Jacob Riis How The Other Half Lives Summary

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"When once I asked the agent of a notorious Forth Ward alley how many people might be living in it I was told: One hundred and forty families, one hundred Irish, thirty-eight Italians, and two the spoke the German tongue(How the Other Half Lives,p.3). There was not one native born american in the court, or in any of the tenements. The irish were the true cosmopolitan immigrant. All-pervadin, he shares his lodging with perfect impartiality with the Italian, the Greek, and the "Dutchman," yielding on to sheer for of numbers, and objects equally to them all. The city maps were colorized for each nationality, if you were to look at a map at that time, Irish were mostly on the West Side and the Germans were mostly on the East Side. Mixed in where Italian, who pushed there way up, where "Little Italy" came to be. The less aggressive, the Russian and Polish Jew, are filling the tenements of the old Seventh Ward to the river front, while disputing with the Italians, over every foot of avaibility on Mulberry St. "The italian and the poor Jew rise only by compulsion. The Chinaman does not rise at all; here, as at home, he simply remains stationary. The Irishman's genius runs to public affairs rather than domestic life; wherever he is mustered in force the saloon is the gorgeous centre of political activity(How the Other half lives,p.25)." The germans

Jacob Riis’ book How the Other Half Lives is a detailed description on the poor and the destitute in the inner realms of New York City. Riis tries to portray the living conditions through the ‘eyes’ of his camera. He sneaks up on the people flashes a picture and then tells the rest of the city how the ‘other half’ is living. As shocking as the truth was without seeing such poverty and horrible conditions with their own eyes or taking in the experience with all their senses it still seemed like a million miles away or even just a fairy tale.

In How the Other Half Lives, the author Jacob Riis sheds light on the darker side of tenant housing and urban dwellers. He goes to several different parts of the city of New York witnessing first hand the hardships that many immigrants faced when coming to America. His journalism and photographs of the conditions of the tenant housing helped led the way of reformation in the slums of New York. His research opened the eyes of many Americans to the darker side of the nation's lower class. Though it seems that he blamed both the victims and the board forces of society, I believe that he placed more of the blame on the board forces for the conditions that many immigrants faced.

In Li’s commune, the housing was not up to today’s standard. They lived in abject poverty. There was barely any available space in the house to accommodate everyone.

The portrayal of Jacob Riis’ views through his book ‘How the Other Half Lives,’ is conveyed by storytelling and is largely made of logos, however the key component is actually ethos, like a politician running a campaign, Jacob Riis’s uses logos and pathos to create a persona of authority on the topic of the poor in New York City. I am going to look in depth on how Riis uses different approaches to convey his views to his audience: why does do some of Riis’ key texts contradict each other? Is he conscious of if? Is it brilliant?

Riis wrote about different ethnic groups when he was living in New York. He wrote about greedy Jews, drunken Irish, and sloppy Italians. Riis also wrote with Christian morality. He blamed the faults of the above mentioned people on the poor living conditions that they were in. Like any other photographer or author, Riis’s motive must be figured out. It was already clear that he wanted change for the slums but in his pictures, the authors of the passage describe some pictures having Riis’s Christian morality in play. Riis highlights the needs for stable, wholesome families. The picture of page 191 is an example of a non-wholesome family. The home is supposed to be a resting place but factory work made its way into the home, making the entire family work. Photos like these were examples of Riis’s motives behind his photos. The photo on page 193 called “Room in a tenement flat” showed a family portrait. The room that they were in was very crammed and Riis again shows a family in poor living conditions. Riis also photographed many children, like the ones in “street arabs” on page 195. The photo is heart wrenching and captivates any viewer because of the pitiful place they had to sleep in.

As immigrants migrated to the United States, cities became cramp, living conditions were poor, and working conditions were careless. In document one, the image taken by Jacob Riis, in 1890, shows a group of immigrants living in a tiny and filthy room. It is clear that all five of the men live in that single room because there is a stove, pans, and a bed all in one area. It is also clear that they have a poor living condition because there are cracks in the wall and dirty clothes. Also, Jacob Riis is known for his work How

“The home is the wellspring of personhood. It is where our identity takes root and blossoms, whereas children, we imagine, play, and question, and as adolescents, we retreat and try. As we grow older, we hope to settle into a place to raise a family or pursue work. When we try to understand ourselves, we often begin by considering the kind of home in which we were raised” (Desmond 2016, 293). Evictions! The root of poverty? Matthew Desmond’s novel “Evicted: Poverty and Profit in America City, portrays the lives of tenants, landlords, and house marketing on the poorest neighborhoods of Milwaukee. Desmond gives the reader overwhelming evidence and revealing testimony illustrating the major impact of inadequate housing on individuals, local, and national level. Desmond’s analysis and observation of his case study enables him to portray the reality of poverty, and to persuade the readers that evictions are a major consequence, and primary contributors in the relentless cycle of poverty. Desmond build his argument using two Aristotelian rhetorical appeals, ethos, logos and inductive reasoning to illustrates the importance of ending the cycle of poverty.

Park Avenue, on the Upper East Side of Manhattan, is one of the wealthiest neighborhoods in all of New York City, home to the ultra rich, the top tier of the American upper class, the 1% (Park Avenue). Those who reside in Park Avenue not only have vast amounts of wealth, but an immense amount of influence that has turned the tables in their favor. But, if you go a couple of miles North of Park Avenue and cross the Harlem river, you arrive at the other side of Park Avenue or otherwise known as the Bronx, one of the poorest districts in all of New York (Park Avenue). Here you see the real hardships average Americans must voyage through in order to put food on the table and provide shelter for their families. 40% of the 700,000 residents who

There has been a tremendous change in East Harlem between class warfare and gentrification. East Harlem is one more economic factor to the city’s wealth per capita since the attack of September 11, 2000. It is Manhattan’s last remaining development and it is on the agenda of the tax revenue of our government. East Harlem has become a profit driven capitalism. Gentrification enforces capitalism, it does not separate people, it does not go against race, poor and the working class, it wages war on the poor and the working-class.

Many of the families in Kozol’s book live in central Manhattan in drug-infested buildings, falling apart from the brick in, whereas in earlier periods of New York’s history were fine hotels. One of such buildings is the Martinique Hotel, where Kozol afforded much of his time to the families that dwelled there, as referenced in his book. Those who inhabit the Martinique Hotel are symbolically affected by New York’s renown valor in their conscious, further placing them in the class as “less-fortunate” within a city that does not afford them many opportunities. Many homeless neighborhoods find themselves victim to substandard medical and education facilities. The families, as Kozol describes were shipped by the masses to communities that already suffer from the city’s highest rates of HIV, drug addiction, pediatric asthma and psychiatric illness (Kozol 11). There is the idea, as Kozol says, that the homes that these families find themselves in are “closed systems”, “where rules of normal law and normal governance did not apply” (Kozol 8), whereas the people are detached from the rest of society, confined to the community all in itself. The families he works with are sectioned off by society because they live in poor areas and confined within a capitalistic economy, have nowhere to go. In a way, Kozol describes these areas as the capital of homeless people, surrounded by a city built for the wealthy, by

After the week she spended with her coworkers, she had gained information on how each one of them lives, “Gail is sharing a room in a well-known downtown flophouse for $250 a week, Claude…two room apartment he shares with his girlfriend and two other and unknown person, Annette…lives with her mother, a postal clerk, Marianne, … , and her boyfriend are paying $170 a week for a one-person trailer, Billy, … , lives in a trailer he owns, paying only $400-a-month lot free, Andy, lives on his dry-docked boat, Tina, … , and her husband are paying $60 a night for a room in the Days Inn, Joan, … , lives in a van parked behind a shopping center at night and showers in Tina’s motel room.”(pg. 20-21). The survey that was conducted by the author through her personal experience demonstrated that her coworkers try to split rent in order to pay less and try to save money for the next payment for rent.

How the Other Half Lives: Studies among the Tenements of New York (1890) was an early publication of photojournalism by Jacob Riis, documenting squalid living conditions in New York City slums in the 1880s. It served as a basis for future "muckraking" journalism by exposing the slums to New York City’s upper and middle classes. This work inspired many reforms of working-class housing, both immediately after publication as well as making a lasting impact in today's society. Vivid imagery and complex syntax establish a sympathetic tone which Riis uses to expose poverty to the general public and calls upon them to take action and make a difference.

In the reading, Jacob Riis described how most magazine editors had no interest in how the other half lived. A reasoning for this could be because the editors didn't want the New York to seem unattractive to future residents, or they simply found the idea uninteresting because no one would really care about how the other half lives, especially Social Darwinists. Real estate owners would not have responded well to Riis's pictures and descriptions of the conditions in the city. First of all, it would bring down property value for the buildings, and second of all, it would make it very unappealing for other people to live there. It wouldn't be surprising if the estate owners were very unhappy after Riis wrote his article under the title "How the Other Half Lives" in the Christmas Scribner's, 1889.