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Jane Bronte 's Wuthering Heights

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This essay will discuss the way in which the themes of Romance and the Gothic are portrayed heavily in Brontë’s novel, Wuthering Heights, while also being juxtaposed with dogged Realism, in a way that makes Brontë’s work significant and unprecedented. It aims to highlight how contemporary interpretations of the text as a timeless love story have undermined the powerful realism put forth by Brontë, in her deliberate language and refusal of societal conventions. It will also analyse the extent to which Kosminsky is able to represent these themes accurately, and where the shortcomings of the filmic representation become decidedly apparent. It will explore the representation of the sublime, and discuss how Brontë & Kosminsky’s views on gender and class appear to vary greatly, based primarily on which characters each text elects to focus on developing. Furthermore, it will focus on each text’s interpretation of gender conventions and character development.

Both the novel and the film convey many of the romantic elements, the sublime, and (particularly in the novel), the gothic. The characters of both Catherine and Heathcliff are wild and spirited, and the novel alludes to the supernatural in many instances. Kosminsky’s film, on the other hand, falls short in its representation of these imperative themes, primarily by failing to adequately detail the importance of the supernatural nor the undeniable connection between nature and character development. Unsurprisingly, Kosminsky

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