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Japan Is a Better Environment than the US for Inspiring Indpendent Creators

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Companies seek to profit off the work of the individuals they employ. If you aren’t generating more value for the company than they pay you will likely not be working for that company much longer. They also hate taking risks and dealing with the unknown. Manga, like many forms of art, throughout the years was commercialized after it was shown to be capable of making money. Like all markets there was a void where companies viewed the risks to be too high, and eventually an independent group of fans stepped in to fill that demand. This is why Comiket was established. Comiket, the Japanese abbreviation of Comic Market started small with 32 circles and about 700 people in attendance but today has 35,000 circles and about 500,000 attendants. It is, “A marketplace where individuals can offer their own self-produced creations to a community that appreciate and supports such creative personal activities.” (1) These creations are known as dōjinshi and dōjin, and can be used to mean to any independently created and released works not just manga. Since and likely because of the success of Comiket the market for niche manga in Japan has exploded in popularity, there are an increasingly large number of artists, fans, and companies seeking to publish these works. Although often original, much of the work is derivative fan art, yet the copyright holders allow and sometimes even encourage these creations. In this paper I will argue that Japan is a better environment than the U.S.

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