Jazz and the Past, Present, and Future
One of the most profound paradoxes that Jazz as a musical genre has spurred by way of its mere existence is contained within the connotation of the word “Jazz” itself. Attempting to unravel the mysterious history of this familiar word is a sisyphusian task due in part to the contested nature of the word, yet as Alan P. Merriam and Fradley H. Garner postulate in their article Jazz – The Word from the journal Ethnomusicology: studying the problems associated with the contested nature of the term reveal critical information on the history of Jazz, the music and the stories of the disenfranchised people who forged Jazz (Merriam, 373). Merriam and Garner establish in Jazz – The Word that Jazz has a foot firmly rooted in the past and owes itself considerably to the experiences of Africans brought to the New World by Europeans under the brutal imposition of slavery, among many other injustices in the annals of history; However, the volatility of Jazz means that the contributions of the past are tightly intertwined with the events of the present, and predictions in the future. In this paper I will be using the model of “past, present, and future” to compare and contrast what Jazz means to different people at different times, and argue that the past, present, and future are tightly intertwined and the relationships between these events make up what Jazz is. In order to make this comparison, I will use several interviews with musicians and
The article “Jazz and White Critic” by Amiri Baraka brings light to an element of jazz criticism that he is frustrated by. Baraka finds controversy in the ideas white critics write about regarding jazz music. Baraka states, “Most jazz critics have been white Americans, but most important jazz musicians have not been.” In the 1960’s, when Baraka made this statement, jazz was becoming more popularized and socially accepted. African American jazz musicians took a long, strenuous journey over decades to push their music into the spotlight to become one of the most popular music styles in society internationally. The special element of jazz is its raw emotion. Baraka distinguishes between “White Jazz”, music
The Jazz Age was a period of radical behavior and care free living. This new music structure started the crazy decade that would change American life. “In the US during the 1920s, jazz was far more than a new musical style or genre”. A Focus on culture, fashion, and mostly freedom became huge. “The Jazz Age became a touchstone for a wide range of social and cultural issues.”1 Also the freedom during the period allowed for many different ethnicities, including African Americans, to gain freedom within society. This new music
The music called Jazz was born sometime around 1895 in New Orleans. It combined elements of Ragtime, marching band music and Blues. What made Jazz such a different perspective of traditional music was its act of improvising. There was a widespread use of improvisation often by more than one player at a time. Songwriters would write the music down on a piece of paper, and then the Jazz musicians would try their best to play the music. Usually in a Jazz piece, musicians would use the song as a starting point to improvise around. Jazz musicians would play a familiar song to the audience, and by the time they were done with the piece they would stir up a totally different feeling away from the
Thesis: Although Jazz music was first introduced over 80 years ago, the genre still influences artists and the new music they make to this day.
Jazz to me is one of the inherent expressions of Negro Life in America: the eternal tom-tom beating in the Negro soul—the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile. Yet the Philadelphia clubwoman… turns up her nose at jazz and all its manifestations—likewise almost anything else distinctly racial…She wants the artist to flatter her, to make the white world believe that all Negroes are as smug as near white in smug as she wants to be. But, to my mind, it is the duty of the younger Negro artist …to change through the hidden force of his art that old whispering “I want to be white,” hidden in the aspirations of his people, to “Why should I want to be white? I am Negro—and beautiful.”
“JAZZ” is a documentary by Ken Burns released 2001 that focuses on the creation and development of jazz, America’s “greatest cultural achievement.” The first episodes entitled, “Gumbo, Beginnings to 1917” and “The Gift (1917-1924), explain the early growth of jazz as it originates in New Orleans and its expands to Chicago and New York during the Jazz Age. In assessing the first two episodes of Ken Burns' 2001 documentary, "JAZZ," this essay will explore the history of jazz, the music's racial implications, and it's impact on society. In doing so, attention will also be given to the structure of the documentary, and the effectiveness of documentary film in retelling the past.
Out of the streets of New Orleans, a new form of music arose. This new type of music was not known as African or European, but simply American. It was jazz. In 1900 jazz first developed, but it wasn’t until the
Knowledge of jazz has fallen far behind its development. Most people do not know the facts on jazz, only some generalities and stereotypes. Often being called America’s only original art form, jazz began as an ethnic music, but there is much more to jazz than music. It is difficult to think of jazz without thinking of African-American
Jazz is a music genre that has complex characteristics and history of development and thus many musicians and scholars face troubles in defining what jazz is. In general, jazz is believed to have born in New Orleans. Jazz developed for the pleasure of the social dancers. According to the “Understanding Jazz: What Is Jazz?” of John F. Kennedy center for the Performing Arts, Jazz was created mainly by Afro-Americans, and had elements of European and Afro-American culture. Also, it emphasizes few elements of Jazz, which are swing-feel, syncopation, and improvisation. These different culture and elements of jazz may be explained by how jazz
Jazz is a genre of music that originated in African American communities in the United States in the late 19th and early 20th century. The Jazz Era was a big deal throughout 1915 to 1935. Jazz was brought up in many different ways. There was many jazz artist who contributed to the era such as Jelly Roll Morton, Joe King Oliver, Sidney Bechet, Louis Armstrong, and Duke Ellington. As the jazz era ended, some artists struggled and some continued on with fortune and fame.
The first jazz was played in the early 20th century. The work chants and folk
Jazz is consider one of the most influential types of music an America History. Some of the greatest artist in the world have contribute to the success jazz have had not only on America History but throughout the world. This paper will explain the history of jazz, where it all came from and the effect it has had on the America Culture.
Cool Jazz originated in the late 1940 's. It was created from the mix of classical music and jazz music. Miles Davis is known as the creator of cool jazz and his most important album was "Birth of Cool". People also say that cool jazz was a smoother style of bebop. The rhythm of cool jazz is more of a melodic flow. Cool jazz also originated in New York
The mystery of Jazz and its powerful impact on the music community can be explained largely by the context of it’s creation. Jazz was born in the United States, and because of this, many have referred to Jazz as “America’s music.” Like America, Jazz has a balance between structure and spontaneity. It capitalizes on the fluidity of the musicians, having several different instruments with independent spirits, coming together as one to form a great piece of music. Unlike other styles of music, Jazz has a certain way about it that makes it stand-alone in the world of genres. It improvises, moves, and transforms itself in a moment’s notice based on the musician’s intuition. Just as America harbors democracy, so too does a jazz ensemble, showing both the responsibility to a larger group, yet still allowing room for individual freedom. It all comes down to how well others can respect the overall framework and structure of the jingle.
Jazz is considered one of the most influential types of music in American history. Some of the greatest artists in the world have contributed to the success jazz has had not only on American history, but throughout the world. Jazz music has come to serve as the base of many music styles in the United States. This paper will explain the history of jazz, where it all came from, and the effect it has had on the American culture in the 20th century.