Japanese culture is one of the most well appreciated yet, sometimes intriguing and difficult to

Customs and beliefs is what make up a tradition, and tradition is the way one lives their life. In the novel, The Sound of Waves, Yukio Mishima exposed his own view on Japanese traditionalism. Throughout this novel, it is shown that Yukio Mishima believed that Japanese tradition consists of an organized social class, the Bushido code, and going after what one truly believes should be theirs. Mishima illustrated these personal views of Japanese traditionalism through the actions of the Shinji.

The role of the patriarchal society and its impact on the oppression of female characters

Throughout the years, different forms of literature  have generally shown women as weaker than men. They have played archetypes such as the mother archetype or the lover which have traits less desirable than the roles that men would take. These archetypes tend to limit their personalities and they become characters that are solely there for inconveniencing the hero. Stereotypes for women have affected these archetypes, but throughout history many people have made efforts to change these archetypes and make them more desirable. Even though archetypes for women have been shown as weak, it has changed throughout the years.

The genders roles in this book made the author make stereotypical assumptions. For example, soldiers are always portrayed as strong and brave, but most of the soldiers in this book were males and not females. This book made the stereotypical assumption that all males were stronger than

In Ihara Saikaku’s story, Life of a Sensuous Woman, and Mary Wollstonecraft’s work, “Vindication of the Rights of Woman”, the issue of double standards in gender are examined. Both pieces offer a perspective into the lives of women during their respective times and show how some standards that are considered favorable for men, are looked down upon for women. In particular, the two works examine how women were treated differently based on their education, their social status and even their sexual history. Saikaku looks at these issues in a different lens from Wollstonecraft, based on his experiences as a man living in Japan in the 17th century. Their experiences shape their works and show how the issue of double standards of gender span culture, time and geography.

A patriarchal society is a world in which men are the sole decision makers and hold positions of power. As a result, women are introduced to a world made by men, and a history refined by a man 's actions. In Jean Rhys 's Wide Sargasso Sea, conceptions of gender are purposefully problematized. Women characters such as Antoinette and Christophine are pitilessly exposed to constraints of an imperial world.Wide Sargasso Sea presents a modern form of feminism which takes into account the intricacy of male-female interactions to find that efforts to surpass gender norms are despairing.

The author stereotypically socializes the gender roles of males through the quote “The choice is made straightforward. Either you, too, do your very utmost to efficiently smash and be smashed or you admit incompetence or cowardice and quit.” (McMurtry 251). This quote portrays that stereotypically males should possess characteristics of courage and strength and that weakness is frowned upon. Society portrays an image that male should be strong and warrior-like whereas female are nurturing and supportive at the early ages through toys and sports. Gender appearances are also introduced in the early stages of the children. ( try and make this flow more with your previous sentence)

In the modern world women work, vote, run for office and the list goes on. In most aspects, women are equal to men. However, this was not always the case. In centuries past, women were not viewed as being equal to men socially, intellectually, or politically and were thought incapable of accomplishing anything of value. Consequently, many cultures held the view that women were possessions whose only purpose was to be subservient to men. The view of women as mere objects is evident in various works of literature throughout the ages. Two classic works of literature that exemplify this are The Thousand and One Nights and Murasaki Shikibu’s The Tale of

    Throughout the years, different forms of literature  have generally stereotyped women and shown them as weaker than men. They have played archetypes such as the mother or the lover, which have traits less desirable than the roles men would take. These archetypes tend to limit their personalities and they become characters that are solely there for inconveniencing the hero and creating obstacles. Throughout history many people have made efforts to change these archetypes and make them more desirable. Even though archetypes for women have been shown as weak, it has changed throughout the years.

Women in Oceana culture are viewed as protectors and creators of life. Their assigned role accounts for much more than birthing children, their care and protection, executing domestic tasks and fertility of crops (Gale, 2004; Kleiner, p. 1112). According to Gale, women are responsible for “feeding the heirs of the deceased in mortuary ritual” (2004). Oceanic women are an integral part of stable village life. From an outsiders perspective their general role may appear mundane, but their integral role in being connected to the social aspect and networking within the village is as important a role as a males (Kliener, p. 1112). In Oceania villages, the god given power of giving and controlling life is immeasurable. Because women harness this power, men are then required to take back and restore the balance of Mana; this accomplished by denying women access to specialized knowledge, allowing the men flourish as authority figures (Kleiner, p. 1112). Gale views this alternatively, as “matrilineal” rather than unequal in balance, stating that restoring the balance is not about inferiority for the women (2004). While their roles do not provide them with power, specialized knowledge or status, women contribute to other rituals inside the villages alongside men (Kliener, p. 112; Gayle, 2004). The village women also produce art, except those items that would be directly linked to religious,

Throughout the novel, notions of gender roles are persistently instructed into the younger characters’ cultural system repeatedly. This issue first arises

It is inevitable that society has made a stereotype for the definition on what it means to be a man or a woman, it was stated and believed a long time ago and has just moved through life, generation after generation. Society believes that men are the workers and providers and essentially the strength of the family, and women take more of a nurturing and caring role. From this, a man’s physical strength is portrayed as being strong and brave at superior and horrific times, yet through literature like Shakespeare’s Macbeth, it shows that they can end up weak. There are many times in William Shakespeare’s play, Macbeth, where the acts of “reverse-gender roles” are being detected in terms of what

This subsequently allows audiences to understand the role of gender inequality in society and how it has historically permeated into literature. However, Atwood later acknowledges the restricting role feminism also played in the depiction of female characters in more modern literature. Atwood uses hypophora in order to direct the audience, “is it not today - well somehow unfeminist - to depict a woman behaving so badly? Isn’t bad behaviour supposed to be the monopoly of men?”, “Were women to be condemned to virtue for life, slaves in the salt-mines of goodness?”. This continued use of questioning catalyses a reflection upon the ironic idea that feminism, a movement created to equal the sexes, has supported a similar one-dimensional view of women as being solely good. In doing so Atwood ultimately challenges the audience’s view upon how female characters should be represented within literature, ultimately arguing for a barrierless approach which enables writers to explore the complex nature of female

This paper provided an opportunity to take a deeper look into the country of Japan by conducting a Global Cultural Analysis. Throughout this paper the following four research areas were explored: 1.What is the major elements and dimensions of culture in Japan? 2. How are these elements and dimensions integrated by locals conducting business in Japan? 3. How does U.S. culture and business compare with the elements and dimensions of culture integrated by the locals conducting business in Japan? 4. What are the implications for U.S. businesses that wish to conduct business with Japan?

Majority of the ancient societies portrayed similarities in the presentation of women and girls. In other words, women and girls in the traditional communities were given similar roles and were regarded as the inferior members of the society. Men were viewed as members of the superior gender and due to this; they were given the primary responsibilities in the society and were also regarded as the heads of the family and the entire community. In most cases, women took the roles and responsibilities of housewives, caretakers, nurturers, reproducers, and mothers while men were given the responsibility of managing the society. The classification of diverse roles for women and men was destructive on the side of the females as men sought to dominate them, take advantage of them and even oppress them and this resulted in the case of gender imbalance and inequality. It is clear that men were insensitive about this division and hence scholars rose to represent the fate of women through writing. The Tale of Kieu by Nguyen and the Separate Ways by Chiyo portray women as oppressed, voiceless and members of an inferior gender.