Jake Hemingway

Through the character of Jake Barnes, Hemingway has pushed him passed the limit with Brett to ultimately show that the relationship between man and woman is an imaginary figment to population. Jake Barnes is the prime example of an unattainable love in the Lost Generation. His hope of being with a flapper has been crushed. In a way Jake Barnes is the exact replica of Hemingway himself. With injuries to the war, and watching the love of his parents collapse right in front his own eyes being rewritten through the characters of Jake and

Have you ever really wanted one thing in life? I mean like you really wanted it. What would you have done to get this thing that you really wanted. This happens to many people throughout the story of the “Jake Reinvented”. All though there are many themes throughout this book, I think one of the very important or I guess main theme in this book is that some people will do anything to get what they want. They will even give up something that they really love or are good at. They will lose friends, get in trouble and even get sent to some other town to get what it is that they want.

The reader can easily view that the couple is merely just passing time. However, several references could lead the reader to believe that the alcohol consumption is a panacea for the couple. In the opening paragraph, the couple is getting off the train. They wanted to get something to drink. The couple could have had any beverage to drink but the man suggested they drink beer and then he emphasized "big" ones. This was an indication that the couple was dealing with something serious. In paragraph 87 when the girl did not want to talk anymore, she then asked if they could have another beer (Stanford 841). It is human nature to avoid problems, as this couple is doing. Why do people drink? People develop dependencies, to cope with troubles. In relation to Hemingway, he was among the many literary writers who were alcoholics. He even said, "That all good writers are drinking writers" (Benedictus). Looking at the circumstances when Hemingway wrote the story, he was very depressed. He became so emotionally depressed he vowed to kill himself by Christmas if his love affair had not settled (Baker 176). He faced guilt for divorcing Hadley. He also faced criticism and rejection from his parents. They did not grant approval to his literary works. Hemingway's mother had even referred to one of his works as, "One of the filthiest books of the

The climax of Jake’s capabilities is illustrated in an early scene in the film where he engages in a fight while in bar by imposing greater damage on a well-built thug who appeared to have defeated every person in his sight until he met Jake. This is a significant scene since it shows what Jake is capable of doing. As one

Jake is a [seemingly] mentally unstable drifter who wanders into town with muddled and fanatical plans for a socialist uprising. He seems to be bipolar and his tone is ever changing; from knowledgeable rationality to angrily aggressive in a split second. Jake’s first few weeks in town were spent at Biff Brannon's New York Café. After finally meeting someone that he could relate to, Singer, he decided to stay in town and takes a job as a carnival worker. He is obsessive in his aspiration to see the labor force rebel. Jake is the only one, out of all the main characters, who does not have one confidant other than Singer. Jake spent a substantial amount of time sharing his hopes and dreams with Singer. When Singer dies Jake has a very difficult

“Every man’s life ends the same way. It is only the details of how he lived and how he died that distinguish one man from another.” This quote was expressed by the renowned novelist, Ernest Hemingway. Speaking of Hemingway, despite being an exceptionally successful novelist he was a very depressed man and often turned to alcohol to dwindle his feelings of depression. In collaboration with alcohol, the novelist, who established his literary dominance during the 1920’s, wrote amazing pieces of american literature. Hemingway was joined with many American icons including: F. Scott Fitzgerald, Charles Lindbergh, Al Capone, Babe Ruth, Albert Einstein, Langston Hughes, and many more famous men and women. With the amount of huge influences listed, the 1920s were undoubtedly a huge contributor in shaping American culture.

Buy a drink, down the drink, buy another, down another; make a mistake, drink some more, blackout and do it again. A constant cycle seen through the actions of the characters in The Sun Also Rises as they, some more than others, turn to a depressant liquid that forces them to behave in belligerent, self-destructive ways. Alcoholism has served as a means of escape for these immature, unsatisfied characters. Though these characters live in a constant state of drunkenness, their crime is the inability to face the fact that their impaired senses are destroying relationships and building tensions. These alcoholics drink as if it were their professions, resulting in unexpected and unforgiving actions. In The Sun Also Rises, Ernest Hemingway uses alcohol-dependent character, Mike Campbell to convey that people turn to substance abuse as a permanent distraction away from life’s unbearable realities.

            Hemmingway's preference for steers is shown in the implicit and explicit critiques of bulls. One such critique is implicit in Robert Cohn's actions. When he trades the steer's role for that of the bull, unhappiness and pain result. Jake, Mike and Pedro are physically injured and Cohn is emotionally mortified. The bull which gores the steer is described as being "just like a boxer" (139). We know that Cohn, too is a boxer. When he turns his boxing abilities against his former companions, he dies as far as the novel is concerned. Like a spent bull, he must leave the ring after the fight never to return. By contrast, Jake, the steer whom Cohn gores,

He demonstrates his propensity for extreme cruelty. Although he is a part of the generation, ironically he is different from the rest of them. He realizes the uselessness of the Lost Generation's way of life. He tells his friend Robert Cohn, "You can't get away from yourself my moving from one place to another." (19) Jake doesn't think highly of Cohn, but he puts up with him anyway. Interestingly, Cohn is also attracted to Brett and this fuels Jake's already heightened feelings of inadequacy; thus Jake takes a condescending attitude toward Cohn. Jake describes Cohn as weak and inexperienced, timid and easily intimidated by a strong woman (Frances). This condescending attitude toward Cohn is nothing but the reflection of Hake's very own insecurities about his manhood.

     Jake relates to the other characters only superficially because he only looks at what he can get from them. Jake wants Brett Ashley so that when he gets older he’ll have companionship. Jake makes fun of Robert Cohn to make himself look better than he is by

Jake and Robert Cohn and their relationship is another indicator of the theme of masculine insecurity. Hemingway plays up the tensions of competition and jealousy to demonstrate just how uncertain his male characters are. Cohn seems to sincerely be keen of Jake, and while Jake is normally nice toward him although he does not really seem to reciprocate Cohn’s warmth. Their relationship changes once Jake discovers Cohn’s fling with Brett. After this incident, he is more unfriendly toward him, and more critical of him. A conversation that happens later between Jake and Bill hints at Jake’s jealousy. Bill asks Jake if he was ever in love with Brett and Jake responds with “Off and on for a hell of a long time.” Bill apologizes for being inconsiderate, Jake them claims he no longer cares. Bill is skeptic of this though (128). The competition between Jake and Cohn relationship reaches its first peak, when he finds out about Cohn’s trip with Brett and their sexual affair and by Cohn’s belief that he knows Brett better than Jake does. His hatred for Cohn grows even more throughout the novel with Jake

In Hemingway's philosophical paradigm, it is subconsciously encoded that Jake suffers with poise and refinement. He does not become irate with Brett for her decision, by contrast, he accepts her promiscuity and even chooses to help her in a multitude of ways, even though she repeatedly claims that she loves him. Consequentially, this is not to say that Jake did not suffer, rather than to suggest that he keeps his pain suppressed so as not to enervate himself any further. Jake knows the two can never initiate a relationship yet he still wishes to do so; his undying desire to be with Brett serves as his illusion even though it is a complete contradiction of his reality, as presented in the novel. This is the disheartening romantic imagery that deceits his realistic views. For example, in Chapter 7, Hemingway’s use of minimum dialogue between Brett and Jake has much meaning, which is rarely expressed throughout the novel. “Couldn’t we live together, Brett? …” “I don’t think so. I’d just tromper you with everybody.” (p. 62) Essentially, what Brett is saying is that due to his – handicap, if you will, all she would do is hurt Jake and commit constant infidelity against him, therefore, any chance for commitment is but a joke. This direct dialogue sets the underlying conflict as a form for one of the main themes expressed by Hemingway throughout this novel.

Ernest Hemingway’s novel A Farewell to Arms covers a romance that takes place during World War I. The novel itself came out shortly after the war, and was the first of Hemingway’s books to become a best-seller. Essentially, the novel contrasts the horrors of war with the romance of Henry and Catherine. Throughout the plot, Hemingway, a World War I veteran himself, uses the events of the book to make a statement about his thoughts on war. The core message of Hemingway’s A Farewell to Arms is that war damages the soldiers who fight in it both physically and emotionally, which is primarily illustrated by the number of deaths caused directly and indirectly by the war, the actions Henry is forced to take over the course of the book, and Henry’s growing cynicism towards war.

In A Farewell to Arms, For Whom the Bell Tolls, and The Sun Also Rises, Ernest Hemingway uses damaged characters to show the unglamorous and futile nature of war and the effects it has on people. Hemingway wants readers to know that war is not what people make it out to be; it is unspectacular and not heroic. Hemingway also feels that war is futile by nature and that most goals in war have almost no point. He also shows readers that military conflict often causes people to have shallow values and to hide their pain for their own protection.

Ernest Hemingway the winner of the Nobel Peace prize lived a troubled life over his Sixty-two years of life and experienced many struggles. He went through a few marriages, different faiths and in the end, he lost his battle with depression. However, though all of this he made an impact on the world with the style and theme of American literature he wrote and is a significant influence to many authors and readers alike. During his life, there were many things that were an influence and help shape his writing into what it is today. Hemingway heavily focused on the theme of war during his career and was a topic of several of his novels one of those novels being “For whom the bell tolls” (Hemingway) The recognizable effects of Hemingway’s influence on literature is still witnessed around the world in the many tributes to him to this day.