Jane's Madness

  “The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison.  Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world.  The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality.  This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.

Charlotte Perkins Gilman’s, “The Yellow Wallpaper,” tells the story of a woman suffering from post-partum depression, undergoing the sexist psychological treatments of mental health, that took place during the late nineteenth century. The narrator in Gilman’s story writes about being forced to do nothing, and how that she feels that is the worst possible treatment for her. In this particular scene, the narrator writes that she thinks normal work would do her some good, and that writing allows her to vent, and get across her ideas that no one seems to listen to. Gilman’s use of the rhetorical appeal pathos, first-person point of view, and forceful tone convey her message that confinement is not a good cure for mental health, and that writing,

Trapped in the upstairs of an old mansion with barred windows and disturbing yellow colored wallpaper, the main character is ordered by her husband, a physician, to stay in bed and isolate her mind from any outside wandering thoughts. “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, describes the digression of the narrator’s mental state as she suffers from a form of depression. As the story progresses, the hatred she gains for the wallpaper amplifies and her thoughts begin to alter her perception of the room around her. The wallpaper serves as a symbol that mimics the narrator’s trapped and suffering mental state while she slips away from sanity reinforcing the argument that something as simple as wallpaper can completely

“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, shows the slow progression of madness from the point of view of the person who is going mad. Our narrator, unnamed, but possibly named Jane, says she is sick, as does her doctor and husband, John. This short story can be interpreted in many different ways, but mainly focuses on the oppression of women in the late 1800’s. This woman who is seemly mad journeys through “hell” as she slides deeper into the confines of madness.

The purpose of “The Yellow Wallpaper” is to tell the reader that you can have negative effect on someone’s mental health if they are denied their freedom of expression. This is because the narrator (Jane) was kept in a room that had yellow wallpaper, which she did not like. Soon after being unable to work or write Jane began to see creepy figures in the wallpaper and everyday it got worse, she soon began to see a women trapped in the wallpaper. This began to feed her hallucinations and paranoia that someone else is going to find out about this women, and help her escape the yellow wallpaper. This made Jane insane, she would see women walking around outside, and she soon became addicted to the room and writing about the wall in her journal.

It was commonly casted that women during the 19th century were not to go beyond their domestic spheres. If a woman were to go beyond the norms and partake in a “male” activity and not assign to “womanly” duties, it were to take an ill effect on her, because she was designed to act merely as a mother, wife, and homemaker. The short story “The Yellow Wallpaper”, by Charlotte Perkins Gilman, demonstrates the status of women in the 19th century within society, revealing that madness in this story stems from the oppressive control of gender on woman. A woman who is trying to escape from confinement may result in madness. The use of madness characterizes women as victims of society, suffering the effects of isolation brought on by oppression driving

In Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” she discusses some of the issues found in 19th century society such as women’s oppression and the treatment of mental illness. Many authors throughout history have written stories that mimic their own lives and we see this in the story. We see Gilman in the story portrayed as Jane, a mentally unstable housewife who cannot escape her husband’s oppression or her own mind. Gilman reveals a life of depression and women’s oppression through her short story “The Yellow Wallpaper.”

She becomes consumed by the wallpaper in the room and reflects her confinement onto a woman that she thinks is trapped in the wallpaper. When she frees the woman, she feels like she is freed too, when in reality she has just hit rock bottom. The story is also set in a time where women were frequently oppressed by men, as shown by Jane who is constantly belittled by her husband.

Many people know what it feels like to be “trapped” in the emotional sense of things, but how many can say they have been both physically and emotionally trapped. Charlotte Perkins Gilman used her personal bout with depression to create a powerful fictional narrative, which has broad implications for women. When the narrator recognizes that there is more than one trapped, creeping woman, Gilman indicates that the meaning of her story extends beyond an isolated, individual situation. Gilman’s main purpose in writing The Yellow Wallpaper is to doom not only a specific medical treatment but also the misogynistic principles and resulting sexual politics that make such a treatment possible. Those things lead to the major themes of the story: freedom, confinement, and madness.

She has become so completely obsessed with the wallpaper that she believes it is alive. She says she can smell it when she is not there and she spends most of her time in the room with the yellow wallpaper. Throughout the second half of the story, Gilman starts referring to a woman named Jenny, who could possibly could be another personality living inside of Jane’s mind. In the last lines of “The Yellow Wallpaper,” we are led to believe that it is Jenny who is speaking. Jenny is a person inside of Jane that is being “trapped” by John and Jane, according to Gilman,“Jenny” says, "I've got out at last," said I, "in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!(320)" We do not know whether her name is Jenny or Jane, but this line explains that Jenny felt like they were being trapped in the wallpaper by John and Jane. We cannot say for sure, but this possibly could be all in Jane’s mind, and since John practiced medicine, it is possible that Jane is imagining this whole thing, and she could really be in an insane asylum. In the ending lines of “The Yellow Wallpaper,” it could also be possible that Jane commits suicide. We also could believe that she kills John as well. Jane says, “But I am securely fastened now by my well-hidden rope-you don’t get me out in the road there.(320)” We could say that Jane or

In “The Yellow wallpaper”, the wallpaper is a metaphor that expresses women’s protest against the repression of the society and their personal identity at the rise of feminism. During the Victorian era, women were kept down and kept in line by their married men and other men close to them. "The Yellow Wallpaper", written By Charlotte Perkins Gilman, is a tale of a woman, her mental difficulties and her husband’s so called therapeutic treatment ‘rest cure’ of her misery during the late 1800s. The tale starts out in the summer with a young woman and her husband travelling for the healing powers of being out from writing, which only appears to aggravate her condition. His delusion gets Jane (protagonist), trapped in a room, shut up in a bed making her go psychotic. As the tale opens, she begins to imagine a woman inside ‘the yellow wallpaper’.

“The Yellow Wallpaper,” by Charlotte Perkins Gilman, depicts a young woman’s gradual descent into insanity due to her entrapment, both mentally and physically, in the restrictive cult of domesticity. Through the narrator’s creeping spiral into madness, Gilman seeks to shed light upon the torturous and constraining societal conditions in which women are expected to live, that permeates throughout all aspects of their lives. At first glance to an average reader unfamiliar with Gilman’s history, “The Yellow Wallpaper” seems to just provide a tale about the oppressive relationship between the man and the woman in a domestic environment, however, once Gilman’s own personal life is uncovered, the story takes on a new level of depth.

According to Freud, Jane is clearly hallucinating when she says that the lines on the wallpaper "suddenly commit suicide"(6). She is greatly annoyed and bothered by the way it looks. Jane sees a vision of death in the paper. "There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down"(6). Her imagination of the wallpaper leads her to see a dead person. As

Her descriptions and obsessions with the wallpaper as viewed from her perspective, truly draw readers into her downward spiral to ultimate insanity. Readers follow her in her mind from a nervous condition through her mild subsequent pleadings for alternative treatment to eventually "creeping" through the wallpaper with her--experiences which readers grasp within a powerful narration indeed. Through her, and only her is precisely how readers clearly knew how she felt at the end when she says, "I've got out at last in spite of you and Jane. And I've pulled off most of the paper, so you can't put me back!" (330). Husband John fainted, he had no idea she had gone that far, but readers did.

In the story “The Yellow Wallpaper,” Gilman creates a character of a young depressed woman, on the road to a rural area with her husband, so that she can be away from writing, which appears to have a negative effect on her psychological state. Lanser says her husband “heads a litany of benevolent prescriptions that keep the narrator infantilized, immobilized, and bored literally out of her mind. Reading or writing herself upon the wallpaper allows the narrator to escape her husband’s sentence and to achieve the limited freedom of madness which constitutes a kind of sanity in the face of the insanity of male dominance” (432). In the story both theme and point of view connect and combine to establish a powerful picture of an almost prison-type of treatment for conquering depression. In the story, Jane battles with male domination, because she is informed by both her husband and brother countless brain shattering things about her own condition that she does not agree with. She makes every effort to become independent, and she desires to escape from the burdens of that domination. The Yellow Wallpaper is written from the character’s point of view in a structure similar to a diary, which explains her time spent in her home. The house is huge and old with annoying yellow wallpaper in the bedroom. The character thinks that there is a woman behind bars in the design of the wallpaper. She devotes a great deal of her