Jack Kerouac's On The Road

The Road, a post apocalyptic novel,written by Cormac McCarthy, tells the story of a father and son traveling along the cold, barren and ash ridden interstate highways of America. Pushing all their worldly possessions in a shopping cart, they struggle to survive. Faced with despair, suicide and cannibalism, the father and son show a deep loving and caring that keeps them going through unimaginable horrors. Through the setting of a post apocalyptic society, McCarthy demonstrates the psychological effects of isolation and the need to survive and how these effects affect the relationships of the last few people on Earth.

Imagine a world where the skies are grey and the ground is torn to pieces. Where there is no civilisation present, nor another human being to be seen. Where the feeling of hunger influences you to consider the idea of human flesh filling your insides and persuading you to do so. A world infested with murder, crime and despair- which have now become necessary for survival. Imagine the air thick with black clouds towering over your very essence and having to muddle through 10 feet of snow and a strong gust of wind. A world where all faith should be gone, but amiss all bad things, it continues to linger through the eyes of the youth. Being able to see the light when your surroundings are pitch black signifies that humanity has not been lost completely. Although, the man knows in his heart that death is inevitable and dangerously close, he continues to live for the sake of the boy whom he believes carries the final hope for humanity.

Imagine a desolate and dismal world that deteriorated with scarce supplies of food and shelter and there is only a few survivors left--including yourself and one of your family members. In hopes of survival, what measures would you take? Would you go to the extreme by cannibalism or committing suicide? On the other hand, would you choose to be on an ethical route by grasping on life delicately? In the midst of the unflinching and empty world with virtually no hope, the father and son in the novel, The Road by Cormac McCarthy, choose to be the “good guys” by staying alive and refraining from cannibalism and thievery. They tried desperately to remain alive by roaming as nomads looking for shelter, edible foods, and avoiding the “bad guys”

In each novel of his personal literary journey, Cormac McCarthy examines death and God in different ways. Edwin T. Arnold, who wrote his essay “Blood and Grace: The Fiction of Cormac McCarthy” before The Road, examines how “McCarthy’s protagonists are most often those who, in their travels, are bereft of the voice of God and yet yearn to hear him speak” (14). In Cormac McCarthy’s The Road, the father explicitly describes his son as god; however, by juxtaposing the father and the son and examining their divine resemblances, it is not the boy but the man who embodies God, supporting Ely’s claim that this post-apocalyptic world is too harsh for God to exist.

The Road by Cormac McCarthy details a post-apocalyptic world with mysterious origins. While there are many questions about this world, the reader is left to their own imagination to determine how it got that way. Within this world, there is a man and a boy, father and son trying to make their way and survive until they can find a safe haven that may or may not exist. The see many things along the way and the man instills in the boy that it is important to remain a good guy and always “carry the fire”. Carrying the fire refers to the light inside of you that makes you who you are and may also carry the “goodness” of human nature. Inevitably, the man meets his fate via a mysterious illness leaving the boy on his own. The boy is then introduced to a family that has been following them knowing that the man was not well and the boy would need someone to look after him.

Sheri Fink once said “The moral values, ethical codes and laws that guide our choices in normal times are, if anything, even more important to help us navigate the confusing and disorienting time of a disaster.” Living in a post apocalyptic time can be unbearable if one is stripped of the most basic necessities. Such an event can greatly affect the behaviour of a person, as well as the ability to distinguish right from wrong. But like the boy and his father in the novel The Road by Cormac McCarthy they stuck to their morals to overcome the hardships they face. The novels recurring themes such as companionship, survival, and good versus evil, prove that a persons moral standards could change in a time of need.

Violence is defined as a behavior involving physical or mental force intending to hurt, damage, or kill someone. In the words of Zak Ibrahim, peace is defined as the proliferation or the increase in the existence of Justice. But where does love fit in to these conversations? Violence cannot necessarily transform into love, but the presence of it is surely important. Violence involving our most loved ones, helps us find love and compassion in the toughest of situations, and leads us toward paths of peace. In this essay, examples will be drawn from Zak Ibrahim 's keynote presentation, The Road by Cormac McCarthy, Beautiful Boy; a film directed by Shawn Ku, and Harrison Bergeron by Kurt Vonnegut.

What do we do when the people, places, comforts - the entire world we know - are gone? If you have survived long enough to ask this question, then you are now living in a post apocalyptic world. Due to the World Wars and the Cold War, writing about post apocalyptic ideas was amplified. But what exactly is an apocalypse? Nowadays, we typically think of an apocalypse as a worldwide disaster that can dramatically affect civilization, like war, famine, plague, natural disasters, and nuclear fallout. These scenarios qualify as apocalypses today because they signify to us the very real possibility that life as we know it could end. In the case of the post-apocalypse, the cataclysmic, civilization-altering event has already ended just like the novel The Road by Cormac McCarthy. However, some post-apocalyptic literature features scenes from during the apocalypse, like I Am Legend by Richard Matheson and World War Z by Max Brooks. Post-apocalyptic science fiction describes situations in which our ability to predict and control fails catastrophically. Nature escapes our control, through worldwide plagues, collisions with asteroids; or else we are done in by our own efforts at control, by nuclear war or human-induced ecological catastrophe. Post apocalyptic literature reaches out to people to show them that governments are in some cases corrupt and that there are many issues that impact society and the balance of it. All of the cataclysmic events that occur in these books have much

Civilization is the basis of life, driving human interaction in everyday life. The texts, Frankenstein by Mary Shelley and The Road by Cormac McCarthy, depict civilized and uncivilized situations, which reflect on and elaborate characterization. This can be seen explicitly with the creature (Frankenstein) and the boy (The Road). Both novels address the civilized and uncivilized in different approaches, however similarly emphasize the significance of the character’s traits and development. The ways that each character approaches civilized and uncivilized situations and behaviours, relate to the character’s experiences and emotions directly in the case of the creature, contrary to the inverse relationship in the case of the boy. The

“The Road” depicts a solemn and deteriorating environment that can no longer provide the fundamentals to a society due to the nuclear disaster. The sudden depletion of the resources within their environment made it difficult for the father and the son to find sustenance. They were constantly traveling towards the South looking for safe places to situate themselves because the father knew that they would not be able to survive the nuclear winter. The genre of the novel is post-apocalyptic science fiction because it revolves around a dismantling society. Cormac McCarthy’s “The Road” depicts how environmental destruction finally gave sense for people to value the world and what it had to offer.

The Road is a story where is set in a post-apocalyptic world, where the date and location is unnamed. The author of the novel Cormac McCarthy doesn 't describe why or how the disaster has demolish the earth. But after reading the novel, I can sense that the author wanted to present a case of mystery and fear to the unknown to the reader. By the author 's exclusion I think that the story gains a better understanding of what the author wanted to express to the reader. An expression of a man and his son surviving in a post-apocalyptic setting.

Sexual experimentation is another theme that foreshadows part of the 1960s counterculture. Free love and multiple sexual partners was a large part of the Hippie culture and these practices have had a big impact on today's culture as well. The conservative idea of one person for everyone and repressed sexual urges were thrown out the window by the young men and women of the Hippie culture. This novel is an account of the beginning of these practices, showing Dean with multiple partners like Marylou and Camille. Sal also expresses his desire to meet and sleep with several women throughout the novel.

Jack Kerouac is considered a legend in history as one of America's best and foremost Beat Generation authors. The term "Beat" or "Beatnic" refers to the spontaneous and wandering way of life for some people during the period of postwar America, that seemed to be induced by jazz and drug-induced visions. "On the Road" was one such experience of Beatnic lifestyle through the eyes and heart of Jack Kerouac. It was a time when America was rebuilding after WW I. Describing the complexity and prosperity of the postwar society was not Karouac's original intent. However, this book described it a way everyone could visualize. It contained examples and experiences of common people looking for new and exciting

     Jack Kerouac is the first to explore the world of the wandering hoboes in his novel, On the Road. He created a world that shows the lives and motivations of this culture he himself named the 'Beats.' Kerouac saw the beats as people who rebel against everything accepted to gain freedom and expression. Although he has been highly criticized for his lack of writing skills, he made a novel that is both realistic and enjoyable to read. He has a complete disregard for developed of plot or characters, yet his descriptions are incredible. Kerouac?s novel On the Road defined the post World War II generation known as the 'beats.'

     A disillusioned youth roams the country without truly establishing himself in one of the many cities he falls in love with. In doing so, he manages with the thought or presence of his best friend. What is he searching for? While journeying on the road, Sal Paradise is not searching for a home, a job, or a wife. Instead, he longs for a mental utopia offered by Dean Moriarty. This object of his brotherly love grew up in the streets of America. Through the hardships of continuously being shuffled from city to city, Dean has encompassed what is and what is not important in life. While driving back to Testament in the '49 Hudson, Dean propositions Sal through an appeal to emotion. In passing