Jack Kerrouac Research Paper

A man and his son travelling alone amidst the ruins of a previously prosperous nation; a young man venturing into a treacherous land to tie up the loose ends in his life; a broken ranch hand that suspects he had a conversation with death: in the most desolate and uncertain environments, the surrounding world can lend a bleak and lifeless perspective to one’s struggle to survive. In lands without accompaniment from other humans, the will to live can be as difficult to muster as shelter for the night or the first meal in days. Cormac McCarthy explores the difficulties of survival under the tension of barren landscapes and youthful inexperience and their effects on the loss of innocence. Gained maturity enables humans to persist and stay hopeful, even in the least hopeful situations. These environments and mindsets play an important role in the messages of three novels by Cormac McCarthy: The Road, The Crossing, and Cities of the Plain.

In the 1920’s this gap became more of a chasm as the nation’s youth entered the Jazz age, adopting the new styles of music and dress that accompanied it. Women wore shorter skirts, smoked, drove cars, and sported new haircuts, and men went to new jazz clubs that played edgy music that was good for dancing. Overall the new lifestyle was a complete departure from the Victorian mode of living that preceded it, and it was rejected by the older generation as energetically it was embraced by youth. In the 1950’s a similar change took place as parents allowed their children to have more freedom, and religion was not as strictly enforced. The widespread availability of automobiles allowed teenagers to travel around more than they ever had, and the automobile provided teenagers a new place to be free from the observation of their parents, which enabled many new activities, like petting. Just as the youth of the 1920’s had Jazz music, teenagers in the 50’s began to bother their parents by listening to Rock ‘n’ Roll music, whose stars included the scandalous Elvis Presley and even African-American stars like Little Richard, showing that the music allowed youth to transcend race. Just as F. Scott Fitzgerald’s literature alarmed more conservative Americans with its description of the popular culture of the time, literature during the 50’s was similarly troubling, dealing with themes of

2. The mood of the “Beat Generation’ is best reflected in which Jack Kerouac’s On the Road.

“Where Are You Going, Where Have You Been,” written by Joyce Carol Oates, portrays the fast-cultural transition that heavily impacted teenager’s behavior in the 1960’s. The new style of music is an example of how the rapidly cultural transition highly influenced adolescent’s behavior from that generation, initiating a revolutionary era. It was a time when culture was rapidly changing. A sexual revolution was taking place, leading people, especially teenagers, to question the traditional and religious beliefs of previous generations. In addition, it was a phase which peace and love was emphasized by the ongoing Vietnam war, driving people to promote peace and love amongst themselves for the whole decade, especially through rock and roll music.

Post World War II America was a society full of anxiety. In the late 1950s Americans were deeply troubled by so many social shifts. Major changes were occurring both internally and externally. They were in the midst of the Cold War, and were vastly approaching the atomic age. There was a communist scare and fear of Russian expansion. Joseph McCarthy was hunting down major celebrities for their communist involvement and the 'Red Influence' seemed to be everywhere. The move toward suburbia and the growth of multinational corporations were flourishing. People seemed to be pulled in every direction. Another change that would have a major impact on society for years to come was the

The beat generation was a movement that sought to oppose American society values, and any sort of control. They explored Eastern religions, was somewhat postmodernism, rejected the materialistic culture, spoke about drugs, our conscious mind, and fought for sexual liberation and exploration with their unapologetically offensive language. While reading the novel Jitterbug Perfume written by Tom Robbin, one can witness how the novel exhibits aspects of the beat literature, and thus concluding that the beat generation served as inspiration to Tom Robbin.

Ken Kesey was a part of The Beat generation and many of their ideologies and the socio cultural context of U.S post WWII were evident through characters and various discourses throughout One Flew over the Cuckoo's Nest, giving us his invited reading.

” Williams’ theory therefore suggests that the terms must necessarily co-exist in order to define each other. The “pervasiveness of consent ” therefore characterises the fifties, against which these Beat texts can be contrasted. Theodore Roszak’s 1969 article ‘The Making of a Counterculture,’ helps define beat ideology as “heightened self-expression and often a rejection of political and authoritative institutions… a negative spirit of the times coupled with a specific lifestyle .” Both On the Road and Howl and their author’s lifestyles of their writers reflect this criterion, in idiomatic and contextual terms, lending to the notion that they are, by the overall nature of their existence, countercultural texts. Roszak’s adolescent counterculture often seems the embodiment of Dean and Sal’s ‘beatitude’ in On the Road “when they pulse to music…value what is raunchy… flare against authority, seek new experience, ” but it is similarly descriptive of the naked, sometime vulgar language Ginsberg employs in Howl “who bit detectives in the neck… let themselves be fucked in the ass.” (13) The Beats admire the vibrancy naturally present among youth, and although this is a style for which their writing has been criticised, it is a move away from the traditionally

The turbulent societal changes of the mid-20th Century have been documented in countless forms of literature, film and art. On the Road by Jack Kerouac was written and published at the outset of the counter-culture movement of the 1950s and 1960s. This novel provides a first-hand account of the beginnings of the Beat movement and acts as a harbinger for the major societal changes that would occur in the United States throughout the next two decades. On the contrary, Fear and Loathing in Las Vegas, a Hunter S. Thompson novel written in 1971 provides a commentary on American society at the end of the counter-culture movement. Thompson reflects on the whirlwind of political and social activism he experienced and how American society had

With the economic decline and availability of jobs with upward movement, a culture of youths formed in Britain that challenged the ideals and cultural norms of the generations that came before them. A consistent movement from traditional society through youth subcultures brings light through the eyes of the musicians that describe their generation’s feelings of homelessness in an era filled with unemployment, low wages, and violence. The insurgence of the counterculture movement, poor economic conditions, and the commercialization of previous Rock and Roll music in Britain directly led to the punk subculture because it allowed youths to speak up about their conditions and frustrations through an easily understood and accessible medium while maintaining a different stance than their predecessors.

The “beat movement” is a literary period born out of World War II. This movement in American Literature has become an important period in the history of literature and society in America. Characterized by personal alienation and contempt for convention, the movement celebrated stylistic freedom and spontaneity. The Beat writers created a new vision of modern life and altered the nature of awareness in America.

The Beat Movement, beginning in the 1950’s, consisted of a group of American writers that went against the social norms of that generation. During that time in America, society bent themselves out

In Jack Kerouac’s novel On the Road, we meet Sal Paradise and Dean Moriarty, two very lost men. After publishing the novel, many critics commented that Kerouac’s novel glorifies the deeds of criminal young men living irresponsible lives. Because of the low tolerance for rebellious youth, nowadays most of society would share the critics’ opinion. As Dean and Sal are adults, most of their actions are not inappropriate. Though this is true, the more one reads the novel, one sees just how much of a failure Dean is.

Jack Kerouac was one of a group of young men who, immediately after the Second World War, protested against what they saw as the blandness, conformity and lack of cultural purpose of middle-class life in America. The priorities of people of their age, in the mainstream of society, were to get married, to move the suburbs, to have children and to accumulate wealth and possessions. Jack Kerouac and his friends consciously rejected this pursuit of stability and instead looked elsewhere for personal fulfillment. They were the Beats, the pioneers of a counterculture that came to be known as the Beat Generation. The Beats saw mainstream life as a prison. They wanted freedom, the freedom to pick up and go at a moments notice. This search for

Jack Kerouac is considered a legend in history as one of America's best and foremost Beat Generation authors. The term "Beat" or "Beatnic" refers to the spontaneous and wandering way of life for some people during the period of postwar America, that seemed to be induced by jazz and drug-induced visions. "On the Road" was one such experience of Beatnic lifestyle through the eyes and heart of Jack Kerouac. It was a time when America was rebuilding after WW I. Describing the complexity and prosperity of the postwar society was not Karouac's original intent. However, this book described it a way everyone could visualize. It contained examples and experiences of common people looking for new and exciting