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Jacob Vaark in a Mercy

Decent Essays

Although some consider material wealth to represent one’s worth, no financial measure can express the value of personal integrity when an individual encounters moral challenges. In Toni Morrison’s A Mercy, the author explores this concept through the behavior and character of Jacob Vaark, a white farmer trying to make a living in the New World. Initially committed to avoiding slave trade, he involves himself by accepting Florens, a fourteen year-old, from the affluent D’Ortega to repay a debt. This decision begins his spiral from modest sustenance farmer to obsessed, narcissistic landowner who then destroys himself and his legacy. Consumed with building a mansion as a monument to him, Vaark loses his path and his moral clarity and …show more content…

Denying goodness in his simplicity, Vaark changes his views and assures himself that only things separate and differentiate the two men. Vaark’s situation is ridden with irony. He believes in his superiority over D’Ortega because of his own, humble, non-materialistic ways in the New World. But he twists his thinking and convinces himself that only overtly showing his value through an expensive home will validate his superior position. Even more irony arises during the construction of the house. Vaark explains the house to Rebekka, saying, “What a man leaves behind is what a man is” (104). He wants to secure his legacy through building the house. But the construction itself, in turn, destroys his real legacy. Vaark has “Men, barrows, a blacksmith, lumber, twine, pots of pitch, hammers and pill horse, one of which once kicked her daughter in the head. The fever of the building was so intense she missed the real fever, the one that put him in the grave” (104). Vaark’s living legacy, his daughter, has died first and then he works himself into such fervor that he ignores his own health, thus destroying his own being. Vaark’s original goal is to leave a lasting impact for others, but he allows material greed to become his only memory. In contrast to D’Ortega, Lina, a captured Native American, values courage and commitment to the community. To Lina, Vaark’s sumptuous plantation represents everything negative the European

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