Jane Eyre By Charlotte Bronte

The Victorian Era encompassed a time of great discrepancy between the sexes, especially for women. The polarization of gender roles reflected on a basis of gender sexuality where men and women were granted certain advantages and disadvantages. Women were expected to realize a specific position in society based on morals of submission, passivity, and a complete lack of selfishness and independence. Constrictive notions such as these prevent individual expression and expansion. Therefore, while struggling to fill the pre-conceived expectancies of society, one forces true desires and happiness to pass as a scant priority. Charlotte Brontë's Victorian novel, Jane Eyre, explores the significance of individual fulfillment in an oppressive

Through her trials and tribulations, Charlotte Bronte has kept her passion for poetry alive and remains as one of the most influential British poets of all times. Even though she is one of the most famous female writers of all times, she is mostly famous for her most popular novel Jane Eyre. Charlotte Bronte has experienced more tragedy in her life than happiness by losing her mother and all five of her siblings. But, in her moments of tragedy, she expressed her feelings through poetry. As a result, Charlotte’s experience as a poet has not only shown her creativity, but it has proven that you can still be the best through hard times and stress.

Jane Eyre was perceived as a female gothic novel due to the images of darkness within the novel. Bronte constructs the female language by giving the main protagonist a gothic imagination. This imagination is elaborated through the representation of imagery. It is first shown in the novel the red room which one could argue is associated with darkness and is evidently a source of punishment for her, ‘Take her away to the red-room, and lock her in”(Brontë and Dunn, 2001,p.9). We can depict from the verb ‘lock her in’ that this room is a form of isolation for Jane and a source of entrapment for her when she acts out. The fact that she is being imprisoned even at home reflects how the private sphere and norms the Victorian era harbored effectively

Jane Eyre and Fahrenheit 451 are two pieces of literature destined to stand the test of time. They both possess various traits which distinguish themselves as ‘classics,’ thereby allowing them to be relevant novels regardless of the time period. These aforementioned traits are derived from the facts that both of these novels are timelessly relatable in the sense of possessing the universal ‘coming of age’ theme regarding overcoming disillusionment, give a glimpse into history by acting as symbols of societal norms in their respective time periods, and demonstrate elevated writing largely through the use of symbolism.

Our interest in the parallels between King Richard III and Looking For Richard is further enhanced by consideration of the marked differences in textual form. Evaluate this statement in the light of your Comparative Study of King Richard III and Looking For Richard.

Independence, the capacity to manage ones own affairs, make one’s own judgments, and provide for one’s self. Jane Eyre herself is a very independent woman. Throughout her life she has depended on very few people for very little. Charlotte Brontë wants the reader to learn that independence can open many doors of possibilities.

Violence is the most recurrent gothic convention used in Jane Eyre, which is prominent in Charlotte Brontë's effective development of the novel and the character of Jane Eyre, who, throughout this novel, is searching for a home in which she would have a sense of belonging and love which would ultimately resolve this exact unfulfilled need she had as a child. The neglect she experienced in her childhood is manifested in the way she is treated by her aunt, Mrs. Reed, as in the first page of the novel Jane Eyre admits: ‘Me, she had dispensed from joining the group, saying, 'She regretted to be under the necessity of keeping me at a distance’’. This opening shows how there is a clear line of separation drawn between Jane and her relatives due to her complicated family background which consequently results in their reluctance to accept her into their environment. These complications lead to her maltreatment, which also adds on to the violence she experiences acting as a catalyst for the development of the character and her subconscious quest.

A gothic novel is a “highly unstable genre” and is characterised by the following features: violence, supernatural encounters, complicated family histories, dark secrets, remote locations as well as mysteries to create an atmosphere of suspense and terror, which are all predominantly seen in Charlotte Bronte’s novel, Jane Eyre. The inceptive setting Jane Eyre is introduced in, instantly marks the very first use of gothic convention which is continued throughout this novel along with the aspect of violence and the problematic nature of secrets and mysteries which engulf the novel’s core. The vulnerability of Jane Eyre's childhood, loss of innocence and exposure to death, rejection, abuse and disease at such an early age due to her initial complicated

Gothic literature began and was very strong at the time of the Romantic Writers Movement. Gothic novels share common characteristics that contribute to the overall feeling of the novel. Most Gothic novels involve a setting that typically added mystery and suspense. The novel usually took place in a castle-like structure that was dark, scary, and isolated (Examine). In addition, the story enveloped omens or visions, supernatural or inexplicable events, overwrought emotion, women in distress, and a tyrannical male (Elements). Both Charlotte and Emily Bronte wrote gothic novels that used many of these characteristics, but their novels also transcended the boundaries of the genre. The novels Wuthering Heights and Jane Eyre follow the gothic tradition in regards to setting, atmosphere, and supernatural events. However, both novels break from tradition in the matters of feminism and heroines.

Charlotte Bronte describes Jane Eyre with many details of of neglect, abuse, mystery and abnormality. Many details are left for the readers to use their own imagination and advance the story. A gothic novel is commonly understood to entail abuse, supernatural elements, and a setting that resembles secrecy. Even though the story has some elements of a romantic novel, the majority of the concepts are described by the author to be gothic.  Jane Eyre is a gothic novel that emphasis darkness throughout the whole story.

An obscure orphan governess, perceived to be too young, too penniless, too insignificant to control her own life, defied societal conventions of her time, and remains relevant to this day. Why does this poor, plain governess with no financial prospects or social standing matter in a modern feminist perspective? If she could speak, a modern feminist’s beliefs would likely shock her, so to interpret this novel as feminist, one must see it through the lens of the time and place Brontë wrote it. Charlotte Brontë’s Jane Eyre was a feminist work in that Bronte expressed disdain for oppressive gender structures through the voice of Jane Eyre, and the actions of Bertha Mason.

Charlotte Bronte’s Jane Eyre emerges with a unique voice in the Victorian period for the work posits itself as a sentimental novel; however, it deliberately becomes unable to fulfill the genre, and then, it creates an altogether divergent novel that demonstrates its superiority by adding depth of structure in narration and character portrayal. Joan D. Peters’ essay, Finding a Voice: Towards a Woman’s Discourse of Dialogue in the Narration of Jane Eyre positions Gerard Genette’s theory of convergence, which is that the movement of the fiction towards a confluence of protagonist and narrator, is limited as the argument does not fully flesh out the parodies that Charlotte Bronte incorporates into her work. I will argue that in the novel

The Gothic Features of Jane Eyre by Charlotte Bronte A Gothic novel is a type of literature, which became very popular in the late eighteenth and early nineteenth centuries. In this time, society was governed by strict moral codes. The "Gothics" would escape into a world of dark, supernatural and wild passions. The word 'Gothic' meant barbarous and wild and many writers liked to involve these elements in their novels.

Revenge can be defined as “to avenge (as oneself) usually by retaliating in kind or degree” (“revenge”) however to Heathcliff it meant more than just to avenge himself he wanted to have everything he felt he rightfully deserved and more. Social class and revenge, are primary themes in the novel Wuthering Heights. Social class plays a considerable part in the lives and loves of the charters in the novel. Revenge is key element in the book, this twisted theme creates the whole plot line.

Gothic literature includes elements of style that is usually portrayed in tales and deals with horror, despair, the grotesque, and mysteries. In the novel Wuthering Heights by Emily Bronte, there are many elements of gothic literature that is found throughout the book. The term gothic is very broad in literature, and gothic can mean many different things from characteristics of people, feelings and reactions of a specific setting, mood, actions that happen being people, and so much more. All of this thrived in the 19th century. Gothic is categorized by an emphasis on the dark, gloomy, and mysterious. Ideas such as magic, hidden passages, wind, ghosts, and other supernatural elements, love, etc were all elements in the Gothic movement during the 19th century. Specifically, the descriptions of the settings, both outside and inside, in the novel, the actions of the main protagonists in the novel, and the love between Catherine and Heathcliff in Wuthering Heights all add on to this idea of a gothic literature or tradition.