James Archibald Turrell 's Life And Work

Growing up near a city filled with museums, I was lucky enough to be exposed to amazing works of art. My visits to the Frick Collection, housed in one of the only remaining Gilded Age mansions in New York, have clearly been my favorite throughout the years. In that special ambiance, I discovered the glowing and extraordinarily clear tranquil paintings of Johannes Vermeer. I was drawn to the three Vermeer masterpieces in the permanent exhibit. The personal qualities of both the mansion and the paintings captured my fascination and I returned frequently. With extraordinary clarity, Vermeer was able to capture objects precisely through light and space. At first I wasn’t sure why his paintings appeared so different from the other works of his time, but I soon realized they were infused with light and

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

James Turrell is an American artist who works with light and the world around him to create architecture and unique experiences. He uses light to shape space. A tunnel called The Light Inside located in the Museum of Fine Art in Houston Texas is created entirely by light. The Light Inside allows people to escape from their everyday lives. He is also designing the Roden Crater. The crater lets visitors experience space and earth the way physics intended it to be by making the visitor feel the Earth move and rotate, and not stars. Turrell is designing light and views to make people feel as if they are one with the universe Another design he created was a meeting house for worshiped that used light to guide visitors on their spiritual journey. He focuses on the experience of the viewer and what they feel and allows people who visit his art to fully immerse themselves in his work to feel the whole effect and magnitude.

“For the first time on the expedition the vista was primarily sky rather than earth. Herds of puffy cumulus raced beneath the sun, imprinting the landscape with a shifting matrix of shadow and blinding light.”

| a celebration of the genius that enabled certain people to convey profound insights through art.

Paul Klee will always be remembered as one of the world’s greatest modern artists. Not only through his inspiring artwork that was trendsetting for many generations of artists to come, but also his writings and lectures that were extremely valuable to the world of modern art laying the ground work for mastering color, style, and simplicity; Klee was truly one of the all-time greats at what he did. Klee was also one of the first artists to recognize the art of the self-taught and mentally ill. Klee said: “Only children, madmen, and savages, truly understand the in-between world of spiritual truth”.

Students through the process of art appreciation will build connections through the exploration of textures, lines, colour and shape when describing, analysing, interpreting and judging the artworks before them (3 chosen images). They are asked to describe what they see, the artist’s use of colour, lines, shapes and texture. They then move onto analysing; what catches their eye, is the composition balanced and do the paintings look flat or do they have depth. The discussion then progresses onto interpretation where students are able to express what type of emotion they feel when looking at the pictures, perhaps the kind of sounds they might hear if they could step into it, and why they think the artist chose this particular subject to paint and what may have inspired the artist.

Powell, a professor of art and art history at Duke University, calls Motley a "pioneering provocateur" who experimented with color and movement while "dealing with subject matter that might have been considered politically incorrect.” (Appleford) The figures in Motley’s work were always hurrying, gesturing, or going someplace. Throughout his career, Motley showed interest in capturing natural light and producing artificial light, especially in night scenes.

Romanticism and The post impressionism era are two major periods on the time line of art history. Different forms of art including paintings, music, and architecture showed tremendous growth, and ended up making history. This essay compares and contrasts pieces of work such as Vincent van Gogh’s Starry Night and Joseph Mallord William Turner’s The Slave Ship. These two pieces both represent their own individual time periods, yet have similar characteristics. Both of these paintings have a way of uncovering a story without using a single word.

This dire struggle that had driven away Dr. Tussell's manners was our climbing out of the Grand Canyon. We, a band of thirteen students and two teachers, had undertaken a treacherous descent into the company of revered, painted walls and beautiful, unseen cultures. In spite of the season, our February trek was accompanied by a torpid heat much like falling asleep on a tanning bed––not quite

A great artist once wrote, “If you hear a voice within you say 'you cannot paint,' then by all means paint, and that voice will be silenced”. This artist was Vincent van Gogh, soon to be an appraised artist known all around the world for his works, such as Starry Night. He is one of the very first artists of the post-impressionist style than is now adored in every continent. However, there is much more to the man than one painting. Creating a full timeline that stretches beyond Gogh’s life, this paper will discuss the life of Vincent van Gogh and the impression he made on the world.

The use of geometric shapes in this painting allows the subject to be viewed in both a recognizable and unrecognizable state at the same time. Overall, geometric shapes and patterns play an essential role in what the viewer sees, which is further supported by a powerful color palate.

Whiteley’s works parallels Van Gogh’s in its deliberate use of symbols in his paintings and while Whiteley observed many of the principles of Symbolism, his had its own unique facility of Surrealist attached. This can be appreciated in Night Café (1972) [refer Appendix 3] where Whiteley depicted Van Gogh’s The Night Café (1888) [refer Appendix 1] and distorted the image and took the lines of the room to a vanishing point, idealising Whiteley’s Surrealist style. Whiteley’s use of symbolism in his works is outstandingly illustrated in Whiteley’s Archibald Prize winning self-portrait Art, Life and the Other Thing (1978) [refer Appendix 4] where Whiteley demonstrates the controversy of the Archibald in his representation of the William Dobell’s controversial winning portrait of Joshua Smith (1943) [refer Appendix 5] and John Bloomfield’s disqualification from the Archibald 1975 because of his portrait that was deemed to be painted from a picture of Tim Burstall. Whiteley represents these two controversies in his triptych self-portrait containing a photograph of how he looks in real life, a mixed media self-portrait, and a depiction of a baboon symbolising the metaphorical “monkey on his back”. Whitely once said “the fundamental reason one paints is in order to see”, describing how he thinks that his art is a method granting means of communication to his audience.

Throughout the vast history of art, historians can find connections throughout the centuries. Artists from the beginning of humankind have been inspired by the world around them. From the Apollo 11 stones to present day, history and culture have provided inspiration and have been the focus of various pieces. Examining artwork from the 15th-18th century, viewers can be shown a whole world that would be unknown to us without these artist’s contributions. History, religion, and cultural events have sculpted the art world, and we can observe this through many pieces during the 15th-18th centuries.

The area of art is popularly known for heightening emotions, challenging stereotypes, and ultimately providing insights into how individuals view the surrounding world. The artist and the observer time and time again see pieces in overwhelmingly different ways. Individuals may wonder why this is so. What could possibly create such a drastic change from one perspective to another? When it comes down to it, experiences are the answer. The artist and the observer have different