James Joyce’s Dubliners Essay

The short stories of Ireland are distinct and many times distinctly Irish. “The Limerick Gloves” by Maria Edgeworth, “The Pedlar’s Revenge” by Liam O’Flaherty, “The Poteen Maker” by Michael McLaverty, and “Loser” Val Mulkerns are each distinct Irish short stories that deal with Irish topics in original ways. These stories are stylistically and thematically Irish. They are moralistic and offer clear themes that pertain to Irish values. This analysis will explore the Irish-ness of the works and explore their meaning when held against Irish literary tenants.

    In the early twentieth century, Ireland, and more specifically Dublin, was a place defined by class distinctions. There were the wealthy, worldly upper-class who owned large, stately townhouses in the luxurious neighborhoods and the less fortunate, uneducated poor who lived in any shack they could afford in the middle of the city. For the most part, the affluent class was Protestant, while the struggling workers were overwhelmingly Catholic. These distinctions were the result of nearly a century of disparity in income, education, language, and occupation, and in turn were the fundamental bases for the internal struggle that many of Joyce's characters feel.

In "Two Gallants," the sixth short story in the Dubliners collection, James Joyce is especially careful and crafty in his opening paragraph. Even the most cursory of readings exposes repetition, alliteration, and a clear structure within just these nine lines. The question remains, though, as to what the beginning of "Two Gallants" contributes to the meaning and impact of Joyce's work, both for the isolated story itself and for Dubliners as a whole. The construction, style, and word choice of this opening, in the context of the story and the collection, all point to one of Joyce's most prevalent implicit judgments: that the people of Ireland refuse to make any effort toward positive change for themselves.

James Joyce emerged as a radical new narrative writer in modern times. Joyce conveyed this new writing style through his stylistic devices such as the stream of consciousness, and a complex set of mythic parallels and literary parodies. This mythic parallel is called an epiphany. “The Dead” by Joyce was written as a part of Joyce’s collection called “The Dubliners”. Joyce’s influence behind writing the short story was all around him. The growing nationalist Irish movement around Dublin, Ireland greatly influences Joyce’s inspiration for writing “The Dubliners”. Joyce attempted to create an original portrayal of Irish middle class life in and around Dublin at the end of the 19th century and beginning of the 20th century. The historical

The setting of the story, Dublin, has been written in such a way that only

James Joyce wrote Dubliners to portray Dublin at the turn of the early 20th century. In Dubliners, faith and reason are represented using dark images and symbols. James Joyce uses these symbols to show the negative side of Dublin. In “The Sisters,” “The Boarding House,” and “The Dead” dark is expressed in many ways. James Joyce uses the light and dark form of symbolism in his imagination to make his stories come to life.

According to Edgar Allan Poe’s “Single Effect Theory”, “the short story writer should deliberately subordinate everything in the storycharacters, incidents, style, and toneto [the] brining out of a single, preconceived effect” (qtd. in Reuben). In other words, all elements within a short story have to come together to create tone. One such story is the “The Dead”, an exceptional conclusion to James Joyce Dubliners (1914) that is a collection of short stories that consist of natural depictions of middle class Irish men and women in the early twentieth century. The primary focus of “The Dead” concerns not only dead people, but more specifically a dead generation and the living who behave as if they were dead already. Through artistic

A hero’s journey is a format or a template, that most heroic stories include. It has key stages and archetypes. The story of The Adventures of Ulysses, written by Bernard Evslin chronicles the journey of Ulysses trying to return to his home, Ithaca, after the Trojan War. He unknowingly angered the God of the Sea who then started plaguing Ulysses and his crew to keep them for ever reaching home. This novel is a good example of the hero’s journey because it exhibits the main stages of the hero’s journey, has a departure to the “special world” and it has necessary archetypes.

Dubliners (1914), by James Joyce (1882-1941) is a collection of short stories representing his home city at the start of the 20th century. Joyce 's work ‘was written between 1904 and 1907 ' (Haslam and Hooper, 2012, p. 13). The novel consists of fifteen stories; each one unfolds lives of the different lower middle-strata. Joyce wanted to convey something definite about Dublin and Irish society.

Joyce's modernistic view of Dublin society permeates all of his writings. The Irish experiences account for a large portion of Joyce's writings. Stephen Dedalus is sometimes Joyce's pseudonym and represents Joyce and his life in Joyce's works. Joyce plays a crucial role in the modernist movement in literature. Some of the well known innovative techniques used by Joyce are symbolism, realism and stream-of consciousness. James Joyce's writings contain autobiographical matter and display his view of life in Dublin, Ireland with the use of symbolism, realism, and stream-of consciousness.

When Joyce applies personification to the setting, he creates the mood of the story, and directs the reader to the double meanings found in the personified setting. As an example of mood, winter brings with it the connotation of impending gloom, as the narrator claims, "...the houses had grown sombre...the lamps of the street lifted their feeble lanterns" (379). This idea of Winter casts itself as the mood, where the feeling of awkward introspection is predominant. The lamps like the people of Dublin, have grown weary of there own, during Ireland's own battle with identity. In the broader scope of Joyce's imagery for the short story, it may be said Ireland itself is like the adolescent struggling to find its way. Joyce's messages of "complacency" during the tremendous social and political upheaval are encapsulated in the stories like "Araby," that collectively represent the book "Dubliners."

The novella "The Dead" by James Joyce tells the tale of early twentieth century upper class society in the Irish city of Dublin. The story tells of the characters' entrapment, and the tragic lives they lead, hiding behind the conventions of their society. Joyce uses the symbolism to draw a parallel between the natural way in which the snow covers the land and the way in which the characters use their culture unnatural to cover reality. This story comes together, not only to tell of the individual tragedy of these peoples lives, but to tell the tragic story of all of Ireland, as it's true problems become obscured in so many ways.

In The Dead, James Joyce lets symbolism flow freely throughout his short story. James Joyce utilizes his main characters and objects in The Dead to impress upon his readers his view of Dublin’s crippled condition. Not only does this apply to just The Dead, Joyce’s symbolic themes also exude from his fourteen other short stories that make up the rest of Joyce’s book, Dubliners, to describe his hometown’s other issues of corruption and death that fuel Dublin’s paralysis. After painting this grim picture of Dublin, James Joyce uses it to express his frustration and to explain his realistic view that the only solution to the issues with Dublin depends on a move to the West and towards a new life, rather than

Throughout James Joyce’s “Dubliners” there are four major themes that are all very connected these are regret, realization, self hatred and Moral paralysis, witch is represented with the actual physical paralysis of Father Flynn in “The Sisters”. In this paper I intend to explore the different paths and contours of these themes in the four stories where I think they are most prevalent ,and which I most enjoyed “Araby”, “Eveline”, “The Boarding House”, and “A Little Cloud”.

“To be or not to be, that is the question.” Hamlet’s famous quotation implies only two solutions: to be, or to not be. However, there is another option that Shakespeare never explored: to remain paralyzed between the two states, unable to commit to either. James Joyce’s Dubliners is a collection of short stories first published in 1914, that follows the inhabitants of Ireland. Published nearly a half a century before the Republic of Ireland would be recognized as an independant country, many of Joyce’s short stories in Dubliners explore the theme of Irish paralysis, that Joyce found afflicted both the whole of Ireland and its individual citizens. Many