James Joyce’s novel, ‘A Portrait of the Artist as a Young Man’, is a classic example of a

Her choice of words paints vivid pictures and instills strong feelings appropriate to the situation written at hand. The diction reveals what the characters look like as well as their personality, or clues to their personality. It moves the story forward by showing how the events transition with her choice of words and in the way she reveals characters or happenings. Brooke Hauser's choice of figurative language conveys how dire a situation may be, how joyful it may be, and how the features of the characters appear to be in comparison to objects. Her use of figurative language makes it easier to picture the characters as well as obtain an idea of how the characters may feel at the time. The figurative language reveals, in detail, the appearance of the characters as well as their personality. An example would be on page forty-seven, which says, "...the farmer's face, its broad planes darkened in shadows like a field under a passing cloud." Brooke's use of figurative language moves the story forward by revealing new characters, the feelings of characters, and/or new locations. The author's use of sensory detail contributes greatly to the struggles and emotions of the students. In the way she uses it, she shows how horrific an event may be, how disheartening something may be, and/or how cheerful and jovial something may be. She uses sensory details to reveal the, typically physical, features of characters.

In "Two Gallants," the sixth short story in the Dubliners collection, James Joyce is especially careful and crafty in his opening paragraph. Even the most cursory of readings exposes repetition, alliteration, and a clear structure within just these nine lines. The question remains, though, as to what the beginning of "Two Gallants" contributes to the meaning and impact of Joyce's work, both for the isolated story itself and for Dubliners as a whole. The construction, style, and word choice of this opening, in the context of the story and the collection, all point to one of Joyce's most prevalent implicit judgments: that the people of Ireland refuse to make any effort toward positive change for themselves.

What can be said of the menacing literary masterpiece that is A Portrait of the Artist as a Young Man is that the gender issues Joyce so surreptitiously weaves into Stephan Dedalus’s character create sizable obstacles for the reader to overcome. Joyce expertly composes a feminine backdrop in which he can mold Stephan to inexplicably become innately homosexual. As Laurie Teal points out “… Joyce plays with gender inversion as a uniquely powerful tool of characterization.”(63) Stephan’s constant conflict with himself and what he wants generate a need for validation that he tries to simulate through day dreams and fantasies but is ultimately unable to resolve. Through exploring the tones of characterization and the character development of

White’s use of descriptive diction creates a pastel painting of the lake and summer. White describes his summers as never-ending and unforgettable. White clings to his ignorance of the passage of time with the “fade-proof lake” and “unshatterable” woods. White instills a sense of nostalgia and reminiscence into his audience through his powerful descriptive

The story “The Dogs Could Teach Me” by Gary Paulsen is alive with examples of description. After the main character gets a major injury, he realizes the magnificence of his surroundings. The text says, “Later I saw the beauty of it, the falling lobes of blue ice that had grown as the water froze and refroze, layering on itself.” The descriptive words used in this sentence give a very clear image of the waterfall that the main character was looking at. The reader can tell that the view is breathtaking because it caught the attention of someone who is busy dealing with a serious injury. Once the main character gets over his initial reaction to the injury, he thinks about how to move forward. The text says, “Lying there on the ice, I knew I could

Stephen’s most notable characteristics have been evident almost from birth, but have been shaped and refined through his unique life experiences. Early in life, he demonstrated a tenacity in pursuing his heart’s desires, so while he might allow himself to be re-engaged in a different activity, he rarely forgot his original goal and returned to is as soon as possible. Thinking and debating have long been appealing to him as, from a young age, he has been seeking to understand life and truth, and his question of “why?” was not easily satisfied. Strong curiosity was another facet of this questioning, which lead him to experiment and innovate to find out what would

Divided into five chapters, this book follows Stephen's life from childhood through adolescence to manhood. We are essentially given a window into Stephen's consciousness, and the whole world is unveiled to us through that single aperture. According to Sydney Bolt, no novel written before A Portrait of the Artist as a Young Man can match its variety in styles This indicates Joyce's originality. A Portrait of the Artist as a Young Man is told in characteristic dialogue and ironically sympathetic

James Joyce’s Dubliners is a compilation of many short stories put together to convey the problems in Ireland during that time. Many of his characters are searching for some kind of escape from Dublin, and this is a reoccurring theme throughout the stories. In the story “Little Cloud,” the main character, Little Chandler, feels the need for both an escape from Dublin and also from his normal everyday life. Gabriel, the main character in Joyce’s final story of the book, “The Dead,” desires a different form of escape than Little Chandler. He desires to escape his aunts’ party, and also at times, Dublin society. Although the stories

Firstly, Joyce incorporates multiple figures of speech and elements of design to express a purpose through the events that occur in the story. As mentioned before, this story is written in first person perspective of a boy who lives with his aunt and uncle. The perspective best allows readers to understand what this boy encounters every day and his opinion on certain topics. Furthermore, it also allows readers to perceive the feelings this boy has for a girl. For example, the author mentions the boy playing and says, “The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street. The career of our play brought us through the dark muddy lanes behind the houses…” (Joyce, 1). This quote highlights the lively and childish fun the boy has with his friends.

In the story "The Dead" James Joyce gives his protagonist, Gabriel, a characterization through imagery and symbolism. He brings Gabriel into the perspective where the reader can understand him better through techniques and devices.

Throughout James Joyce’s “Dubliners” there are four major themes that are all very connected these are regret, realization, self hatred and Moral paralysis, witch is represented with the actual physical paralysis of Father Flynn in “The Sisters”. In this paper I intend to explore the different paths and contours of these themes in the four stories where I think they are most prevalent ,and which I most enjoyed “Araby”, “Eveline”, “The Boarding House”, and “A Little Cloud”.

inability to escape their lives. In another of Joyce’s writings, A Portrait of the Artist as a Young

Throughout A Portrait of an Artist as a Young Man Stephen Dedalus is persistently portrayed as the outsider, apart from the society he and his family inhabit, connecting with no-one and seeking solitude and isolation at every turn. Does this self-imposed exile lead to or directly influence his artistic awakening or not? This essay will examine (both thematically and stylistically)

As James Joyce's A Portrait of the Artist as a Young Man unfolds, the central theme of isolation and rejection becomes evident. From birth to adolescence, the protagonist of the story, Stephen Dedalus, responds to his experiences throughout life with actions of rejection and isolation. He rebels against his environment and isolates himself in schoolwork, family, religion and his art, successively. James Joyce uses Stephen Dedalus' responses of isolation and rejection to illustrate the journey that the artist must take to achieve adulthood.

From the very beginning of the novel, “A Portrait of the Artist as a young man” by James Joyce we meet Stephen Dedalus. From there, we perceive the world exactly as Stephen perceives it. Through sounds, smells, and sensations we learn everything that Stephen is learning and many times in incredibly specific detail. Stephen's overly sensitive reactions and consistent use of imagery is proof to us that Stephen is "different" and views the world from an artist’s perspective. This uses of imagery and motifs by James Joyce is used to describe how Stephen is able to interpret the world around him. Furthermore, Joyce reveals this through the name of the main character.