Joe is a very wealthy, smart, successful businessman that is jealous of Janie, unlike Tea Cake who has full trust in her. Janie begins to realize how much power Joe has after becoming mayor. “Janie soon began to feel the impact of awe and envy against her sensibilities” (46). Early in their marriage, Janie can already see how controlling Joe is going to be over her. It’s not that he doesn’t love her, but he is just simply jealous. He cannot stand for the spotlight to be on anybody but himself. Janie’s hair plays a big factor in this. The attention she gets from her hair angers Joe greatly, so he demands that she keeps it tied up in a head-rag. This bothers Janie very much. Since she does not have any say in their marriage, she thinks to
Joe is power hungry and seeks to dominate Janie, who cannot be held back and craves the freedom to manage her own life. With such caustic tension, it seems odd that Janie would stay with Joe until his death. Clearly, she was not afraid to walk out on a husband, so why did she choose to stay? Though Joe was frequently an oppressive dictatorial husband, he still offered more love to her than the cold, quasi-emotionless Logan Killicks. Only after finding love with Tea Cake, however, would Janie realize one of the major themes of the novel: in order to gain true happiness, you cannot sacrifice one desire for another, in her case freedom from oppression for love.
She ended up living a life full of manipulation and mediocrity. While living with Joe, she had to tend to many different tasks as his wife. She wasn't independent with him either. She was Joe's tag-a-long. 'She went through many silent rebellions over things like that. Such a waste of life and time. But Joe kept saying that she could do it if she wanted to and he wanted her to use her privileges. That was the rock she was battered against.' (Hurston, 51) Janie always had to wear her hair a certain way, always up in a head rag, in order not to attract attention to other men and women. She was always in a state of loneliness with herself. While married to Janie, he would not allow her to attend the people's gatherings believing that she does not belong to such a group of lower class people. Joe was depriving Janie of her independence and sanity. "Naw, Ah ain't no young gal no mo' but den Ah ain't no old woman either. Ah reckon Ah looks mah age too. But Ah'm us woman every inch of me, and Ah know it. Dat's uh whole lot more'n you kin say. You big-bellies round here and put out a lot of brag, but 'tain't nothin' to it but yo' big voice. Humph! Talkin' 'bout me lookin' old! When you pull down yo' britches, you look lak de change uh life." (Hurston, 75) This quote spoken by Janie proves that she was getting sick and tired of being pushed around by Joe and his stuck-up ways. This was a slow
Therefore, both Joe and Janie are looked up to by the townspeople. To some extent, this could be considered a form of equality. Unfortunately, this is about where the equality stops. While Joe gains prominence through his own actions and words, Janie gains some prominence by doing what she is told to do. She is not permitted to voice her own opinions or join in the lighthearted gossiping which occurs outside of their store. Janie is expected to be the dutiful wife. If she makes a mistake, then she should have known better and therefore should accept her punishment quietly. Joe holds the obvious upper hand in the relationship until his death whereupon Janie inherits a large amount of money and learns to enjoy the freedom of living as her own person.
Even before Joe’s death, Janie “was saving up feelings for some man she had never seen. She had an inside and an outside now and suddenly she knew not how to mix them.”(75) Joe’s influences controlled Janie to the point where she lost her independence and hope. She no longer knew how to adapt to the change brought upon her. When she finally settles and begins to gain back that independence, the outward existence of society came back into play. “Uh woman by herself is uh pitiful thing. Dey needs aid and assistance.”(90) Except this time Janie acted upon her own judgment and fell for someone out of the ordinary. Tea Cake was a refreshing change for Janie, despite the society’s disapproval. “Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place.”(128) This was what she had always dreamt of. When she was with Tea Cake, she no longer questioned inwardly, she simply rejected society’s opinions and acted upon her own desires.
Janie's hair along the story represented more than her beauty, it helps show her identity and how women are unfairly treated. Hurston states, “That night he ordered Janie to tie up her hair around the store”(page 52).Jody shows his jealousy by making Janie cover her hair because he believed that he is only one who should see it. She states, “That was why she sought out Janie to friend with. Janie’s coffee-and-cream
At the beginning of the book, when Joe Starks and Janie get married, Janie's hair gives a direct representation of how her identity and freedom can become tied up or freed, the way that Janie’s hair can be tied up or let loose. For example, after Janie marries Joe, she is unable to do the things she
Janie went on a long journey to obtain womanhood. Janie grew up living with her grandma, who always wanted her to get married at a young age. Janie eventually did marry Logan Killicks when she was 18 years old. However, she hated living with him. He was described as a shallow, unlovable human being. This was when Janie became a woman because she realized that marriage does not assure love. Janie then married Jody Starks. At first, he seemed like a good person because he offered her a new life, but over time grew worse. Jody would constantly restrict what Janie could do, and would beat her for simple errors. It was not until late in their marriage that Janie finally spoke out to Jody of the way he treated her. Jody would soon die, and Janie
When Janie is in a relationship with Joe “Jody” Starks, he restricts the freedom she has through Hurston’s symbolization of hair. Joe begins this oppression of her freedom when he witnesses the townsman Walter stroking the end of Janie’s braid “ever so lightly as to enjoy the feel of it without Janie knowing what he was doing” (Hurston 55). This violation of Janie’s body enrages Joe, for he views Janie’s body as exclusively his property. Regardless of Janie’s desires, he demands “Janie to tie up her hair around the store” (Hurston 55). By revoking Janie’s ability to wear her hair as she pleases, Joe strips her freedom to make her own choices. As she does not yet have the
As the story proceeds, Joe begins to control the economy of the city, self-proclaimed mayor, purchase more land, and hires neighbors to build a store. These changes that brings to his personality begins to distance Janie from him, feeling that she has become a "trophy". On the other hand, he forces her to wear a kerchief when she is working in the store. Janie’s hair is so attractive to men that Joe makes her hide it, thus limiting her femininity and repressing her identity. As T. Johnson and T. Bankhead stated,
Janie) in a sexual manner. It also shows how jealous Joe was of Janie and her youthfulness, as Jody was 10 years her senior. The head rag “irked her endlessly” (55), however she submits to Jody’s control. With Joe Janie must hide her real self, being what her husband wishes her to be, presenting a façade to the outside world of whom they think she should be, not who she really wants to be.
Janie's attraction to Joe Starks' charisma quickly diminishes when his overdose of ambition and controlling personality get the best of him. Although he is a big voice in the town, Janie only sees him as a big voice. All his money and power have no effect on her when all he does is ridicule and control her. He makes it clear where Janie belongs: "Ah never married her for nothin' lak dat. She's uh woman and her place is in de home" (Hurston 43). This is ironic because when she is with Logan, she wants to be in the house doing her own thing, but Joe is making it sound like confinement. It's as if she has no choice in the matter and Joe intends to make his power over her known. People have different desires and sometimes when we get caught up in our success, we can end up hurting others. Joe's reply to Janie is a great example of the insensitivity that can form from the pride we can possibly inherit when we achieve success: "Ah told you in de first beginnin' dat Ah aimed tuh be uh big voice.
In Janie’s marriage with Jody Starks, her hair is representative of her power when Jody represses it and when he indirectly liberates it by dying. At first, Jody draws Janie in with his own authority, self-confidence, and good looks. Janie seems infatuated with these characteristics; yet, ironically, she comes to loathe them, since she realizes that authority creates an air of condescension, self-confidence causes arrogance, and good looks eventually become mundane. Jody, in addition, seems to be extremely misogynistic and treats women like property. He accordingly believes that oppressing them as he sees fit is an acceptable manner of treatment, which is shown when he forces Janie to constantly wear a head-rag in
Instead of treating Janie like the beautiful woman that she is, he uses her as an object. Joe was a man who “treasured [Janie] as a posession” (Berridge). Joe’s demanding nature suppresses Janie’s urge to grow and develop, thus causing her journey to self-realization to take steps backward rather than forward. In Janie’s opinion, “he needs to “have [his] way all [his] life, trample and mash down and then die ruther than tuh let [him]self heah 'bout it” (Hurston 122). It is almost as if Janie loses sense of her own self-consciousness due to the fact that she becomes like a puppy being told what to do by her master. The death of Jody is actually a positive thing. Joe’s controlling nature stifles Janie’s inner voice. While married to Jody, Janie became closer to others, however, she did not become closer to herself. Being on her own again gave her another chance to embark on her journey and realize who Janie Crawford really is.
It’s quite common for an individual to undergo an internal and external battle within ones self. Outwardly, many people plaster on a facade to conceal an unpleasant or discreditable reality, while inevitably suppressing those feelings inwardly. In the novel, Their Eyes Were Watching God, Zora Neale Hurston uses symbolism and metaphors to convey the complexity of Janie’s experience.
He wants to run a town and the only way he feels he can look good is to have a pretty woman by his side. In the beginning of their marriage Joe treats he like a queen. He tells her that his woman needs to relax in the shade sipping on molasses water and fanning herself from the hot sun. Janie fell in love with the idea.