Jane Eyre Alternate Ending

Jane Eyre's literary success of the time has been cheaply commercialized. In other words, Bronte's novel never got the appreciation it deserved, in the areas it deserved. Many 19th century critics merely assigned literary themes to their reviews to "get it over with". Critics commended Jane Eyre for everything from its themes to its form. However, their surface examinations amount to nothing without careful consideration of the deeper underlying background in Jane's life where their hasty principles originate. The widely discussed free will of Jane's, her strong individuality, and independence are segments of a greater scheme, her life. For example: Jane's childhood serves as the

before (1404). The symptoms that Jane has clearly points to postpartum depression, and the way she is treated for it does not help any.

Finally Jane feels as though she is a part of a family. She is now welcomed into the family with open arms and she is accepted for who she is. Once and for all, she is not only appreciated for what she does, she is loved for no other reason than for being herself. She finally has what she has strived for and has always wanted.

Finally by the end of the story Jane had totally isolated herself from the rest of society. When she first got to the house Jane loved visiting the garden and walking the lane leading to the house. The garden was described as being a delicious garden. By the end of the story Jane no longer wanted to visit the garden or walk the lane. She locked herself inside the nursery and had no interaction with anyone. Both of those places symbolized unity and the community to her. Since she was disassociated from society and the garden and lane represented society, Jane isolated herself from those places also. This disassociation with society is the final stage of her illness. Now Jane has become

To conclude much sympathy is created for Jane within the opening three chapters as she is clearly oppressed by those immediately around her and by society as a whole. The reflective nature of Jane gives the reader hope that she has found herself a happier existence and this, coupled with the sympathy created, intrigues the reader and urges them to read on to find

Helen and Miss Temple manage to install a further self growth in Jane. She transforms from an angry girl bent on self-survival into a mostly independent young woman. However, she still has a desperate need to be loved and be a part of a family, this need conveys that she is young and still developing a true sense of self;

Jane begins her life in isolation at Gateshead, abused and misunderstood by her Aunt Reed and cousins. She is constantly reminded of her worthlessness to them and the fact that they view her as a burden, and is literally

There are many key parts that go into writing a well thought out opening of a book or film, that really hook the reader. Two known authors K.M Weiland and Michael Kardos, have short passages titled “The Hook” and “Starting your Story” that give tips and suggestions to starting authors on how beginnings should be written to hook the readers and continue with the story. In the book “Jane Eyre” by Charlotte Bronte, a story about the life of a young unloved orphan girl that goes through abuse from her extended family. Throughout the first chapter Bronte does an excellent job of introducing conflict and character, but gives a poor and vague description of the setting. Beginning an opening with a detailed description of the setting in a story is

This idea shows through Jane’s character development and the irony of her situation, as she establishes a future for herself that she was never intended to experience.

The scene is described as a dark night, but with an open deep blue sky. She says on the way to her new house that the scenery is less romantic. The and repeated use of “lingered” and “paced” makes the reader think that Jane is bored in some way. Why would she be lingering around if she had some place to be? She even says few pages before that she is constantly restless. “It is vain to say human beings out to be satisfied with tranquility; they must have action;” She finds herself in a safe and accepting environment and she gets bored. Jane tends to get lost in her imagination. She always looks for somewhere to escape. It is strange, however, that while she gets caught up in her fantasies, she believes that it is the “little things” that bring her back to earth. No matter how far away her visions take her, she always decides to come back to her “bored”

Jane Eyre has a happy ending. Since the book is heavily invested in the development of Jane and Rochester, Jane saying that “My Edward and I, then are happy” confirms that they were meant for each other (Bronte 484). In fact, they “have been married ten years” (Bronte 482). Some may argue that the book does not have a happy ending since it technically ends on St. John’s religious cry. However, since the book’s focus is on Jane Eyre and Rochester, their fate is the greater concern.

The final chapter’s of Bronte’s Jane Eyre have been a subject of discussion since it’s first publication. Many say the the ending does not fit and other argue that it does. There is a lot of evidence pointing to the latter. The conclusion reveals the fate of Mr. Rochester and Jane, Adele, and of St. John. All of the endings, a mixture of both happy and tragic, to fit with the entire story and can explained because of the Victorian era. This essay will argue that the conclusion of this novel, more specifically that Jane does go back to Mr. Rochester, is extremely fitting to both the plot and the essence of the novel.

In this passage from the novel, Jane begins to understand what will become of her if she gives into the consuming passion that she often feels:

Jane in her younger years was practically shunned by everyone and was shown very little love and compassion, from this throughout her life she searches for these qualities through those around her. Due to Jane’s mother’s disinheritance she was disowned by Mrs. Reed and her children, and was treated like a servant consistently reminded that she lacked position and wealth.

Emma Bertrand pressed a hand against the churning in her stomach and forced herself to move—one foot in front of the other. As silent as possible, she crept along the dark hallway toward her mother’s bedchamber. Her father said the sickroom was no place for a twelve-year-old girl, but she had to know for certain if her suspicions were true.