to age on its head, which makes the plot all the more interesting.

1. I could see the speaker of this poem to be a man telling his son a folklore about the "Jabberwock" around a campfire. I think this because of the intensity of the speaker and how he says, "Beware the Jabberwock, my son!"

“The Good Smile in a Child’s Eye”: The Threat of Normalization in Peter Shaffer’s Equus The analysis of Equus by Peter Shaffer reveals one challenge facing mankind: the effect maturation has on normalcy. Shaffer states in his novel that, "The Normal is the good smile in a child’s eyes” but also as “the dead stare in a million adults” (Shaffer 62). Maturation plagues the eyes of the youth with the normalcy of adulthood. As aging occurs, desires are stigmatized by normalcy.

All texts can be read and understood, interpreted and represented in many different ways according to the views of the responder and their context. Many different interpretations of “King Lear” have been made, each valuing and highlighting different aspects and themes of the play. It is necessary for these interpretations to be made and adapted in order for “King Lear” to have relevance within the context of the society. Each interpretation of the text extracts and concentrates on certain ideas, issues, themes, values of the play, altering the way the play is received amongst audiences and critics.

With death comes self- awareness. Lear has a clear perception of reality as a king and loving father; however it's evident that Lear's daughters give him a completely different identity than the one he gives himself. It suggests his old age and faults. During Lear's first identity crisis, he rhetorically asks “Does any here know me? Why, this is not Lear (I. iv. 10)” as if he doesn't quite know how to define himself other than a “king”. A godly manifestation much? What Lear asks is to be labeled with power, but his daughters concur the frailty of

"Wn a bby fst ts 2 kmnikt the wrds snd gibberish. " No one knows what the baby is trying to say. The poem, "Jabberwocky," written by Lewis Carroll, uses meaningless speech to either frustrate or amuse the reader. When trying to pronounce the nonsense words in the poem, the sounds of the words come out as gibberish. The sounds are the important element of the poem. Often, people like to hear poets read in languages they cannot understand. A woman leaving a reading by the Polish poet Czeslaw Milosz said she was glad he'd read some of his work in Polish because the language sounded exciting, like horse hooves over cobblestones.

Lear's entry into the play is similar to Gloucester's such that, through close analysis of the dialogue between the King and his daughters, the reader gains awful knowledge of the arrogance and ignorance that will soon become his downfall . The drama of his opening speech is at all points excessive; the reader discerns a man that is long accustomed to being listened to and indulged in every way. In a moral