Jane Eyre by Charlotte Brontë

The Victorian Era encompassed a time of great discrepancy between the sexes, especially for women. The polarization of gender roles reflected on a basis of gender sexuality where men and women were granted certain advantages and disadvantages. Women were expected to realize a specific position in society based on morals of submission, passivity, and a complete lack of selfishness and independence. Constrictive notions such as these prevent individual expression and expansion. Therefore, while struggling to fill the pre-conceived expectancies of society, one forces true desires and happiness to pass as a scant priority. Charlotte Brontë's Victorian novel, Jane Eyre, explores the significance of individual fulfillment in an oppressive

Through her trials and tribulations, Charlotte Bronte has kept her passion for poetry alive and remains as one of the most influential British poets of all times. Even though she is one of the most famous female writers of all times, she is mostly famous for her most popular novel Jane Eyre. Charlotte Bronte has experienced more tragedy in her life than happiness by losing her mother and all five of her siblings. But, in her moments of tragedy, she expressed her feelings through poetry. As a result, Charlotte’s experience as a poet has not only shown her creativity, but it has proven that you can still be the best through hard times and stress.

Jane Eyre and Fahrenheit 451 are two pieces of literature destined to stand the test of time. They both possess various traits which distinguish themselves as ‘classics,’ thereby allowing them to be relevant novels regardless of the time period. These aforementioned traits are derived from the facts that both of these novels are timelessly relatable in the sense of possessing the universal ‘coming of age’ theme regarding overcoming disillusionment, give a glimpse into history by acting as symbols of societal norms in their respective time periods, and demonstrate elevated writing largely through the use of symbolism.

Our interest in the parallels between King Richard III and Looking For Richard is further enhanced by consideration of the marked differences in textual form. Evaluate this statement in the light of your Comparative Study of King Richard III and Looking For Richard.

Independence, the capacity to manage ones own affairs, make one’s own judgments, and provide for one’s self. Jane Eyre herself is a very independent woman. Throughout her life she has depended on very few people for very little. Charlotte Brontë wants the reader to learn that independence can open many doors of possibilities.

Jane experiences issues in each of the settings she resides in. In Charlotte Brontë’s novel, Jane Eyre, the Reed family abuses Jane at Gateshead. Similarly, Mr. Brocklehurst harms and strips Jane of her self confidence at Lowood, the institution he manages. After her time at Lowood, Rochester betrays Jane in his home, Thornfield Hall. In order to rid herself of that hurtful emotion, Jane escapes to the Moor house. However, at her supposed sanctuary, St. John, one of the members of the household, takes Jane’s power away. Jane drifts through multiple settings in the plot as a way to cope with the insecurities instilled in her.

Jane Eyre, by Charlotte Brontë, is set in 19th century England, and tells the story of a young woman named Jane Eyre who undergoes many hardships as she matures and ultimately grows into a more complex person. The people Jane encounters throughout the novel both shape her opinions and the person she becomes, and serve as foils, or characters who set off other characters by strong contrast. Many of Jane Eyre’s supporting characters possess unflattering or unfavorable qualities. The way they treat Jane, the manner in which they interact with other people, and their worldviews, either positive or negative, equally impact Jane, and serve as a contrast for Jane’s own traits. Brontë’s use of foils in Jane Eyre as a method of characterization enables the reader to better understand Jane as a character, and emphasize certain

“This book might have been written by a woman but certainly not a lady.” It is bildungsromane (Triska); a type of novel concerned with the education, development, and maturing of a young protagonist (Dictionary.com). Jane Eyre was a very shy, plain, and reserved person. Even though she had a very plain look she had a passion that wasn’t expected of her (Green). She also had hopes and dreams and aspirations. So I wonder, how might Jane Eyre react to the women of today?

Jane Eyre is a very intresting novel as soon as you open it the first few chapters are shocking as it shows you two big themes one of which is class and the other is gender. In 1947 people would judge you depending on your class and people in society would judge you and treat you by where you are in the hierarchy tree. Another big theme was gender women were treated as third class citizens no freedom at all. Jane Eyre was a novel about an orphan who is adopted into this wealthy family. However she feels completely out the circle and not part of there family. The family certainly did not make her feel part of them either they first saw her as poor because she came from a poor background even though now she is adopted in there family they still saw her like that and secondly she was a girl so that made things worse and those two combinations were not good. At one point in the novel Mr reed said to her "You have no business to take our books; you are a dependant, mamma says; you have no money; your father left you none; you ought to beg, and not to live here with gentleman's children like us . . " he is telling her

Presently, society is constructed in such a way that the upper class and the lower class cannot work to change places unless they are extremely fortunate. The ladder of society has always existed in this manner, and many authors have chosen to explore what pushing the constraints of a set society will do. In Wuthering Heights, a novel by Emily Brontë, the social constraints of the community in which the characters live, are constantly being pushed as the characters change social classes, through marriage and hard work, and in the treatment of other characters. The actions are often motivated by a superficial impression; many interactions between the characters are based on the influence of social classes, and the changes that shift the characters from one social class to another which Brontë occurs as an overlaying theme in the story. Brontë illustrates the differences in the classes using the literary devices of imagery, symbols, dialogue, and irony. A change in the social class for a certain character leads to a change in the interactions with that character.

Charlotte Bronte's Jane Eyre is presented in the Victorian Period of England. It is a novel which tells the story of a child's maturation into adulthood. Jane's developing personality has been shaped by her rough childhood. She has been influenced by many people and experiences. As a woman of her time, Jane has had to deal with the strain of physical appearance. This has a great effect on her mental thinking and decision making. Jane Eyre's cognitive and physical attributes have been affected by her environment throughout her life.

Jane Eyre, in the novel, is presented as the narrator and protagonist. The book depicts her journey of self-discovery from the age of ten and the eventualities that she encounters play a significant role in portraying her personality and beliefs. Throughout the book, she fights for the freedom of thought and action, and one would somewhat describe her as a renegade; a rebel slave and a strong character who tries to break the yoke of inept social stereotypes of submitting to control and instruct. From the beginning, Jane and Blanche are highly contrasted by the author as they appear to be opposites of each other. In this regard, this write-up seeks to compare and contrast Jane Eyre and Blanche Ingram.

In Charlotte Brontë’s Jane Eyre, the relationships Jane has with the male characters demonstrates her coming of age from dependence to independence because Jane begins by rebelling against John and Mr. Brocklehurst, she leaves Mr. Rochester, and denies St. John’s proposal. Jane’s acts of rebellion against John Reed shows that she is tired of being dependent on him and his family. Also, by showing signs of rebellion to Mr. Brocklehurst when she first is interviewed to see if the school Lowood is the right place for her shows that she yearns for independence. Jane’s standing up to Mr. Rochester by leaving him shows that she is not dependent on him. Jane’s refusal of St. John’s proposal shows that she is an independent woman who can do things for herself. Considering the connection between the men in Jane’s life and her coming of age from dependence to independence, it is important to analyze her first show of instability with John Reed and Mr. Brocklehurst.

An obscure orphan governess, perceived to be too young, too penniless, too insignificant to control her own life, defied societal conventions of her time, and remains relevant to this day. Why does this poor, plain governess with no financial prospects or social standing matter in a modern feminist perspective? If she could speak, a modern feminist’s beliefs would likely shock her, so to interpret this novel as feminist, one must see it through the lens of the time and place Brontë wrote it. Charlotte Brontë’s Jane Eyre was a feminist work in that Bronte expressed disdain for oppressive gender structures through the voice of Jane Eyre, and the actions of Bertha Mason.

Charlotte Bronte’s Jane Eyre emerges with a unique voice in the Victorian period for the work posits itself as a sentimental novel; however, it deliberately becomes unable to fulfill the genre, and then, it creates an altogether divergent novel that demonstrates its superiority by adding depth of structure in narration and character portrayal. Joan D. Peters’ essay, Finding a Voice: Towards a Woman’s Discourse of Dialogue in the Narration of Jane Eyre positions Gerard Genette’s theory of convergence, which is that the movement of the fiction towards a confluence of protagonist and narrator, is limited as the argument does not fully flesh out the parodies that Charlotte Bronte incorporates into her work. I will argue that in the novel