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Jazz Music Research Paper

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Of all the arts that took place in the United States, Jazz is well thought out as America's first original art form. Since its beginning in the 20th century, Jazz music is defined by chronicle changes. Almost every decade a new essence enhanced the movement, and by the 1940’s jazz had developed into a mature, complex form of music, with many nuances and avenues for unceasing changes.
Jazz appeared in New Orleans in the early twentieth century. It is the product of miscegenation between the culture of American black people from slavery, and European culture imported by the colonists. In the early 1910s, New Orleans Jazz began combining ragtime and blues with improvisation. In 1930, the swing era emerged followed by Bebop in 1940 where jazz shifted …show more content…

However, if you try to look, you can always find gigs performing anywhere. For instance, Lincoln center in New York has jazz almost every night. All over the world, there are several jazz festivals and venues all year long. In San Francisco, this summer from July 16 till August 23, there is a jazz festival presenting every day a different artist. Plus, in practically every university with a music program there exists either a big size group or a big band jazz ensemble. Nowadays, Big Bands are very few on a professional scale; however, they still exist in Americans schools. They perform all kind of jazz: hard bop, traditional big band swing, big band bebop, cool and fusion. They also write and perform new …show more content…

First, the traditional artist performs jazz based on bebop, swing, blues and hard bop. They dismiss free jazz and fusion. These artists consider that they play real jazz, not the diverse hybrids and adds-on that aroused since 1960. One of the most important artists of this movement is the trumpeter Wynton Marsalis, who played a major role in the reappearance of jazz.
Second, the contemporary mainstream artists are mainly influenced by hard bop. Although they use Hard Bop instrumentation and musical forms, contemporary mainstream artists try to push the music further. They increase technical proficiency on their instruments, they expand musical harmonies using more difficult chords and complex chords progression and they express deeper and varied emotions. The trumpeter Terence Blanchard is today’s most important contemporary mainstream jazz artist.
Third, as their name indicates, “anything goes” jazz artists mix up all kind of music. Their music can include all styles of jazz, blues, rock, Latin, classical, popular, hip-hop… The saxophonist Dave Liebman and the trumpeter Dave Douglas are two important “anything goes” artists.
Another thing that is specific to today’s jazz is the variation in the

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