Japanese Romanticism Essay

Although the relationship between Australia and Japan is mainly based around the political and economic aspects, factors such as cultural and educational exchange also play a notable role. Japan and Australia signed a cultural agreement in 1974, which allowed the two countries to conduct various cultural exchanges. The mutual respect between Australia and Japan is at an all time high (Tom.W 2001:30). Knowledge of and interest in each country's culture is strong, although it is often misunderstood. For example, a majority of Australians tend to have difficulty recognising the sophistication and uniqueness of the traditional Japanese art forms. Similarly, Japanese people do not generally see beyond the vibrancy and diversity of Australian art. Nevertheless, artistic and cultural exchange between Australia and Japan is now more evenly balanced than ever before. Today people have more opportunities to see artistic developments in each other's countries. The presentation of Japanese art to Australian people has played a vital task in promoting a wider appreciation of Japanese culture.

During the post classical period, 650 C.E to 1450 C.E, Japanese leaders were confronted with several issues that threatened political order in Japan. The problems that arose during that time included a lack of respect for Buddhism, for example, monks were not taking their vows seriously. Another problem included the division between classes in the social structure, one instance was when the lady-in-waiting in the temple showed disdain for the peasants in a lower class than her. Ultimately, one last problem was the lack of overall respect for the government. Samurais were not being properly trained and the Daimyo were fighting among themselves simply for power. The issues that presented themselves during this time period can be solved in many ways. Buddhism, a unified religion, reestablishing Confucian values and relationships, and properly training the Samurai are just

The start of the Romantic Age coincided with the start of the French Revolution in 1789. It ends in 1837. Just as the revolution was changing the social order, the romantic poets were taking literature in a whole new direction. The mechanical reason that pervaded the work of the previous era was replaced by strong emotions and a return to nature. Animals and respect for nature were frequently used subjects in works of his period. The first generation of poets included William Wordsworth, Samuel Taylor Coleridge, and Sir Walter Scott. Their primary contribution to literature was with their lyrical ballads. They used the typical romantic themes of respect for nature and all of its creatures. Wordsworth is above all the poet

In Giles Milton’s novel, Samurai William, the reader is taken to the other side of the globe to experience the history of old world Japan. Though out the book, Milton provides reason for complex historical events and actions, while still communicating the subtleties and mysterious customs of the Japanese. The novel also closely examines the wide range of relationships between different groups of Europeans and Asians, predominantly revolving around the protagonist, William Adams. The book documents the successes and failures that occur between the two civilizations, then links them back to either the positive or negative relationship they have. As the book goes on, the correlation is obvious. Milton shows us the extreme role that religion,

French impressionists such as Gaugin, Manet and Monet are some of the many who were overcome by this bombardment of Asian art. Morimura has introduced wit into this work by substituting rose leaves in the place of fig leaves to hide his genitals. This can be seen as a form of revenge on Manet for he was a ‘pupil’ of Japanese art. This mystery of sexual identity also leads to a sense of intertextuality that stems from Morimura’s role as an androgynous critic.

After the Meiji restoration, the West was taken as a supreme ideal for nearly every aspect of Japanese life. In fact it has become alarmingly difficult to differentiate the original cultural Japanese life and the Westernised Japanese way of life (‘A History of Modern Japan’, p13). The assimilation of Western ideas has largely been a negative transition, through the establishment of unreasonable treaties. However, according to historical events and accounts, it is evident that continued Western influence and interference between 1853-1941, led Japan to become a more aggressive nation.

Westernization, which primarily spread in the mid to late 19th century, brought forth a profound change of ideas and cultures across the world. Both Japan and India were affected greatly as Western practices and ideologies seeped into the minds of individuals throughout various societies. Influential individuals, such as Thomas Babington Macaulay and Fukuzawa Yukichi wished to reform India and Japan by introducing Western ideas into these countries. Artists such as Honda Kinkachiro and Werner Forman showed the effects of Westernization on Japan. Through the writings and artwork of Macaulay, Yukichi, Kinkachiro, and Forman, we are able to understand that Europe’s colonizing mentality, as well as Asia’s acceptance of new ideas, were both supported by the belief that the West is superior.

Japan is an unique oriental country in many aspects, especially in politics and economy, both western practices and traditional nationalism are coexisted in this country. The period 1890-1940 was just followed the Meiji restoration, and was typical in the history of Japan, at that time, Japan was on the way from a feudal country to a capitalistic country, called modernization. Many western practices were being more and more adopted, however, at the same time, traditional rules still had strong influences in Japan. Under this background, this report will discuss the Japanese cultural factors during 1890-1940 that influenced the disclosure

They are the ritualization in Japanese culture, women’s implicit expression of love, women’s hierarchy in 18th Japan, and how the landscape of Japan influences the prosperity of Geisha culture.

It is no secret that for centuries, the Japanese woman has been, to most observers, a model of elegance and graceful beauty. A picture of a kimono-clad, modest, and often silent woman has been plastered everywhere, allowing for the upmost passive subjection. If we look deeper into this image of woman, can we tell if this picture is complete? How do these women painted in representative images far in the modern world? The ideal woman in Japan is expected to be both a good wife, and a wise mother. Though these seem like reasonable expectations, there is a much deeper meaning to them that has shown signs of being outdated. During the 1800’s and 1900’s, women were subjected to society’s vision of them, and could not break free for fear of the

Romantic: of, characterized by, or suggestive of an idealised, sentimental, or fantastic view of reality… concerned more with feeling and emotion than with form and aesthetic qualities.

Romanticism can be used to describe a time period when poets, painters, essayists and composers increasingly came to view nature itself as the greatest teacher (Sayre 177). Romantic artist believed that the past Classical values of dominance were over. Romanticism believed by a new way of living one where emotion and feeling can into play. Romantics had a very deep and passionate feeling for the beauty of nature and how it corresponds to life. The emotion of the new view of an individual creator, whose creative spirit is more important than strict adherence to formal rules and traditional procedures in romanticism (Britannica). I feel that people felt a time of relief when painting they did not need to feel like they were subject to a certain

The culture of a place is an integral part of its society whether that place is a remote Indian village in Brazil or a highly industrialized city in Western Europe. The culture of Japan fascinates people in the United States because, at first glance, it seems so different. Everything that characterizes the United States--newness, racial heterogeneity, vast territory, informality, and an ethic of individualism-- is absent in Japan. There, one finds an ancient and homogeneous society, an ethic that emphasizes the importance of groups, and a tradition of formal behavior governing every aspect of daily living, from drinking tea to saying hello. On the surface at least, U.S. and Japanese

Poetry is a varied art form. Poetry is expression with words, using aesthetics and definition. Word choice in poetry is the single most important thing. Devices such as assonance, alliteration and rhythm work in a poem to convey a certain image or to facilitate understanding. Similes and metaphors can take two unlike objects, such as a potato and cinderblock, and if done the correct way use them to describe how Abraham Lincoln dealt with scoundrels. Poetry is beautiful. One of the best genres in poetry, let alone a great literary movement is Romanticism or the post-enlightenment Romantics.

Romanticism was a movement in art and literature that started in the late 18th century and continued throughout the 19th century in Europe and America. The movement rebelled against classicism. The basic idea in Romanticism is that reason cannot explain everything. This in contrast to the Age of Enlightenment, which focused more on scientific and rational thinking, Romantics searched for deeper appeals, emotional directness of personal experience and visionary relationship to imagination and aspiration. Romantics favoured more natural, emotional and personal artistic themes. Some of the most notable writers of Romanticism were Mary Shelley, Johann Wolfgang von Goethe, Victor Hugo, Jean-Jacques Rousseau, and Friedrich von Schiller.