Jane Eyre: Did She Have Cause To Speak Up?

“Writers often highlight the values of a culture or a society by using characters who are alienated from that culture or society because of gender, race, or creed.

When she is locked in the Red Room, she flies into a fit of temper, and "...prepared as my mind was for horror, shaken as my nerves were by agitation, I thought the swift darting beam was a herald of some coming vision from another world. My heart beat thick, my head grew hot; a sound filled my ears, which I deemed the rushing of wings; something seemed near me; I was oppressed, suffocated." Too much emotion leads to irrationality, and Jane is ill for some time as a result.

Readers learn early in the story that Jane Eyre does not fit contemporary society's idea of a proper woman.  As a child, Jane stands up to her aunt, Mrs. Reed, on more than one recorded occasion when Jane feels she has been treated unjustly (Brontë 28, 37).  At one point, Jane bluntly tells her aunt, "I declare, I do not love you: I dislike you the worst of anybody in the world except John Reed [Jane's cousin]" (37).  This was at best improper behavior for a child in Victorian society, and it was most definitely seen as improper by Mrs. Reed who grows to hate Jane, calling her "tiresome, ill-conditioned" and "scheming" (26).  But her aunt's reprimands and hatred do not deter Jane from speaking up in the face of injustice.

Jane's childhood trauma results as a product of her times at Gateshed and Lowood. There were a series of irreversible problems that Jane had to deal with. She was born an orphan into a house devoid of love or respect for her. It is not overly emotionally healthy to live with the "ostracism by the Reed family and the unrelenting anxiety over the chidings of the servants, the violence of John Reed, and the punishments and berating of Mrs. Reed." (Ashe 10) Evidently, Jane had this lifestyle since she was little. This can be inferred from Mrs. Reeds loving statement "I hated it the first time I set my eyes on it-a sickly, whining, pining thing" (7)

Despite the blood relation between Jane and her aunt and cousins, they treat Jane with sincere disrespect and animosity. " Then Mrs. Reed subjoined: 'Take her away to the red-room, and lock her in there'. Four hands were immediately laid upon me, and I was borne upstairs". Jane's Aunt is a selfish woman and despite knowing the fact that Jane has no other relative, she still lacks any sympathetic feeling towards her.

Furthermore, this demeaning and negative attitude Jane is exposed to is further instigated when her cousin, John Reed, expresses her situation by saying: "You have no business to take our books; you are a dependent, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us". The truth of Jane's unfortunate situation is expressed against her which results in her feeling no true support from this family and confides only in her childhood nursemaid- Bessie, who although behaves inconsistently and has “a capricious and hasty temper”, is the closest mother figure to her. Furthermore, the friction between Jane and John is further emphasised when the first physical aspect of violence is introduced to the reader through a graphic portrayal, further showing the ultimate rejection Jane experienced

In the novel’s exposition, Jane Eyre, a ten-year-old child, begins to face gender injustice by his cousin, John Reed. In “In the Window-Seat: Vision and Power in Jane Eyre,” Peter J. Bellis states, “John Reed claims the house and its contents as his . . .” (641). He exerts authority on her simply because he is a male by abusing and bossing her, making it seem as if he owns her. The situation starts holding Jane back as a female, leaving her defenseless, as “the powerless victim of its oppressive force” (Bellis 641). John greatly contributed to Jane’s suffering as a child, by abusing the power he had over her. She speaks of how John harshly demanded of her, saying, “I want you to come here;’ and, seating himself in an armchair, he intimated by a gesture that I was to approach and stand before him,” referring to him as “master” (4). The simple act of her needing to call him “master” demonstrates the dominance he possesses. He deprived her of freedom such as simply reading a book by controlling her life at a young age, and it

Once Jane is locked in the red room in chapter two, she is able to reflect on everything that just happened. The red room is the chamber where Jane’s kind uncle died; he took her to Gateshead when her parents died. This shows Jane’s strength of character. Most children would be frightened and would be screaming with fear to be let out of this cold, haunted and dark chamber that they had been locked in. But Jane thinks about it rationally, ‘’superstition was with me at that moment; but it was not yet her hour for complete victory’’. This also proves that Jane believes in superstition and clings onto a magical world. But after a while in the red room Jane does become terrified and begins to convince herself that something is going to

The only time that a member of the Reed family speaks to Jane is when they are belittling her, hoping to further assert their elite dominance over the lower class. In one particular quarrel, John Reed, the oppressive “Roman emperor” and “slave driver,” throws a book at Jane’s head to physically proclaim his dominance over her, to which Jane responds by verbally firing back at his elitist oppression. (Brontë 13) The battle between the social classes concludes with Jane being banished to the horrifying red-room as punishment for attempting to overthrow the elite power, John Reed, even though John was the clear instigator of the scuffle. Jane is later condemned by the house servants for her attempt to overthrow her “young master.” Jane and John are both children, but due to the wealth and status of his parents, John is allowed to rule over Jane, making Jane, as the Gateshead servants would describe, “‘less than a servant’” because she does nothing for her keep. (Brontë 15) Jane continuously faces this maltreatment at Gateshead until an outburst directed towards Mrs. Reed causes her to be sent away to Lowood school, a place where Mrs. Reed hopes Jane will perhaps be taught to conform to the societal norm of how a young girl like Jane should act in

Jane begins her life in isolation at Gateshead, abused and misunderstood by her Aunt Reed and cousins. She is constantly reminded of her worthlessness to them and the fact that they view her as a burden, and is literally

Charlotte Bronte created one of the first feminist novels--Jane Eyre--of her time period when she created the unique and feminist female heroine, Jane Eyre. Throughout the novel, Jane becomes stronger as she speaks out against antagonists. She presses to find happiness whether she is single or married and disregards society’s rules. The novel begins as Jane is a small, orphan child living with her aunt and cousins due to the death of her parents and her uncle. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Jane 's aunt--Mrs. Reed--degrades her as she favors her biological children. Her cousin--John Reed--hits her and then Mrs. Reed chooses to punish her instead and sends her to the room in which her uncle

I should say I loved you, but I declare I do not love you: I dislike

Throughout the book, Jane endures both physical and mental abuse from multiple individuals; however, she defies them by fighting back in her own way. The abuse starts at Gateshead when her older cousin, John Reed, verbally and physically assaults Jane. Brontë writes on page 12, “He bullied and punished me; not two or three times in the week, nor once or twice in a day, but continually: every nerve I had feared him, and every morsel of flesh on my bones shrank when he came near.” Jane consciously chooses to defend herself after John strikes her on page 13 and 14, “I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair…I don’t very well know what I did with my hands, but he called me…” Jane defies John’s authority as the man of the house by fighting back when he abuses her. By doing this, Jane breaks the typical Victorian gender-based ideal that a woman must obey and be complacent to the directive of any man in a higher position than her (Olga Zeltzer, Historical Analysis: Women as the "the Sex" During the Victorian Era). Jane’s actions,

The first passage is from when Jane Eyre is locked in the attic room by force by Abbot and Bessie. Despite her just being punished, along with her earlier treatments, young Jane sees this room as a “jail.” She feels trapped. Unable to express herself in the ways that she sees fit without being tormented by John, or scorned by Mrs. Reed, Jane is forced to accept and take the abuse. When she passes the mirror, she sees a tiny white figure. “All looked colder and darker” to her “than in reality.” She was looking at herself. It is a case of Jane’s internal feelings reflecting on her external appearance and situation. Jane wants to break free and express herself, but feels restrained by her body and her restrictions. The “glittering eyes” that she describes represent her will to be free. It shows a shimmering of hope that she holds on to. The description of “moving while all else was still” also shows how Jane is the only one in the house that is capable of this type of expression. Everything else in comparison to her

Jane Eyre was written in a time where the Bildungsroman was a common form of literature. The importance was that the mid-nineteenth century was, "the age in which women were, for the first time, ranked equally with men as writers within a major genre" (Sussman 1). In many of these novels, the themes were the same; the protagonist dealt with the same issues, "search for autonomy and selfhood in opposition to the social constraints placed upon the female, including the demand for marriage" (Sussman). Jane Eyre fits this mould perfectly. Throughout the novel, the reader follows Jane Eyre on a journey of development from adolescence to maturity to show that a desire for freedom and change motivates people to search for their own identity.