Jane Eyre Syntax Analysis

In the novel, ‘Jane Eyre’ by Charlotte Bronte, setting is used throughout the novel to illustrate the development in the character. The novel is revolved around five separate locations, ; the Reed family's home at Gateshead, the wretched Lowood School, Rochester's manor, Thornfield, the Rivers family's home at Moor House, and Rochester's rural retreat at Ferndean, these settings all play a very important part in Jane’s life as they all represent the development of Jane’s character and the different period’s of her eventful life.

Throughout Jane Eyre, as Jane herself moves from one physical location to another, the settings in which she finds herself vary considerably. Bronte makes the most of this necessity by carefully arranging those settings to match the differing circumstances Jane finds herself in at each. As Jane grows older and her hopes and dreams change, the settings she finds herself in are perfectly attuned to her state of mind, but her circumstances are always defined by the walls, real and figurative, around her.

Compare or contrast the role that reason (logic or logos) and passion (emotion or pathos) play within the novel.

Violence is the most recurrent gothic convention used in Jane Eyre, which is prominent in Charlotte Brontë's effective development of the novel and the character of Jane Eyre, who, throughout this novel, is searching for a home in which she would have a sense of belonging and love which would ultimately resolve this exact unfulfilled need she had as a child. The neglect she experienced in her childhood is manifested in the way she is treated by her aunt, Mrs. Reed, as in the first page of the novel Jane Eyre admits: ‘Me, she had dispensed from joining the group, saying, 'She regretted to be under the necessity of keeping me at a distance’’. This opening shows how there is a clear line of separation drawn between Jane and her relatives due to her complicated family background which consequently results in their reluctance to accept her into their environment. These complications lead to her maltreatment, which also adds on to the violence she experiences acting as a catalyst for the development of the character and her subconscious quest.

In the novel "Jane Eyre" the atmosphere is conveyed through the author's use of syntax. Charlotte Bronte description of the surroundings portray the feelings of constraint and imprisonment. Thus, she implements imagery and dialogue to resemble Jane's internal feeling by the use of diction. Notably, Bronte began by describing the day's weather. For example, she conveys an atmosphere of dullness by stating,"... the cold winter wind had brought with it clouds so somber and rain so penetrating... outdoor exercise was... out of the question..."

Thomas Foster encourages readers to look at authors’ works with inquisitive lenses, observing and analyzing small details. In Jane Eyre, readers note Charlotte Brontë’s dramatic descriptions of the weather, each scene’s climate tailored to the intended mood, which help readers predict and connect to the novel. Many scenes open with vivid descriptions of the weather before introducing characters or dialogue. These passages do more than set the scene; they are heavily symbolic. In Jane Eyre, Charlotte Brontë deliberately uses weather to set the mood, mirror Jane Eyre's emotions, and as a means of foreshadowing.

The first chapter of Jane Eyre, written by Charlotte Bronte, creates the feeling of constraint and imprisonment that the main character is experiencing. The author conveys this feeling to the readers by utilizing diction and imagery. With these literary elements the reader is able to comprehend the emotions the main character feels. Charlotte Bronte applies imagery to demonstrate how the character is affected by what she sees. In the chapter it states, "...

In the novel "Jane Eyre" by Charlotte Bronte, the sensation and feeling of constraint and imprisonment of the main character is created by imagery and alliteration. The author successfully creates this feeling in order to draw the reader in and feel the orphan girl's inner-self. Throughout the novel, the author utilizes powerful imagery. The author writes, "...the cold winter wind had brought with it clouds so somber and a rain so penetrating..." Through this, the author creates the feeling of imprisonment.

McEwan and Bronte consider how women’s imagination can be seen as both a destructive force and a constructive force that allows for character development. Whilst Cecilia appears to become empowered through her expression of sexual passion, both Jane and Briony assert their passionate nature and gain control of their thoughts and the fate of others through their use of imagination. Jane’s gothic imagination allows her to escape her mundane life, whilst also allowing her to develop a sense of identity within a society so dedicated to making sure women were not allowed the ability to express their creativity. Laura Tomashek asserts that ‘When writing Jane Eyre, Bronte used the imagery from A History of British Birds to symboli¬cally delineate Jane Eyre's emotions, surroundings, per¬ceptions, and interpersonal relationships’. This can be seen in the description of the ‘solitary rocks and promontories’ and ‘death-white realms’ that the sea-fowl live in.

In Jane Eyre, the author, Charlotte Brontë, uses nature imagery in reasonable ways. She tries to convey the themes of emotional isolation and self-respect. Also, Brontë uses the weather to try to represent Jane. In addition, she also tries to establish the mood of the story. She does this by comparing happy and different moods shown in the novel.

In the novel Jane Eyre by Charlotte Brontë, the title character’s journey is full of challenges that shape her development. These are constructed of times spent as four main places; Gateshead, Lowood, Thornfield, and Ferndean. At Gateshead Jane is too quick-tempered but only to lose her lively spirit at Lowood. At Thornfield she become overly passionate and guided by her emotions but balance is achieved at Ferndean. Jane Eyre becomes as complete character as she learns to find the balance between the intellect and the passions. In doing so, she touches the life of Edward Rochester and in fulling herself helps Rochester humble himself and achieve a perfect balance by example.

In the novel, Jane Eyre, written by Charlotte Bronte, Bronte utilizes literary devices to evoke a somber feeling with in the text. The feelings of constraint are produced through the use of imagery and diction. Bronte constantly describes dark settings throughout the novel, as well as using vivid adjectives to evoke a greater sense of darkness. Bronte utilizes imagery when describing a winter afternoon. Bronte states, "...it offers a pale blank of mist and cloud; near, a scene of wet lawn and a storm beat shrub with ceaseless rain sweeping away avidly before a lamentable blast.

Charlotte Bronte’s “Jane Eyre” has captivated readers for generations. As with all coming of age novels, young adults can relate to the struggles and triumphs of Jane. Jane’s setting influences and parallel her emotions. A reader can see the novel through her eyes and perspective. In Bronte’s “Jane Eyre,” the location often parallels Jane’s emotional growth through the tone presented by the environment, resulting in the different places she lives revealing her journey through depression. Jane’s behavioral patterns and thoughts suggest clinical depression that affected her choices throughout the novel and her life at Gateshead, Lowood, Thornfield, Marsh End, and Ferdean.

Charlotte Bronte's Jane Eyre is presented in the Victorian Period of England. It is a novel which tells the story of a child's maturation into adulthood. Jane's developing personality has been shaped by her rough childhood. She has been influenced by many people and experiences. As a woman of her time, Jane has had to deal with the strain of physical appearance. This has a great effect on her mental thinking and decision making. Jane Eyre's cognitive and physical attributes have been affected by her environment throughout her life.

Charlotte Bronte’s Jane Eyre emerges with a unique voice in the Victorian period for the work posits itself as a sentimental novel; however, it deliberately becomes unable to fulfill the genre, and then, it creates an altogether divergent novel that demonstrates its superiority by adding depth of structure in narration and character portrayal. Joan D. Peters’ essay, Finding a Voice: Towards a Woman’s Discourse of Dialogue in the Narration of Jane Eyre positions Gerard Genette’s theory of convergence, which is that the movement of the fiction towards a confluence of protagonist and narrator, is limited as the argument does not fully flesh out the parodies that Charlotte Bronte incorporates into her work. I will argue that in the novel