Janie's Vision Under The Pear Tree Analysis

When Janie is about sixteen her grandmother finds her in the act of kissing a boy, and afraid for Janie, she arranges for Janie to be married to Logan Killicks, who is an older man with vast property to his name. Nanny, as Janie calls her, is unable to wrap her mind around the idea of marrying for love and mocks Janie saying, "So you don't want to marry off decent like, do yuh? You just wants to hug and kiss and feel around with first one man and then another, huh?" (Their Eyes Are Watching God, 13). Her grandmothers’ gift of life is different from the life that Janie wants to live. She tells Janie, “De nigger woman is de mule uh de world so fur as Ah can see.'” (Their Eyes Are Watching God, 11). Nanny doesn’t believe that trying to find love and make a better life for you will succeed, she tells Janie that marrying and older man with land to his name will bring security, and she shouldn’t want more than that. Because of this Janie agrees and goes along with the plan. She is depicted as very compliant and rarely speaks her mind, even saying “But Ah hates disagreement and confusion, so Ah better not talk. It makes it hard tuh git along” (Their Eyes Were Watching God, 90).

This was Janie witnessing organisms making love with one another. Hurston continues her paragraph of Janie’s encounter with sex by stating “the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight [then Janie feels pain]

      In Zora Neale Hurston's Their Eyes Were Watching God, the image of a pear tree reverberates throughout the novel. The pear tree is not only a representation of Janie's life - blossoming, death, metamorphosis, and rebirth - but also the spark of curiosity that sets Janie on her quest for self-discovery. Janie is essentially "rootless" at the beginning of her life, never having known her mother or father and having been raised by her grandmother, Nanny. Nanny even says to Janie, "Us colored folks is branches without roots and that makes things come round in queer ways" (Hurston, 16). Under a pear tree in Nanny's backyard, however, Janie, as a naïve

The ways of the world are represented for Janie by the views of her grandmother, Nanny and her first two husbands, Logan Killicks and Joe Starks. Nanny sees society as a hierarchy, with black women at the bottom. As she tells Janie,

Another desire of young Janie is to find true, passionate love in a relationship. Returning to the metaphor of the pear tree, Janie says to her Grandma, “‘Ah wants things sweet wid mah marriage lak when you sit under a pear tree and think’” (Hurston 24). Janie dreams of a peaceful, pleasant, and comfortable love in her marriage, similar to the quiet bliss of sitting in the shade of a blossoming pear tree. In her article, Kubitschek also points out Darwin Turner’s understanding that “‘All Janie wants is to love, be loved, and to share the life of her man. But . . . she must first find a man wise enough to let her be whatever kind of woman she wants to be’” (qtd. in Kubitschek 109). Unfortunately, this love and freedom was not acquired in Janie’s first marriage. Despite her hope that feelings of true love would develop with her first husband Logan Killicks, “she knew now that marriage did not make love. Janie’s first dream was dead, so she became a woman” (Hurston 25). Discontent with lack of passion in her first marriage, Janie decides to abandon her dream of finding love with Logan and does not hesitate to run away with Jody Starks when the situation presents itself. Deborah Clarke comments on this change in heart, writing, “Janie thus gives up a

In each relationship that Janie has become more mature and her identity begins to change. Along her journey, she encounters glimpses of happiness and in the end, she is truly happy. And she finally gains the love like that between the bee and the blossom.

However, during these such obstacles she also finds herself and creates a voice of her own. Growing up Janie had a different lifestyle than most african Americans, she grew up believing that she was indeed white. Although she was raised by her grandmother, which she knew as nanny she lived with a family of whites and was treated as one of them.Janie was given a hard time at school because of this her nanny decided it was time to move out. The turning point in Janie 's life occurred when Nanny caught her kissing a boy; Nanny was disappointed because she wanted Janie to be better than what her mother and herself had become. Nanny knowing that she was going to die soon set up an arranged marriage with an older man who was interested in Janie. Janie only being 14 and in desperate search for love hated the thought of her soon to be husband, but she thought that when two people got married they automatically fell in love with each other. She soon discovers that is not what happens. Janie runs away to discover herself, in spite of her self awareness she also finds herself running off with a younger man abandoning her safe home and husband for something in which she does not know how it will play out.

As a young woman, Janie wanted love, true love. In the beginning of the novel and Janie 's journey, she is under a blossoming pear tree where she spends most of her days. She is watching the bees fly to the blossoms, when she has an epiphany. “So this was a marriage! She had been summoned to behold a revelation. Then

From the first sentences of the beginning of the novel we are lead to learn about the dreams of men. Starting with those first few paragraphs meant the audience needed to keep a look out for Janie’s dream. From the first moment we see her with the pear tree Janie’s dream seems obvious. Her dream is to find out what true love is. Using Hurston’s Their Eyes Were Watching God, Edwidge Danticat’s foreword, and my own annotations Janie’s dream will be explored.

     The plan for Janie’s future begins with her lack of having real parents. Hurston builds up a foundation for Janie that is bound to fall like a Roman Empire. Janie’s grandmother, whom she refers to as “Nanny” takes the position as Janie’s guardian. The problem begins here for Janie because her Nanny not only spoils her, but also makes life choices for her. Nanny is old, and she only wants the best for her grandchild, for she knows that the world is a cruel place. Nanny makes the mistake of not allowing Janie to learn anything on her own. When Janie was sixteen years old, Nanny wanted to see her get married. Although Janie argued at first, Nanny insisted that Janie get married. “’Yeah, Janie, youse got yo’ womanhood on yuh… Ah wants to see you married right away.’” (Page 12). Janie was not given a choice in this decision. Her Nanny even had a suitor picked out for her. Janie told herself that she would try to make the best of the situation and attempt to find love in her marriage to Logan Killicks. But, as time went by, Janie realized that she still did not have any feelings of what she had considered to be love in her husband.

 It is Janie’s relationship with Nanny that first suppresses her self-growth.  Janie has an immense level of respect towards Nanny, who has raised Janie since her mother ran off.  The respect Janie has for her grandmother is deeper than the respect demanded by tradition, from a child toward his caretaker, probably because

Janie is not afraid to defy the expectations that her grandmother has for her life, because she realizes that her grandmother's antiquated views of women as weaklings in need of male protection even at the expense of a loving relationship, constitute limitations to her personal potential. "She hated her grandmother . . . .Nanny had taken the biggest thing God ever made, the horizon " (Their Eyes 85-86).

Nanny’s idea of a marriage is “a haven from indiscriminate sexual exploitation and as a shelter from financial instability” (Jordan). Janie’s marriage to her first husband, Logan Killicks, is an unexpected grief and he disgusts her sexually. She tries to love him but their relationship lacks intimacy, romance, and fun. Throughout the novel, Janie is on a mission and she soon finds out “that marriage did not make love. Janie’s first dream was dead, so she became a woman” (24). Killicks think Janie is spoiled and “counts Janie among the livestock on his farm, estimating her value by her ability to produce greater surplus value” (Ha 33). It is when Janie realizes Killicks plans to put her to work on a mule because she does not bore him any heir that she runs off with Joe Starks.

Janie doesn't love Logan, but that doesn't matter to Nanny, as long as her grandchild is protected. When Janie comes to tell her grandmother that she still doesn't love Logan after three months of marriage, Nanny says, "you come heah wid yo' mouf full uh foolishness on uh busy day. Heah you got uh prop tuh lean on all yo' bawn days, and big protection, and everybody got tuh tip dey hat tuh you and call you Mis' Killicks, and you come worryin' me 'bout love" (Hurston 22) Nanny doesn't care whether or not Janie's in love, so long as she doesn't have to worry about her financial situation. The main goal of the ex-slaves was to be able to survive in the world, and that meant money to pay for their survival. Many of them either stayed with their old masters, bought farms of their own, or moved N orth in pursuit of other vocations (Hoobler 51). Nanny wanted Janie to be able to survive in her community. She tells Janie that "De n----- woman is de mule uh de world so fur as Ah kin see. Ah been prayin' fuh it tuh be different wid you" (Hurston 14). Nanny may want society to change for Janie, but she still won't let her granddaughter make her own decisions about her life. Nanny is trying to follow her dream of affluence and true happiness through her granddaughter, Janie. Many blacks did this by moving North for better work and living standards. What they

Janie's grandmother was one of the most important influences in her life, raising her since from an infant and passing on her dreams to Janie. Janie's mother ran away from home soon after Janie was born. With her father also gone, the task of raising Janie fell to her grandmother, Nanny. Nanny tells Janie "Fact uh de matter, Ah loves yuh a whole heap more'n Ah do yo' mama, de one Ah did birth" (Hurston 31). Nanny's dream is for Janie to attain a position of security in society, "high ground" as she puts it (32). As the person who raised her, Nanny feels that it is both her right and obligation to impose her dreams and her ideas of what is important in life on Janie. The strong relationship between mother and child is important in the African-American community, and the conflict between Janie's idyllic view of marriage and Nanny's wish for her to marry for stability and position is a good illustration of just how deep the respect and trust runs. Janie has a very romantic notion of what marriage should be. "She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace . . . so this was a marriage," is how the narrator describes it (24). Nanny's idea of a good marriage is someone who has some standing in the community, someone who will get Janie to that higher ground. Nanny wants Janie to marry Logan Killicks, but according to her "he look like some ole